Simon Warner (musician)
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Simon Warner (musician)
Simon Warner (born 1967) is an English musician and songwriter, known mainly for his 1997 orchestral pop album '' Waiting Rooms''. Briefly active in both the 1980s and 1990s, Warner proved to be a polarising figure whose blatantly theatrical musical and performance style (inspired in part by Jacques Brel and Anthony Newley) attracted praise and condemnation in roughly equal measure. After the release of ''Waiting Rooms'' (a commercial failure with reviews which ranged from the ecstatic to the dismissive), Warner briefly worked as a string arranger for Sneaker Pimps and began work on a never-completed second album before quitting the industry and the public eye altogether (becoming a minor cult British pop figure in the process). Warner broke cover in a ''Mojo Mojo may refer to: *Mojo (African-American culture), a magical charm bag used in voodoo Arts, entertainment and media Film and television * MOJO HD, an American television network * ''Mojo'' (play), by Jez Butterwort ...
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Dhekelia Cantonment
Dhekelia Cantonment ( el, Φρουρά Δεκέλεια, tr, Dikelya Cantonment) is a military base in Akrotiri and Dhekelia, a British Overseas Territory on the island of Cyprus, administered as the Sovereign Base Areas. It is located in the Eastern Sovereign Base Area, one of the two areas which comprise the territory. It is the larger of the British military bases on the island, and it is also the location of Alexander Barracks, which is home to 2nd Battalion, The Princess of Wales's Royal Regiment. In autumn 2017 the 2nd Battalion Royal Anglian Regiment deployed to Dhekelia replacing 2nd Battalion, The Princess of Wales's Royal Regiment. It forms a part of British Forces Cyprus. The eastern part of the cantonment includes Ayios Nikolaos Station and a Green Line crossing point. The western part includes several Greek Cypriot enclaves including Xylotymbou, Ormidhia and Dhekelia Power Station. The two parts of the cantonment are joined by a narrow corridor little wider tha ...
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Orchestral Pop
Orchestral pop (sometimes called ork-pop for short) is pop music that has been arranged and performed by a symphonic orchestra. It may also be conflated with the terms symphonic pop or chamber pop. History During the 1960s, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched rock music, rock guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians. Many pop arrangers and producers worked orchestral pop into their artists' releases, including George Martin and his strings arrangements with the Beatles, and John Barry (composer), John Barry for his scores to the James Bond films. Also in the 1960s, a number of orchestral settings were made for songs written by the Beatles, including symphonic performances of "Yesterday (Beatles song), Yesterday" by orchestras. Some symphonies were specifically founded for playing predominantly pop ...
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Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ...
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Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ...
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Rough Trade Records
Rough Trade Records is an independent record label based in London, England. It was formed in 1976 by Geoff Travis who had opened a record store off Ladbroke Grove. Having successfully promoted and sold records by punk rock and early post-punk and indie pop bands such as the Normal and Desperate Bicycles, Travis began to manage acts and distribute bands such as Scritti Politti and began the label, which was informed by left-wing politics and structured as a co-operative. Soon after, Rough Trade also set up a distribution arm that serviced independent retail outlets across Britain, a network that became known as the Cartel. In 1983, Rough Trade signed the Smiths. Interest and investment of major labels in the UK indie scene in the late 1980s, as well as overtrading on behalf of Rough Trade's distribution wing, led to cash flow problems, and eventually to bankruptcy, forcing the label into receivership. However, Travis resurrected the label in the late 1990s, finding success w ...
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One Little Indian Records
One Little Independent Records (formerly One Little Indian Records) is an English independent record label. It was set up in 1985 by members of various anarcho-punk bands, and managed by former Flux of Pink Indians bassist Derek Birkett. In the 1990s it set up a number of subsidiary labels. History One Little Indian Records was founded in 1985 by members of various anarcho-punk bands, and managed by former Flux of Pink Indians bassist Derek Birkett, with the name inspired by the "philosophies of the Indigenous People of the Americas". The label's first success came with A.R. Kane and Flux of Pink Indians in 1986. Success continued with Alabama 3, Björk, Chumbawamba, Kitchens of Distinction, The Shamen, Skunk Anansie, Sneaker Pimps, and the Sugarcubes. Beginning in 1990, the label created several autonomous satellite imprints including Clean-up Records, Partisan Records and Fat Cat Records, all of which had success. Artists on the labels included Alabama 3 (A3), Sigur Ró ...
