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Silk Manuscript
The Chu Silk Manuscript (), also known as the Chu Silk Manuscript from Zidanku in Changsha (), is a Chinese astrological and astronomical text. It was discovered in a (c. 300 BCE) Warring States period tomb from the southern Chinese state of Chu. History The provenance of the Chu Silk Manuscript is uncertain, like many illicit antiquities. Sometime between 1934 and 1942, grave robbers discovered it in a tomb near Zidanku (literally "bullet storehouse"), east of Changsha, Hunan. Archaeologists later found the original tomb and dated it to around 300 BCE. In 1946, the art collector Cai Jixiang () owned the manuscript. John Hadley Cox then transported it to the United States. How John Hadley Cox acquired the manuscript from Cai Jixiang remains a controversy: Cai claimed that Cox had been asked to help scan the manuscript only; Cai's efforts to have the manuscript returned had persisted till the late 1970s but failed.
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Warring States Period
The Warring States period () was an era in History of China#Ancient China, ancient Chinese history characterized by warfare, as well as bureaucratic and military reforms and consolidation. It followed the Spring and Autumn period and concluded with the Qin's wars of unification, Qin wars of conquest that saw the annexation of all other contender states, which ultimately led to the Qin (state), Qin state's victory in 221 BC as the first unified History of China#Imperial China, Chinese empire, known as the Qin dynasty. Although different scholars point toward different dates ranging from 481 BC to 403 BC as the true beginning of the Warring States, Sima Qian's choice of 475 BC is the most often cited. The Warring States era also overlaps with the second half of the Eastern Zhou Period, Eastern Zhou dynasty, though the Chinese sovereign, known as the king of Zhou, ruled merely as a figurehead and served as a backdrop against the machinations of the warring states. The "Warring St ...
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Divination By Astrological And Meteorological Phenomena
The ''Divination by Astrological and Meteorological Phenomena'' (), also known as ''Book of Silk'' is an ancient astronomy silk manuscript compiled by Chinese astronomers of the Western Han Dynasty (202 BC – 9 AD) and found in the Mawangdui of Changsha, Hunan, China in 1973. It lists 29 comets (referred to as 彗星, huì xīng, literally ''broom stars'') that appeared over a period of about 300 years. It is now exhibited in the Hunan Provincial Museum.Hunan Provincial Museum


Contents

The ''Divination by Astrological and Meteorological Phenomena'' contains what archaeologists claim is the first definitive atlas of comets. There are roughly two dozen renderings of comets, some in fold out/pop-up format. In some cases, the pages of the document roll out to be five feet long. Each comet' ...
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White Tiger (China)
The White Tiger (Chinese: 白虎, Pinyin: ''Báihǔ''), known in Chinese as Baihu, is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (). It represents the west in terms of direction and the autumn season. It is known as Byakko in Japanese, Baekho in Korean, and Bạch Hổ in Vietnamese. Seven Mansions As with the other three Symbols, there are seven astrological "Mansions" (positions of the Moon) within the White Tiger. The names and determinative stars are: Origin In Chinese culture, the tiger is the king of the beasts and has been presented with a () on his forehead for centuries. According to legend, the tiger's tail would turn white when it reached the age of 500 years. In this way, the white tiger became a kind of mythological creature. It was said that the white tiger would only appear when the emperor ruled with absolute virtue or if there was peace throughout the world. Because the color white of the Wu Xin ...
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Vermilion Bird
The Vermilion Bird ( zh, c=朱雀, p=Zhūquè) is one of the Four Symbols of the Chinese constellations. According to Wu Xing, the Taoist five elemental system, it represents the Fire element, the direction south, and the season summer correspondingly. Thus it is sometimes called the Vermilion Bird of the South ( Chinese: , ). It is described as a red bird that resembles a pheasant with a five-colored plumage and is perpetually covered in flames. It is known as Suzaku in Japanese, Jujak in Korean and Chu Tước in Vietnamese. It is often mistaken for the Fenghuang due to similarities in appearance, but the two are different creatures. The Fenghuang is a legendary ruler of birds who is associated with the Chinese Empress in the same way the dragon is associated with the Emperor, while the Vermilion Bird is a mythological spirit creature of the Chinese constellations. Seven Mansions of the Vermilion Bird As with the other three Symbols, there are seven astrological "Mansions" ...
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Four Symbols (China)
The Four Symbols (, literally meaning "four images"), are four mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being. Symbolically, and as part of spiritual and religious belief and meaning, these creatures have been culturally important ...
