Signe Rappe-Welden
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Signe Rappe-Welden
Signe Rappe-Welden née Rappe (24 September 1879 – 21 May 1974) was a Swedish operatic soprano and voice teacher. She made her dëbut in 1906 in Mannheim, acclaimed for both her voice and acting ability. She performed in Vienna from 1908 to 1911 and received the title of court singer in Sweden in 1909. Her most successful role was that of ''Salome'' in Covent Garden in 1910, which she later performed with Richard Strauss as conductor. After a short period with the Royal Swedish Opera (1912–1913), she went on to give concerts in Europe and the United States. Early life and education Born in Stockholm on 24 September 1879, Signe Rappe was the daughter of General Axel Rappe (1838–1918) and his wife Anna née Sandahl (1855–1946). She was the second in a family of five children. On 30 December 1912, she married the pianist Sigge Heribert Lundén-Welden (1880–1959) with whom she had four children. She studied voice under the Swedish opera singer Thekla Hofer and later in Ber ...
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Signe Rappe In Otello At Kungliga Operan 1909 - SMV - GR026
Signe or Signy is a feminine given name used in the Nordic and Baltic countries, derived from Old Norse ''sigr'' (victory) and ''nýr'' (new), which may refer to: *Signe (Finnish princess), a legendary Finnish princess *Signy, two heroines in Norse mythology and two lesser-known characters in Norse sagas *Signy Aarna (born 1990), Estonian footballer *Signe Amundsen (1899–1987), Norwegian operatic soprano *Signe Asmussen (born 1970), Danish singer *Signe Baumane (born 1964), Latvian animator, fine artist, illustrator and writer *Signe Bergman (1869–1960), Swedish suffragette * Signe Brander (1869–1942), Finnish photographer *Signe Bro (born 1999), Danish swimmer *Signe Brunnström (1898–1988), Swedish-American physiotherapist, scientist and educator *Signe Bruun (born 1998), Danish footballer *Signy Coleman (born 1960), American actress * Signy Stefansson Eaton (1913–1992), Canadian socialite, art collector and philanthropist * Signy Fardal (born 1961), Norwegian editor ...
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Mendelsohn
The surname מענדעלסאן is transliterated to English as Mendelssohn, Mendelsson, or Mendelson. It is a common Polish/German Jewish surname. The variant spellings are used interchangeably, often even within a single family. The name means ''son of Mendel'' ("Mendel's son"), or ''son of Menachem'', as Mendel is a Yiddish diminutive of the Hebrew given name ''Menahem''. he, מנחם Menachem itself means "consoling" or "one who consoles". People Mendelssohn * Mendelssohn family **Moses Mendelssohn (1729–1786), philosopher, a significant figure in the Age of Enlightenment in Germany, and his descendants: ** Joseph Mendelssohn (1770–1848), German Jewish banker, son of Moses, founder of Mendelssohn & Co. ** Abraham Mendelssohn Bartholdy (1776–1835), German Jewish banker, son of Moses, father of Fanny and Felix ** Brendel Mendelssohn (1763–1839), daughter of Moses, married (i) Simon Veit, (ii) Friedrich Schlegel ** Fanny Mendelssohn (1805–1847), noted early Romantic ...
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Danderyd
Danderyd Municipality (''Danderyds kommun''; ) is a municipality north of Stockholm in Stockholm County in east central Sweden. It is one of the smallest municipalities of Sweden, but the most affluent. Its seat is located in Djursholm and it is located within Stockholm urban area. The "old" rural municipality Danderyd was split up during the early 20th century, when Djursholm and Stocksund broke away in 1901 and 1910 respectively. Since 1971 Danderyd Municipality is reunified in approximately the old boundaries. The population in 2019 was 32,857. The four districts making up Danderyd are: Danderyd, Djursholm, Stocksund and Enebyberg. Demographics Income and Education The population in Danderyd Municipality is among the most affluent in the country, having the highest median income per capita. One of the reasons for this is the high price on real estate, which in turn is partially due to a restrictive policy on new developments by the municipality council. The high income of the ...
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Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ...
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Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well- ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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