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Silvestro Ganassi Dal Fontego
Silvestro di Ganassi dal Fontego, also given as Sylvestro di Ganassi dal Fontego, Silvestro Ganasi dal Fontego, and Silvestro dal Fontego (1 January 1492 – 1565) was a Venetian musician and author of two important treatises on instrumental technique. His first treatise covers recorder playing: ''Opera intitulata Fontegara'' (Venice, 1535). His second (in two volumes) is about the viola da gamba: ''Regola Rubertina'' (Venice, 1542) and ''Lettione Seconda'' (Venice, 1543). They cover both technicalities of playing and the subtleties of expression. There is also guidance on ornamentation—''passaggi''. The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi's writings. His treatises are now available in modern editions. Viol technique Ganassi's ''Regola Rubertina'' is among the earliest sources of advice to the viol player on how to hold the bow. In Chapter III, Ganassi says: You know that the bow is to be held with three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganassi Fontegara
Ganassi may refer to: People * Silvestro Ganassi dal Fontego (1492–1565), author of ''Opera intitulata Fontegara'' (Venice, 1535) and ''Regola Rubertina'' (Venice, 1542) * Chip Ganassi (b. 1958), American businessman and former auto racing driver * Sonia Ganassi (b. 1966), Italian mezzo-soprano Other * Chip Ganassi Racing, an automotive racing organization founded and owned by Chip Ganassi * A Ganassi Recorder (musical instrument), recorder, constructed according to the fingering charts given by Silvestro Ganassi * Ganassi, Lanao del Sur, a municipality in the Philippines {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regola Rubertina
Regola is the 7th ''rione'' of Rome, Italy, identified by the initials R. VII, and belongs to the Municipio I. The name comes from ''Arenula'' (the name is recognizable in the modern ''Via Arenula''), which was the name of the soft sand (''rena'' in Italian) that the river Tiber left after the floods, and that built strands on the left bank. The inhabitants of the ''rione'' are called ''Regolanti''. They were nicknamed ''mangiacode'' ('tail-eaters'), after the typical dish ''coda alla vaccinara'', which was a specialty of the many ''vaccinari'' ('butchers') of the ''rione''. The seal of the ''rione'' represents a rampant deer with a turquoise background. History During the Roman empire, the area belonged to the ''Campus Martius''. In particular, in the modern Regola there was the Trigarium, the stadium where the riders of the ''triga'' (a cart with three horses) used to train. When Emperor Augustus divided Rome into 14 regions, the modern Regola belonged was included in the I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Author
An author is the writer of a book, article, play, mostly written work. A broader definition of the word "author" states: "''An author is "the person who originated or gave existence to anything" and whose authorship determines responsibility for what was created''." Typically, the first owner of a copyright is the person who created the work, i.e. the author. If more than one person created the work (i.e., multiple authors), then a case of joint authorship takes place. The copyright laws are have minor differences in various jurisdictions across the United States. The United States Copyright Office, for example, defines copyright as "a form of protection provided by the laws of the United States (title 17, U.S. Code) to authors of 'original works of authorship.'" Legal significance of authorship Holding the title of "author" over any "literary, dramatic, musical, artistic, rcertain other intellectual works" gives rights to this person, the owner of the copyright, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental Technique
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality. Compositional technique is the ability and knowledge composers use to create music, and may be distinguished from instrumental or performance technique, which in classical music is used to realize compositions, but may also be used in musical improvisation. Extended techniques are distinguished from more simple and more common techniques. Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Da Gamba
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihuel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornamentation (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered a demanding c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dongois
William Dongois is a French brass player with a focus on the cornett. Life and career Dongois was born in Langres (Champagne-Ardenne). After studying the trumpet at the conservatory in Reims and the Conservatoire de Paris, he worked as a teacher for this instrument. He also played in the orchestra of the conservatory and is a member of the orchestra of the Grand Théâtre of Reims. Through his practice as a brass player, he discovered the music of the 16th and 17th centuries. He deepened his knowledge of music history in the composition class. The combination of his experience in trumpet playing and his fondness for the repertoire of early music then led him to his interest in the cornett. To learn the instrument he took courses with Jean-Pierre Canihac and Bruce Dickey at the Schola Cantorum Basiliensis. Under the direction of Jordi Savall, he extended his knowledge in ensemble conducting. Dongois played for recordings with orchestras such as Hespèrion XXI and Concerto Palat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1492 Births
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{{Number disambiguation ...
149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 The following highways are numbered 149: Canada * Prince Edward Island Route 149 Costa Rica * National Route 149 (Costa Rica), National Route 149 India * National Highway 149 (India) Japan * Japan National Route 149 United States * Alabama St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Deaths
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
