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Sindoora Rekha
''Sindoora Rekha '' is a 1995 Indian Malayalam-language film. It stars Suresh Gopi, Shobhana, Narendra Prasad and Ranjitha. The film has musical score by Sharreth. Plot Balachandran (Suresh Gopi) falls in love with Arundhathi (Shobana) and Arundathi gets pregnant when Balachandran learns that Arundathi is a patient. So, she has to give up her baby. Cast *Suresh Gopi as Balachandran *Dileep as Ambujakshan *Shobhana as Arundhathi *Ranjitha as Ramani *Narendra Prasad as Menon *Janardanan as Narayanan Nair *Oduvil Unnikrishnan as Raghavan Nair *Sankaradi as House Owner Pisharodi *Harishree Ashokan as Oommachan *Bobby Kottarakkara as Gouthaman * Santhosh as Dasappan *Kundara Johny as Circle Inspector *Prathapachandran as Doctor *Aranmula Ponnamma as Muthassi *Meena as Balachandran's Mother *Zeenath as Rajalakshmi *Kozhikode Narayanan Nair as Vaidyar Soundtrack The music was composed by Sharreth Sujith Vasudevan I (born 3 October 1969), professionally credited as Sharret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibi Malayil
Sibi ( Sindhi: سيوي ur, ) is a city situated in the Balochistan province of Pakistan. The city is the headquarters of the district and tehsil of the same name. Etymology The origin of the town's name is attributed to Rani Sewi, a Hindu lady of the Sewa Dynasty who ruled Balochistan before the 7th century.The tribal Baluchistan by Syed Abdul Quddus page 49 History The history of the Sibi region dates back to the 7th century at the earliest, when it was ruled by the Sewa dynasty. In the early 13th century, Sibi was a dependency of Multan under Nasiruddin Qabacha of the Ghurid Empire. The area was then variously subject to Multan or Sindh throughout much of its history. The Arghun dynasty of Kandahar invaded in the late 15th century and seized Sibi from the Samma dynasty of Sindh, but it was returned to Sindh during the Mughal period. Sibi was governed by the Kalhora dynasty during the early 18th century, which in turn paid tribute to the Afsharids after Nader Shah's invas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santhosh (actor)
Santhosh Kesavan Nair is an Indian actor in Malayalam cinema. He has acted in more than 100 films as villain, hero, second hero and as comedian as well. Early life Santhosh is from Thiruvananthapuram. He is the only son of retired headmaster C. N. Kesavan Nair and P. Rajalakshmiamma, who is also a retired teacher. He grew up along with his two sisters in Pettah, Thiruvananthapuram. Santhosh was brought up by his maternal grandparents Adv. K. S. Chellappan Pillai and B. Parukuttyamma ever since his parents left to Ethiopia on deputation. He did his schooling at St. Joseph's Higher Secondary School, Thiruvananthapuram. Both his sisters turned out to be gynaecologists while he wanted to pursue a career as an actor. He graduated and post graduated in Mathematics from Mahatma Gandhi College, Thiruvananthapuram. He was active in politics during his college days. He made his debut through Malayalam movie "Ith njangalude Katha" directed by P.G. Viswambharan in 1982. He married Subhasree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reethigowla
Reethigowla, Reethi Gowla or Reethigowlai is a janya raga in carnatic music. It is associated with 22nd melakarta raga Kharaharapriya. It is Vakra Shadava-Sampoorna (Zig-zag raga with six notes in Arohana and seven in Avarohana).Visually understood It is a Rakthi Ragam with unique and melodious Sancharams and Prayogams. This Raga invokes Bhakti mixed with immense joy through a Vadi-Samvadi relationship between many of its swaras such as Sa-Ma, Ri-Dha and Ga-Ni. It is also classified as a "rakti" raga (a raga of high melodic content). In the Muthuswami Dikshitar school, it is a melakarta known as Nārīrītigowla. Arohana and Avarohana * : * : Popular compositions *Seetha Nayaka by Tyagaraja *Bale balendu-bhushani by Tyagaraja *Nannu vidachi by Tyagaraja *Jo Jo Jo Rama by Tyagaraja *Badalika teera by Tyagaraja *Dvaitamu sukhama by Tyagaraja *Paripalaya paripalaya raghunatha by Tyagaraja *Raaga ratna malikache by Tyagaraja *Chera rava demira by Tyagaraja *Thamboolava K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). It is a ''janya'' rāga (derived scale). The equivalent of ''Madhyamavati'' in Hindustani music is ''Madhumad Sarang''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar. It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths ''S, P and R2'' and fourths ''S, M1 and N2''. Structure and Lakshana ''Madh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revagupti
Revagupti (pronounced ''rēvagupti'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (''audava'' rāgam or ''owdava'' rāgam). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). It is a morning rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The similar scales in Hindustani music are ''Rewa'' and ''Bibhas''. Structure and Lakshana ''Revagupti'' is a symmetric rāgam that does not contain ''madhyamam'' or ''nishādham''. It is a symmetric pentatonic scale (''audava-audava'' ragam in Carnatic music classification – ''audava'' meaning 'of 5'). Its ascending and descending scale (' structure) is as follows: * : * : The notes used in this scale are ''shadjam, shuddha rishabham, antara gandharam, panchamam'' and ''shuddha dhaivatham'', as per Carnatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shree (Carnatic Raga)
