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Sigismondo Brandolini Rota
''Sigismondo'' is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa. The opera was not a success and Rossini later re-used some of its music in ''Elisabetta, regina d'Inghilterra'', ''The Barber of Seville'', and ''Adina''. Performance history ''Sigismondo'' was first performed at the Teatro La Fenice, Venice, on 26 December 1814, with revivals in Cremona, Reggio Emilia, Padua and Senigallia (all in 1819), Florence and Siena (both in 1820) and finally in Bologna (1827). Its modern revival took place in Rovigo in 1992 (see recording details below). Synopsis :Time: 16th Century :Place: PolandOsborne, Charles, p. 43 Roles Recordings References Notes Sources *Gossett, Philip; Brauner, Patricia (2001), " ''Sigismondo'' " in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. * Osborne, Charles (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', London: Methuen; Portland, Oregon: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rovigo
Rovigo (, ; egl, Ruig) is a city and ''comune'' in the Veneto region of Northeast Italy, the capital of the eponymous province. Geography Rovigo stands on the low ground known as Polesine, by rail southwest of Venice and south-southwest of Padua, and on the Adigetto Canal. The ''comune'' of Rovigo extends between the rivers Adige and Canal Bianco, west of the Adriatic Sea, except the ''frazione'' of Fenil del Turco that extends south of the Canal Bianco. Polesine is the name of the low ground between the lower courses of the rivers Adige and Po and the sea; the derivation of the name is much discussed, generally applied only to the province of Rovigo, but is sometimes extended to the near towns of Adria and Ferrara. History Rovigo (both ''Rodigium'' and ''Rhodigium'' in Latin script) appears to be first mentioned in a document from Ravenna dating April 24, 838; the origin of the name is uncertain. In 920 it was selected as his temporary residence by the bishop of Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini In Wildbad
Rossini in Wildbad is a bel canto opera festival in Bad Wildbad, Baden-Württemberg, specialising in the lesser-known operas of Gioachino Rossini and his contemporaries. The festival commemorates a stay by Rossini at the town's spa in 1856, which apparently invigorated him enough to start composing again. George Loomis, '' New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d . ...
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Antonino Fogliani
Antonino Fogliani (born in Messina, June 29, 1976) is an Italian conductor. Biography Fogliani studied composition at the Conservatorio "G. B. Martini" in Bologna with and graduated with honors in orchestral conducting at the Milan Conservatory, under Vittorio Parisi. He then furthered his musical training at the Accademia Musicale Chigiana in Siena where he studied conducting with Gianluigi Gelmetti and composition with Franco Donatoni and Ennio Morricone. Fogliani's debut at the '' Rossini Opera Festival'' in Pesaro in 2001 with ''Il viaggio a Reims'' was the beginning of an international career. He went on to conduct productions such as Gaetano Donizetti's '' Ugo conte di Parigi'' and ''Maria Stuarda'' at La Scala in Milan, Pietro Mascagni's '' Amica'' and Rossini's ''Mosè in Egitto'' at the Rome Opera, ''Lucia di Lammermoor'' in St. Gallen, Verdi's '' Oberto conte di San Bonifacio'' in the Verona Philharmonic Theatre, ''Il barbiere di Siviglia'' at La Fenice in V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Tarver
Kenneth Tarver is an American operatic tenor, born in Detroit. He has appeared at some of the world's most prestigious opera houses, such as the Royal Opera House Covent Garden, Municipal Theatre of Santiago in Chile (as Lindoro in ''L'Italiana in Algeri'' ), Wiener Staatsoper, Deutsche Oper Berlin, Staatsoper Unter den Linden, Bayerische Staatsoper, Dresden Semperoper, Gran Teatre del Liceu Barcelona, Opéra Comique París, Teatro Lirico Giuseppe Verdi in Trieste, La Monnaie Brussels, Metropolitan Opera, Washington (as Prince Ramiro in ''La Cenerentola'' ) and Teatro San Carlo Naples. Recently he sang the role of Orfeo in Joseph Haydn’s L’anima del filosofo at the Budapest Festival, Christoph Willibald Gluck’s Orphèe et Euridice at Staatsoper Stuttgart, Wolfgang Amadeus Mozart’s ''Idomeneo ' (Italian for '' Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarita Gritskova
