Sigmund Schining Ein Ringeck
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Sigmund Schining Ein Ringeck
Sigmund Schining ein Ringeck (Sigmund ain Ringeck, Sigmund Amring, Sigmund Einring, Sigmund Schining) was a German fencing master. While the meaning of the surname "Schining" is uncertain, the suffix "ain Ringeck" may indicate that he came from the Rhineland region of south-western Germany. He is named in the text of his treatise as ''Schirmaister'' to one Duke Albrecht, Count Palatine of Rhine and Duke of Bavaria. Other than this, the only thing that can be determined about his life is that his renown as a master was sufficient for Paulus Kal to include him on his memorial to the deceased masters of the Society of Liechtenauer in 1470. Ringeck seems to have authored one of the few complete glosses of the epitome of the grand master Johannes Liechtenauer, making him one of the most important German fencing masters of the 15th century. The identity of Ringeck's patron remains unclear, as four men named Albrecht held the title during the fifteenth century. If it is Albrecht I, who r ...
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Glasgow Fechtbuch
{{Short description, Combat manual The Glasgow Fechtbuch (MS E.1939.65.341 in the R. L. Scott Collection of the Glasgow Museums in Glasgow, Scotland) is a combat manual of the German school of fencing, dated to 1505. Consisting of 105 folia, it combines the instructions of various masters of the 15th century who stood in the tradition of Johannes Liechtenauer, presumably based on a previous compilation made by fencing master Sigmund Schining ein Ringeck. Contents: ;''Blossfechten'' (longsword and messer) *1r - 22r Gloss of Liechtenauer's longsword ''Blossfechten'' by Ringeck (fragment) *22v - 24r Additional longsword material by Ringeck *24v - 25r Longsword by Martin Syber *25v - 26v Messer (weapon), Messer treatise *27r - 29v Additional longsword material by Andres Juden, Jobs von der Nyssen, Nicolas Preussen, and Hans Döbringer (viz., the same "other masters" as referenced in MS 3227a) *35r (Image of a seated master, possibly Liechtenauer, reminiscent of the depiction in C ...
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Albert I, Duke Of Bavaria
Albert I, Duke of Lower Bavaria (german: Albrecht; 25 July 1336 – 13 December 1404), was a feudal ruler of the counties of Holland, Hainaut, and Zeeland in the Low Countries. Additionally, he held a portion of the Bavarian province of Straubing, his Bavarian ducal line's appanage and seat, Lower Bavaria. Biography Early years Albert was born in Munich, the third son of Louis IV, Holy Roman Emperor, by his second wife Margaret II, Countess of Hainaut and Holland. Albert was originally a younger son, apportioned at best an appanage. He was only 10 years old when his father died, leaving most of his Bavarian inheritance to his eldest half-brother, Louis V, Duke of Bavaria, but also some appanages to the younger sons. His elder brother, William V, Count of Holland, had engaged in a long struggle with their mother, obtaining Holland and Zeeland from her in 1354, and Hainaut on her death in 1356. William was supported by the party of burghers of the cities. They were oppos ...
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Paladin Press
Paladin Press was a book publishing firm founded in 1970 by Peder Lund and Robert K. Brown. The company published non-fiction books and videos covering a wide range of specialty topics, including personal and financial freedom, survivalism and preparedness, firearms and shooting, various martial arts and self-defense, military and police tactics, investigation techniques, spying, lockpicking, sabotage, revenge, knives and knife fighting, explosives, and other "action topics" (though the availability of books on topics like improvised explosives has been severely curtailed in recent years). Sometimes described as the "most dangerous publisher in the world", it was sued over several murders connected to one of its books, and finally ceased operating in January 2018. History The company's first iteration was when Peder Lund began operations in association with co-founder Robert K. Brown, in 1970 as "''Panther Publications''". Their first book, ''150 Questions for a Guerrilla'', w ...
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German School Of Swordsmanship
The German school of fencing (') is a system of combat taught in the Holy Roman Empire during the Late Middle Ages, Late Medieval, German Renaissance, and Early Modern periods. It is described in the contemporary Fechtbuch, Fechtbücher ("fencing books") written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the ', or the ''"Art of Fighting"''. The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, Messer (weapon), messers (with or without a buckler), and the stick fighting, staff, as well as describing mounted combat and unarmed grappling (''ringen''). Most authors of writings on the system are, or claim to be, in the tradition of the 14th-century master Johannes Liechtenauer. The earliest surviving treatise on Li ...
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Historical European Martial Arts
Historical European martial arts (HEMA) are martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms. While there is limited surviving documentation of the martial arts of classical antiquity (such as Greek wrestling or gladiatorial combat), surviving dedicated technical treatises or martial arts manuals date to the Late Middle Ages and the early modern period. For this reason, the focus of HEMA is ''de facto'' on the period of the half-millennium of ca. 1300 to 1800, with a German and an Italian school flowering in the Late Middle Ages and the Renaissance (14th to 16th centuries), followed by Spanish, Portuguese, French, English, and Scottish schools of fencing in the modern period (17th and 18th centuries). Arts of the 19th century such as classical fencing, and even early hybrid styles such as Bartitsu, may also be included in the term HEMA in a wider sense, as may traditional or folkloristi ...