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Shree.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications This scale does not have all the seven ''swaras'' (musical notes) in the ascending scale. ''Shree'' is the ''asampurna melakartha'' equivalent of '' Kharaharapriya'', the 22nd '' Melakarta'' rāgam.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is the last of the 5 ''Ghana'' rāgams of Carnatic music. It is a popular rāgam that is considered to be highly auspicious. Notably, Carnatic Shree takes the lower ''madhyamam'' being the asampurna scale equivalent of Kharaharapriya. It is not related to the Hindustani raga, Shree. Structure and Lakshana ''Shree'' is an asymmetric rāgam that does not contain ''gāndhāram'' or ''dhaivatam'' in the ascending scale. It is a ''audava-vakra-sampurna'' rāgam (or ''owdava'', meaning pentatonic in ascending scale), where ''vakra'' indicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaithapram Damodaran Nambudiri
Padma Shri Kaithapram Damodaran Namboothiri, popularly known as Kaithapram, is a Malayalam lyricist, poet, music director, actor, singer, screenwriter, music therapist and performer of Carnatic music. He debuted with the movie Ennennum Kannettante in 1986. He won the Kerala State Film Award for Best Lyricist two times. Kaithapram is regarded as the most successful and critically acclaimed lyricist of contemporary Malayalam cinema. He was awarded India's fourth-highest civilian honor Padma Shri in 2021 by the Government of India for his contribution to the field of art. Life and career Kaithapram Damodaran Namboothiri was born as the eldest son of Keshavan Namboothiri (popularly known as Kannadi Bhagavathar, a disciple of Chembai Vaidyanatha Bhagavatar) and Aditi Antharjanam in Kaithapram village in Payyanur Taluk of Kannur district of Kerala, on 4 August 1950 and he is currently residing in Thiruvannur in Kozhikode District. He has four siblings, among whom the youngest, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raaga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kozhikode Narayanan Nair
Kozhikode Narayanan Nair is an Indian actor in Malayalam cinema, who has acted in more than 300 films. He entered the "Malayalam" movie industry (Mollywood) through a drama troupe. His first film was ''Aabhijathyam'' (1970), and he is also remembered for his role as Valyamama in a Malayalam movie called '' Valsalyam'' (1993). Early life Nair was born in 1940 in Panthirankavu in the Kozhikode district. He entered his career in early school days through drama playing activities. Later, he became the member of a professional drama troop - Stage India. He continued his drama life with employment in sylon printers. He later became the manager of Marikkar eng. company and Hindustan eng. company. Film career In his 50 years of the acting career, he completed 300 films in Malayalam industry. His first film was ''Aabhijathyam'' (1970). He then acted in movies such as '' Utharayanam'', ''Nirmalyam'', '' Kochuthemmadi'', '' Oliyambukal'', ''Bharatham'', ''Aavanazhi'', ''Sadhayam'', ''ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeenath
Zeenath A.P is an Indian actress and dubbing artist. She was a prominent supporting actress during the 1990s in Malayalam films. Background Zeenath was born to Abu Achippuram and Fathima in Nilambur, Malappuram district. She had her primary education from Navodaya School Nilambur. She is theater artist turned movie actor. She shared Kerala State Film Award for Best Dubbing Artist in 2007 with her sister Hafsath for the movie '' Paradesi''. She was married twice. She married Malayalam Drama director and producer K. T. Muhammed on 10 June 1981 but ended up in divorce. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meena (Malayalam Actress)
Mary Joseph, famously known as Meena (22 April 1941 – 17 September 1997), was an Indian actress. She primarily appeared in Malayalam movie Malayalam cinema is an Indian film industry of Malayalam-language motion pictures. It is based in Kochi, Kerala, India. The films produced in Malayalam cinema are known for their cinematography and story-driven plots. In 1982, ''Elippathayam' ...s. She died on 17 September 1997 due to a cardiac arrest. Early life Meena (Mary Joseph) was the eighth child in a Marthoma Syrian Christian family from kumarapuram-haripad, in Alappuzha. Born on April 22, 1941 to Koyikkaleth Itty Cheria Eapen and his wife, Eleyamma Eapen, she began her early career in theatre in Kalanilayam and Geetha Arts Club. Her film debut in Malayalam was in Kudumbini. Personal life She was married to K.K. Joseph. She died on 17 September 1997 on the set of ''Anjara Kalyanam''. She is survived by her only daughter Dr Elizabeth and her son in law Sunny George and gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