Margarita Vitalievna Gritskova (russian: Маргарита Витальевна Грицкова; born 9 December 1987) is a Russian mezzo-soprano in opera and lied singing. A member of the Vienna State Opera since 2012, she is focused on roles by Rossini such as Rosina in ''Il barbiere di Siviglia'' and La Cenerentola, but has also performed in Baroque opera and contemporary works such as '' Tri sestri'' by Péter Eötvös. Life Born in Saint Petersburg, Gritskova studied piano and voice at the Saint Petersburg Conservatory with Irina Petrovna Bogacheva. The young artist won several international singing competitions. During her studies, she performed the title role in Bizet's ''Carmen'' at the Saint Petersburg Conservatory conducted by Mariss Jansons in 2008. Gritskova has performed on Tenerife, in St. Moritz and Budapest, among others. Since the 2010/11 season, she was a member of the ensemble of Deutsches Nationaltheater Weimar, where she appeared in roles such as Carmen, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonia Ganassi
Sonia Ganassi (born 1966) is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s ''The Barber of Seville'' in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas also include soprano parts, such as Elisabetta in ''Elisabetta, regina d'Inghilterra'' ( ROF, 2004), Elena in ''La donna del lago (Lady of the Lake)'' (Rossini in Wildbad, 2006), ''Ermione'' (ROF, 2008), and Elcia in ''Mosè in Egitto'' (ROF, 2011).In 2010 she also debuted the soprano title role in Handel's '' Rodelinda'' at the 36th Festival della Valle d'Itria, Martina Franca. In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano (EMI Classics 6 98936 2). In October 2019 she debuted the leading rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabetta Manfredini-Guarmani
Elisabetta Manfredini-Guarmani (2 June 1780 – after 1828) was an Italian opera singer best known for having created the leading soprano roles in four of Rossini's operas, roles which he wrote specifically for her voice. She was born Antonia Elisabetta Manfredini in Bologna and was the daughter of the composer and music theorist Vincenzo Manfredini. After her stage debut in 1810 when she sang in the premiere of Stefano Pavesi's ''Il trionfo di Gedeone'' at Bologna's Teatro del Corso, she went on to perform at La Fenice, La Scala, Teatro Regio di Torino, Rome's Teatro Argentina and several other opera houses, primarily in Northern Italy. In addition to the roles she created in Rossini's operas, she also sang in the world premieres of operas by several composers who are lesser known today, including Pietro Raimondi, Simon Mayr, and Ferdinando Paër. Her last known appearance was in 1828 after which there is no further trace of her. The date and place of her death are unknown. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Claudio Bonoldi
Claudio Bonoldi (26 October 1783 – 14 February 1846 ) was an Italian tenor. Musical career Bonoldi started his career as a lyric tenor, particularly suited to cover roles in opera buffa. Over the time, when his vocal timbre became darker and more resonant, he interpreted more dramatic parts, such as Pollione in Vincenzo Bellini's ''Norma''. He also sang the roles of bass, such as Assur in ''Semiramide'' by Gioachino Rossini and ''Don Giovanni'' by Wolfgang Amadeus Mozart. His voice was categorised as baritenor. He studied singing in his hometown with maestro Giacomo Carcani (1734–1820) and perfected his vocal training with maestro B. Gherardi. He began his career in 1803 at Teatro d'Angennes in Turin performing in parts of second half character. He made his debut at Teatro alla Scala in 1811 as Peronio in the premiere performance of Giuseppe Farinelli's ''Annibale in Capua''. Rossini wrote for him the role of Giocondo for ''La pietra del paragone'' that was premiered on 26 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