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Sneaker Pimps
Sneaker Pimps are an English electronic music band, formed in Hartlepool in 1994. They are best known for their debut album, ''Becoming X'' (1996), and its singles " 6 Underground" and "Spin Spin Sugar". The band takes its name from an article the Beastie Boys published in their ''Grand Royal'' magazine about a man they hired to track down classic sneakers. The band was founded by electronic musician Liam Howe and guitarist Chris Corner. They later recruited Kelli Ali (then known as Kelli Dayton) as lead singer, plus guitarist Joe Wilson and drummer Dave Westlake as backup musicians. After ''Becoming X'', the band decided to replace Ali with Corner on vocals. Wilson and Westlake departed in 2002. In 2016 Howe and Corner revived the group after a lengthy hiatus. In 2021, they began releasing new music. History Chris Corner and Liam Howe met as teenagers in the 1980s, both taking an interest in recording and studio experimentation. They banded together under the name F.R.I.S.K. a ...
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Orchestral Pop
Orchestral pop (sometimes called ork-pop for short) is pop music that has been arranged and performed by a symphonic orchestra. It may also be conflated with the terms symphonic pop or chamber pop. History During the 1960s, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched rock music, rock guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians. Many pop arrangers and producers worked orchestral pop into their artists' releases, including George Martin and his strings arrangements with the Beatles, and John Barry (composer), John Barry for his scores to the James Bond films. Also in the 1960s, a number of orchestral settings were made for songs written by the Beatles, including symphonic performances of "Yesterday (Beatles song), Yesterday" by orchestras. Some symphonies were specifically founded for playing predominantly pop ...
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Waiting Rooms (album)
''Waiting Rooms'' (1997) is the debut (and to date, only) album by English singer-songwriter Simon Warner. In part a product of the fashion for orchestral pop in mid-1990s Britain, the album is strongly influenced by Anthony Newley and Jacques Brel Jacques Romain Georges Brel (, ; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following—initially in Belgium and France, l .... The album was produced by former House of Love bass guitarist Chris Groothuizen in collaboration with Warner and his keyboard player/co-arranger Richard Benbow. Waiting Rooms produced two singles, 'Wake Up The Street' and 'The Wrong Girl' (the latter a vinyl-only release). Neither single was a hit. Track listing Written by Simon Warner except 1, 5, 14 & 15 written by Simon Warner and Richard Benbow. * Title 1 = "Introduction" Length = 0:24 * Title 2 = ...
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Jacques Brel
Jacques Romain Georges Brel (, ; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following—initially in Belgium and France, later throughout the world. He is considered a master of the modern chanson. Although he recorded most of his songs in French and occasionally in Dutch, he became an influence on English-speaking songwriters and performers, such as Scott Walker, David Bowie, Alex Harvey, Marc Almond, Neil Hannon, and Rod McKuen. English translations of his songs were recorded by many performers, including Bowie, Walker, Ray Charles, Judy Collins, John Denver, The Kingston Trio, Nina Simone, Shirley Bassey, James Dean Bradfield, Frank Sinatra, and Andy Williams. Brel was a successful actor, appearing in 10 films. He directed two films, one of which, ''Le Far West'', was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Having sold over 2 ...
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Anthony Newley
Anthony Newley (24 September 1931 – 14 April 1999) was an English actor, singer, songwriter, and filmmaker. A "latter-day British Al Jolson", he achieved widespread success in song, and on stage and screen. "One of Broadway's greatest leading men", from 1959 to 1962 he scored a dozen entries on the UK Top 40 chart, including two number one hits. Newley won the 1963 Grammy Award for Song of the Year for " What Kind of Fool Am I", sung by Sammy Davis Jr., and wrote " Feeling Good", which became a signature hit for Nina Simone. His songs have been performed by a wide variety of artists including Fiona Apple, Tony Bennett, Barbara Streisand, Michael Bublé and Mariah Carey. With songwriting partner Leslie Bricusse, Newley won an Academy Award for the film score of ''Willy Wonka & the Chocolate Factory'' (1971), featuring "Pure Imagination", which has been covered by dozens of artists. He collaborated with John Barry on the title song for the James Bond film '' Goldfinger'' (1964 ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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