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Erya
The ''Erya'' or ''Erh-ya'' is the first surviving Chinese dictionary. Bernhard Karlgren (1931:49) concluded that "the major part of its glosses must reasonably date from the 3rd century BC." Title Chinese scholars interpret the first title character ''ěr'' (; "you, your; adverbial suffix") as a phonetic loan character for the homophonous ''ěr'' (; "near; close; approach"), and believe the second ''yǎ'' (; "proper; correct; refined; elegant") refers to words or language.''Shiming (Explanations of Names)'"Explaining the Classics"
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Li Xueqin
Li Xueqin (, 28 March 1933 – 24 February 2019) was a Chinese historian, archaeologist, and palaeographer. He served as Director of the Institute of History of the Chinese Academy of Social Sciences, Professor of the Institute of Sinology of Tsinghua University, Chairman of the Pre-Qin History Association of China, and participated in the Xia–Shang–Zhou Chronology Project. Early life and education Li was born 28 March 1933 in Beijing. After finishing middle school in 1948, he tested number one in the entrance examination of the electrical engineering department of the National Beiping High School of Industry. However, he was unable to attend the school because a medical examination misdiagnosed him with tuberculosis. After graduating from high school, he was admitted to Tsinghua University in 1951, where he studied philosophy and logic under professor Jin Yuelin. At Tsinghua, Li's main hobby was studying the oracle bones in the library, putting together pieces of oracle bo ...
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Gong Gong
Gonggong () is a Chinese water god who is depicted in Chinese mythology and folktales as having a copper human head with an iron forehead, red hair, and the body of a serpent, or sometimes the head and torso are human, with the tail of a serpent. He is destructive and is blamed for various cosmic catastrophes. In all accounts, Gonggong ends up being killed or sent into exile, usually after losing a struggle with another major deity such as the fire god Zhurong. In astronomy, the dwarf planet 225088 Gonggong is named after Gonggong. Name In English, the two syllables of the name are the same. But in Mandarin, they differ in tone ( ''Gònggōng''), and in other Chinese languages they differ in their vowel and the initial consonant as well (cf. Middle Chinese , also Japanese ''kyōkō''). The most common variant of the name, , is identical to the first in English, but in Mandarin differs in tone (''Gōnggōng''), and in other Chinese languages in consonant and vowel as well (cf. ...
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Creation Myth
A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develop through oral traditions and therefore typically have multiple versions." While in popular usage the term ''myth'' often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truthsmetaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical mythsthat is, they describe the ordering of the cosmos from a state of chaos or amorphousness. Creation myths often share several features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and charac ...
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Jao Tsung-I
Jao Tsung-I or Rao Zongyi (; 9 August 1917 – 6 February 2018) was a Hong Kong Sinology, sinologist, Chinese calligraphy, calligrapher, historian and painter. A versatile and prolific scholar, he contributed to many fields of humanities, including history, archaeology, epigraphy, folklores, religion, art history, musicology, literature, and Near Eastern Studies. He published more than 100 books and about 1,000 academic articles over a career spanning more than 80 years. Jao and Ji Xianlin were considered China's two greatest humanities academics by their contemporaries. Called the "pride of Hong Kong" by Chinese Premier Li Keqiang, Jao has won many awards including the Grand Bauhinia Medal, the highest honour bestowed by the Hong Kong government. The Jao Tsung-I Petite Ecole of the University of Hong Kong, the Jao Studies Foundation, and the Jao Tsung-I Academy in Kowloon have been founded in his name. Early life and education Jao was born in 1917 in Chao'an (now Xiangqiao Dis ...
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Boustrophedon
Boustrophedon is a style of writing in which alternate lines of writing are reversed, with letters also written in reverse, mirror-style. This is in contrast to modern European languages, where lines always begin on the same side, usually the left. The original term comes from grc, βουστροφηδόν, ', a composite of , ', "ox"; , ', "turn"; and the adverbial suffix -, -', "like, in the manner of" – that is, "like the ox turns hile plowing. It is mostly seen in ancient manuscripts and other inscriptions. It was a common way of writing on stone in ancient Greece, becoming less and less popular throughout the Hellenistic period. Many ancient scripts, such as Etruscan, Safaitic, and Sabaean, were frequently or even typically written boustrophedon. Reverse boustrophedon The wooden boards and other incised artefacts of Rapa Nui also bear a boustrophedonic script called Rongorongo, which remains undeciphered. In Rongorongo, the text in alternate lines was rotated 18 ...
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