|
Siegfried Lorenz (baritone)
Siegfried Lorenz (born 30 August 1945) is a German baritone who performs opera, oratorio and '' Lied''. A member of the Komische Oper Berlin and later the Staatsoper Unter den Linden, he made award-winning recordings and appeared as a guest internationally. He has been an academic voice teacher in Berlin and Hamburg. Career Born in East Berlin, Lorenz studied voice in his hometown at the Hochschule für Musik "Hanns Eisler" from 1964 to 1969, where he was a master student of Alois Orth. After receiving several prizes at international singing competitions, Lorenz was engaged as a lyrical baritone at the Komische Oper Berlin by Walter Felsenstein in 1969. In 1973, he became the first vocal soloist at the Gewandhaus in Leipzig, a position which Kurt Masur created for him. He performed and recorded several cantatas by Johann Sebastian Bach and became known as a ''Lied'' singer. His recordings of songs by Franz Schubert received several awards. From 1978 to 1992, Lorenz was first ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allied-occupied Germany
Germany was already de facto occupied by the Allies from the real fall of Nazi Germany in World War II on 8 May 1945 to the establishment of the East Germany on 7 October 1949. The Allies (United States, United Kingdom, Soviet Union, and France) asserted joint authority and sovereignty at the 1945 Berlin Declaration. At first, defining Allied-occupied Germany as all territories of the former German Reich before Nazi annexing Austria; however later in the 1945 Potsdam Conference of Allies, the Potsdam Agreement decided the new German border as it stands today. Said border gave Poland and the Soviet Union all regions of Germany (eastern parts of Pomerania, Neumark, Posen-West Prussia, Free City of Danzig, East-Prussia & Silesia) east of the Oder–Neisse line and divided the remaining "Germany as a whole" into the four occupation zones for administrative purposes under the three Western Allies (the United States, the United Kingdom, and France) and the Soviet Union. Although the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Will Den Kreuzstab Gerne Tragen
(), 56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October, 1726. The composition is a solo cantata (german: Solokantate) because, apart from the closing chorale, it requires only a single vocal soloist (in this case a bass). The autograph score is one of a few cases where Bach referred to one of his compositions as a . In English, the work is commonly referred to as the ''Kreuzstab'' cantata. Bach composed the cantata in his fourth year as Thomaskantor; it is regarded as part of his third cantata cycle. The text was written by Christoph Birkmann, a student of mathematics and theology in Leipzig who collaborated with Bach. He describes in the first person a Christian willing to "carry the cross" as a follower of Jesus. The poet compares life to a voyage towards a harbour, referring indirectly to the prescribed Gospel reading which says that Jesus travelled by boat. The person, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Sawallisch
Wolfgang Sawallisch (26 August 1923 – 22 February 2013) was a German conductor and pianist. Biography Wolfgang Sawallisch was born in Munich, the son of Maria and Wilhelm Sawallisch. His father was director of the Hamburg-Bremer-Feuerversicherung in the city. Wolfgang's brother Werner was five years older. He passed his Abitur in 1942 at the Wittelsbacher-Gymnasium in Munich. At the age of five, he was already playing the piano and by the time he was ten, he had decided he wanted to become a concert pianist. As a child, he was greatly influenced by Richard Strauss and Hans Knappertsbusch. In his musical education he was generously supported by his family, especially by his widowed mother, who became active again because of him, and also by his older brother. At first, he studied composition and piano privately. This enabled him to prepare for his career as a pianist and conductor before and after the Second World War without financial worries. His professional development wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernd Weikl
Bernd Weikl (born 29 July 1942) is an Austrian operatic baritone, particularly known for his performances in the stage works by Richard Wagner. He also has written books and directed operas. Career Born in Vienna, he moved with his family to Mainz when he was ten years old. Weikl studied first in Mainz, national economics, and from 1962 to 1965 at the conservatory. He then studied voice at the Musikhochschule Hannover with Naan Pöld und William Reimer). He made his stage debut as Ottokar in Weber's ''Der Freischütz'' and the Staatsoper Hannover. From 1970 to 1973 he was a member of the company at the Düsseldorf Opera. Weikl made his debut at the Salzburg Festival in 1971 as Melot in Wagner's ''Tristan und Isolde'', at the Bayreuth Festival in 1972 as Wolfram in ''Tannhäuser'', at the Royal Opera House in London in 1975 as Figaro in Rossini's ''The Barber of Seville'', at the Metropolitan Opera in 1977 as Wolfram, and at La Scala in Milan in 1980 as Ford in Verdi's ''Fals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheryl Studer
Cheryl Studer (born October 24, 1955) is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner. Early life and education Studer was born in Midland, Michigan, to Carl W. Studer and Elizabeth (born Smith) Studer, as one of three children. She studied piano and viola as a child, and began voice lessons at age 12 with Gwendolyn Pike, a local opera singer and voice teacher. She attended Herbert Henry Dow High School, then transferred to the Interlochen Arts Academy for her junior and senior years and graduated from there in 1974. Following high school, Studer studied at the Oberlin Conservatory of Music but left the program after a year, deciding t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Heppner
Thomas Bernard Heppner (born January 14, 1956) is a Canadian tenor and broadcaster, now retired from singing, who specialized in opera and other classical works for voice. Early life and career Heppner, of Mennonite descent, was born in Murrayville, British Columbia, and lived in Dawson Creek, British Columbia. He began his musical studies at the University of British Columbia and first attracted national attention when he won the CBC Talent Festival in 1979. He is associated with the Wagnerian repertoire, but he performed a range of operas from the German, French and Italian canons. Heppner performed frequently with opera companies in the United States (including the New York Metropolitan Opera) and Europe, and concert appearances with symphony orchestras. He has appeared in the DVD recordings of the Met's productions of Beethoven's ''Fidelio'', Wagner's ''Die Meistersinger von Nürnberg'', and Wagner's ''Tristan und Isolde'', three of his signature roles. He first per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Winterreise
''Winterreise'' (, ''Winter Journey'') is a song cycle for voice and piano by Franz Schubert ( D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being ''Die schöne Müllerin'' (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle ''An die ferne Geliebte'' (''To the Distant Beloved'') was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. Authorship and composition ''Winterreise'' was composed in two parts, each with twelve songs, the first part in February 1827 and the second in October 1827. The two parts were also published separately by Tobias Haslinger, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Blyth
Geoffrey Alan Blyth (27 July 1929 – 14 August 2007) was an English music critic, author, and musicologist who was particularly known for his writings within the field of opera. He was a specialist on singers and singing. Born in London, Blyth's earliest musical experiences were at Rugby School. He attended the music lectures of Professor Jack Westrup. After graduation from Pembroke College, Oxford, where he read history, he returned to London and worked in journalism and publishing. He wrote reviews, interviews and obituaries for ''The Times'' and for '' Gramophone''. He was a long-time contributor to the British magazine ''Opera''.Baker, Janet, and Max Loppert. "Alan Blyth, 1929–2007", ''Opera Magazine'' (2007): 1168–1171. Articles * * References *C. Mackenzie. "Tribute: Alan Blyth", ''The Gramophone ''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Ich Will Den Kreuzstab Gerne Tragen")
