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Sigurd (Comic)
Sigurd ( non, Sigurðr ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon—known in some Old Norse sources as Fáfnir—and who was later murdered. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respects, however, the two traditions appear to diverge. The most important works to feature Sigurd are the , the ''Völsunga saga'', and the '' Poetic Edda''. He also appears in numerous other works from both Germany and Scandinavia, including a series of medieval and early modern Scandinavian ballads. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merovingian Dynasty
The Merovingian dynasty () was the ruling family of the Franks from the middle of the 5th century until 751. They first appear as "Kings of the Franks" in the Roman army of northern Gaul. By 509 they had united all the Franks and northern Gaulish Romans under their rule. They conquered most of Gaul, defeating the Visigoths (507) and the Burgundians (534), and also extended their rule into Raetia (537). In Germania, the Alemanni, Bavarii and Saxons accepted their lordship. The Merovingian realm was the largest and most powerful of the states of western Europe following the breaking up of the empire of Theodoric the Great. The dynastic name, medieval Latin or ("sons of Merovech"), derives from an unattested Frankish form, akin to the attested Old English , with the final -''ing'' being a typical Germanic patronymic suffix. The name derives from King Merovech, whom many legends surround. Unlike the Anglo-Saxon royal genealogies, the Merovingians never claimed descent from a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon
The Anglo-Saxons were a Cultural identity, cultural group who inhabited England in the Early Middle Ages. They traced their origins to settlers who came to Britain from mainland Europe in the 5th century. However, the ethnogenesis of the Anglo-Saxons happened within Britain, and the identity was not merely imported. Anglo-Saxon identity arose from interaction between incoming groups from several Germanic peoples, Germanic tribes, both amongst themselves, and with Celtic Britons, indigenous Britons. Many of the natives, over time, adopted Anglo-Saxon culture and language and were assimilated. The Anglo-Saxons established the concept, and the Kingdom of England, Kingdom, of England, and though the modern English language owes somewhat less than 26% of its words to their language, this includes the vast majority of words used in everyday speech. Historically, the Anglo-Saxon period denotes the period in Britain between about 450 and 1066, after Anglo-Saxon settlement of Britain, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Reichert
Hermann Reichert (born 7 April 1944) is an Austrian philologist at the University of Vienna who specializes in Germanic studies. Biography Hermann Reichert was born in Pernitz, Austria, on 7 April 1944. He received his PhD in Germanic philology at the University of Vienna in 1971. His dissertation was supervised by Otto Höfler. He completed his habilitation in Old German and Nordic philology at the University of Vienna in 1984 under the supervision of Helmut Birkhan. Until his retirement in 2009, Reichert was associate professor at the Institute for German Studies at the University of Vienna, where he continues to teach and research. Research Reicherts research focuses on Middle High German and Old Norse literature, Germanic names, runology and early Germanic culture. He is a known authority on the Nibelungenlied. His 1984 habilitation, ', is considered the standard reference work on Germanic names. Reichert has written a large number of books and articles, and was formerly an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danish Language
Danish (; , ) is a North Germanic language spoken by about six million people, principally in and around Denmark. Communities of Danish speakers are also found in Greenland, the Faroe Islands, and the northern German region of Southern Schleswig, where it has minority language status. Minor Danish-speaking communities are also found in Norway, Sweden, the United States, Canada, Brazil, and Argentina. Along with the other North Germanic languages, Danish is a descendant of Old Norse, the common language of the Germanic peoples who lived in Scandinavia during the Viking Era. Danish, together with Swedish, derives from the ''East Norse'' dialect group, while the Middle Norwegian language (before the influence of Danish) and Norwegian Bokmål are classified as ''West Norse'' along with Faroese and Icelandic. A more recent classification based on mutual intelligibility separates modern spoken Danish, Norwegian, and Swedish as "mainland (or ''continental'') Scandinavian", while I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Modern German
Early New High German (ENHG) is a term for the period in the history of the German language generally defined, following Wilhelm Scherer, as the period 1350 to 1650. The term is the standard translation of the German (Fnhd., Frnhd.), introduced by Scherer. The term ''Early Modern High German'' is also occasionally used for this period (but the abbreviation EMHG is generally used for '' Early Middle High German''). Periodisation The start and end dates of ENHG are, like all linguistic periodisations, somewhat arbitrary. In spite of many alternative suggestions, Scherer's dates still command widespread acceptance. Linguistically, the mid-14th century is marked by the phonological changes to the vowel system that characterise the modern standard language; the mid-17th sees the loss of status for regional forms of language, and the triumph of German over Latin as the dominant, and then sole, language for public discourse. Scherer's dates also have the merit of coinciding with two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Dutch
Middle Dutch is a collective name for a number of closely related West Germanic dialects whose ancestor was Old Dutch. It was spoken and written between 1150 and 1500. Until the advent of Modern Dutch after 1500 or c. 1550, there was no overarching standard language, but all dialects were mutually intelligible. During that period, a rich Medieval Dutch literature developed, which had not yet existed during Old Dutch. The various literary works of the time are often very readable for speakers of Modern Dutch since Dutch is a rather conservative language. Phonology Differences with Old Dutch Several phonological changes occurred leading up to the Middle Dutch period. * Earlier Old Dutch , , merge into already in Old Dutch. * Voiceless fricatives become voiced syllable-initially: > , > (merging with from Proto-Germanic ), > . (10th or 11th century) * > * > or . The outcome is dialect-specific, with found in more western dialects and further east. This results in later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Germanic
Proto-Germanic (abbreviated PGmc; also called Common Germanic) is the reconstructed proto-language of the Germanic branch of the Indo-European languages. Proto-Germanic eventually developed from pre-Proto-Germanic into three Germanic branches during the fifth century BC to fifth century AD: West Germanic, East Germanic and North Germanic, which however remained in contact over a considerable time, especially the Ingvaeonic languages (including English), which arose from West Germanic dialects and remained in continued contact with North Germanic. A defining feature of Proto-Germanic is the completion of the process described by Grimm's law, a set of sound changes that occurred between its status as a dialect of Proto-Indo-European and its gradual divergence into a separate language. As it is probable that the development of this sound shift spanned a considerable time (several centuries), Proto-Germanic cannot adequately be reconstructed as a simple node in a tree model but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Þiðreks Saga
''Þiðreks saga af Bern'' ('the saga of Þiðrekr of Bern', also ''Þiðrekssaga'', ''Þiðriks saga'', ''Niflunga saga'' or ''Vilkina saga'', with Anglicisations including ''Thidreksaga'') is an Old Norse chivalric saga centering the character it calls Þiðrekr af Bern, who originated as the historical king Theoderic the Great (454–526), but who attracted a great many unhistorical Germanic heroic legends. The text is probably by a Norwegian scholar from the 1200s who translated a lost Low German prose narrative of Theoderic's life, or who compiled it from various German sources, or by an Icelandic scholar from the 1300s. It is a pre-eminent source for a wide range of medieval Germanic legends. Titles The name ''Vilkinasaga'' was first used in Johan Peringskiöld's Swedish translation of 1715. Peringskiöld named it after ''Vilkinaland'', which the saga says was an old name for Sweden and Götaland. Origins The saga contains many narratives found in other medieval tales ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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