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Joachim Meyer
Joachim Meyer (ca. 1537–1571) was a self described Freifechter (literally, Free Fencer) living in the then Free Imperial City of Strasbourg in the 16th century and the author of a fechtbuch '' Gründtliche Beschreibung der Kunst des Fechtens'' (in English, ''Thorough Descriptions of the Art of Fencing'') first published in 1570. His Works In 1570, Joachim Meyer wrote a comprehensive, multi-weapon treatise entitled '' Gründtliche Beschreibung der Kunst des Fechtens'' or, in English, ''Thorough Descriptions of the Art of Fencing''. It is seen as one of the most complete systems within medieval German martial arts. Meyer's book was reprinted in 1600, and may have been an influential source for other 16th- and 17th-century German fencing books, including a 1612 book by Jacob Sutor. His book mostly consists of descriptive text, with only a few dozen woodcuts, each of which depicts several players enacting various techniques described in the text itself. The book consists of f ...
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Peter Von Danzig
''Peter von Danzig'' was a 15th-century ship of the Hanseatic League. The three-masted ship was the first large vessel in the Baltic Sea with carvel planking. Career ''Peter von Danzig'' was built at the French west coast and originally named ''Pierre de la Rochelle'' or ''Peter van Rosseel''. The ship arrived in Danzig in 1462, carrying sea salt from the Atlantic. While she anchored in roadstead, she was damaged by lightning. The ship lay inactive for a while in Danzig harbour, but was eventually seized and changed over to a warship in 1469 after the Hanse had declared war on England. Between August 1471 and 1473 ''Peter von Danzig'' operated in the North Sea under captain Paul Beneke, hunting English merchantmen with a letter of marque and securing Hanse convoys. After the Treaty of Utrecht (1474), the ship undertook several trade trips abroad, before she appears to have been decommissioned in the late 1470s.Jochen Brennecke: ''Geschichte der Schiffahrt'', Künzelsau 1986 ...
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Longsword
A longsword (also spelled as long sword or long-sword) is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use (around ), a straight double-edged blade of around , and weighing approximately . The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries. Names English The longsword has many names in the English language, which, aside from variant spellings, include terms such as "bastard sword" and "hand-and-a-half sword." Of these, "bastard sword" is the oldest, its use being contemporaneous with the weapon's heyday. The French ' and the English "bastard sword" originate in the 15th or 16th century, originally in the general sense of "irregular sword, sword of uncertain origin", but by the mid ...
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Codex Ringeck (MS Dresd
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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Albert IV, Duke Of Bavaria
Albert IV (15 December 1447 – 18 March 1508; german: Albrecht) was duke of Bavaria-Munich from 1467, and duke of the reunited Bavaria from 1503. Biography Albert was a son of Albert III, Duke of Bavaria and Anna of Brunswick-Grubenhagen-Einbeck. He was born in Munich. After the death of his older brother John IV, Duke of Bavaria he gave up his spiritual career and returned from Pavia to Munich. When his brothers Christoph and Wolfgang had resigned Albert became sole duke, but a new duchy Bavaria- Dachau was created from Bavaria-Munich for his brother Duke Sigismund in 1467. After Sigismund's death in 1501, it reverted to Bavaria-Munich. The marriage of Kunigunde of Austria to Albert IV, was a result of intrigues and deception, but must be counted as a defeat for Emperor Frederick III. Albert illegally took control of some imperial fiefs and then asked to marry Kunigunde (who lived in Innsbruck, far from her father), offering to give her the fiefs as a dowry. The Emperor ag ...
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Albert III, Duke Of Bavaria
Albert III the Pious of Bavaria-Munich (; 27 March 1401 – 29 February 1460), since 1438 Duke of Bavaria-Munich. He was born in Wolfratshausen to Ernest, Duke of Bavaria and Elisabetta Visconti, daughter of Bernabò Visconti. Life Albert was first engaged in 1429 to Elisabeth, the daughter of Eberhard III, Count of Württemberg, but she eloped and married Count John IV of Werdenberg, who had been a page at her father's court. In 1432, while Albert was administrator on behalf of his father Ernest, Duke of Bavaria-Munich in the former duchy of Bavaria-Straubing, he secretly married Agnes Bernauer, a maid from Augsburg. His father was against this marriage. In 1435, when Agnes lived in Straubing, Duke Ernest ordered her to be murdered. She was accused of witchcraft, thrown into the Danube River and drowned while Albert was away hunting. After his first wife's death, Albert remained with Louis VII, Duke of Bavaria-Ingolstadt at Ingolstadt, but he reconciled with his father t ...
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Epitome
An epitome (; gr, ἐπιτομή, from ἐπιτέμνειν ''epitemnein'' meaning "to cut short") is a summary or miniature form, or an instance that represents a larger reality, also used as a synonym for embodiment. Epitomacy represents "to the degree of." An abridgment differs from an epitome in that an abridgment is made of selected quotations of a larger work; no new writing is composed, as opposed to the epitome, which is an original summation of a work, at least in part. Many documents from the Ancient Greek and Roman worlds survive now only "in epitome," referring to the practice of some later authors (epitomators) who wrote distilled versions of larger works now lost. Some writers attempted to convey the stance and spirit of the original, while others added further details or anecdotes regarding the general subject. As with all secondary historical sources, a different bias not present in the original may creep in. Documents surviving in epitome differ from those su ...
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