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Shōrin-ryū Okinawa Seidokan
Shōrin-ryū (少林流) is one of the major modern Okinawan martial arts and is one of the oldest styles of karate. It was named by Choshin Chibana in 1933, but the system itself is much older. The characters 少林, meaning "sparse" or "scanty" and "forest" respectively and pronounced "shōrin" in Japanese, are also used in the Chinese and Japanese words for Shaolin. " Ryū" means "school". Shōrin-ryū combines elements of the traditional Okinawan fighting styles of Shuri-te. History Chōshin Chibana was a top student of the great master of shuri-te, Ankō Itosu. Ankō Itosu was the top student of Matsumura Sōkon, who was a renowned warrior in his time; bodyguard to three kings of Okinawa, he has been called the Miyamoto Musashi of Okinawa and was dubbed '' bushi'', or warrior, by his king. However, while Sōkon is often referred to as the "founder" of Shuri-te, he did not invent all of its components. Chōshin Chibana never practiced kobudo. In 1933, Chōshin Chibana chose ...
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Ryūkyū Kingdom
The Ryukyu Kingdom, Middle Chinese: , , Classical Chinese: (), Historical English language, English names: ''Lew Chew'', ''Lewchew'', ''Luchu'', and ''Loochoo'', Historical French name: ''Liou-tchou'', Historical Dutch name: ''Lioe-kioe'' was a kingdom in the Ryukyu Islands from 1429 to 1879. It was ruled as a tributary state of Ming dynasty, imperial Ming China by the King of Ryukyu, Ryukyuan monarchy, who unified Okinawa Island to end the Sanzan period, and extended the kingdom to the Amami Islands and Sakishima Islands. The Ryukyu Kingdom played a central role in the maritime history, maritime trade networks of medieval East Asia and Southeast Asia despite its small size. The Ryukyu Kingdom became a vassal state of the Satsuma Domain of Japan after the invasion of Ryukyu in 1609 but retained ''de jure'' independence until it was transformed into the Ryukyu Domain by the Empire of Japan in 1872. The Ryukyu Kingdom was Ryūkyū Disposition, formally annexed and dissolved by ...
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Karate
(; ; Okinawan language, Okinawan pronunciation: ) is a martial arts, martial art developed in the Ryukyu Kingdom. It developed from the Okinawan martial arts, indigenous Ryukyuan martial arts (called , "hand"; ''tii'' in Okinawan) under the influence of Chinese martial arts, particularly Fujian White Crane. Karate is now predominantly a striking art using Punch (combat), punching, kicking, knee (strike), knee strikes, elbow strikes and open-hand techniques such as Knifehand strike, knife-hands, spear-hands and palm-heel strikes. Historically, and in some modern styles, grappling, throws, joint locks, restraints and kyusho-jitsu, vital-point strikes are also taught. A karate practitioner is called a . The Empire of Japan annexed the Ryukyu Kingdom in 1879. Karate came to mainland Japan in the early 20th century during a time of migration as Ryukyuans, especially from Okinawa, looked for work in the main islands of Japan. It was systematically taught in Japan after the Taishō ...
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Wankan
Wankan (王冠) (Japanese: "King's Crown" or "Emperor's Crown") (also called Okan) is a kata practiced in many styles of Karate. Not much is known about the history of this kata. It originates from the Tomari-te school and in modern karate is practiced in Shorin-ryu, Shito-ryu, Shotokan, Genseiryu and Matsubayashi-ryu. It is often considered an advanced kata, despite its brevity. Karate master Shoshin Nagamine considered ''wankan'' to be his favorite kata. A quote from his book describes the kata as "Being characterized by unitary sequences of attack and defense". About Wankan, Nagamine Shōshin (1978: 240) said: This kata is said to be the creation of a master in ancient times, but the creator is unknown. Wankan belongs to the old kata. It was handed down by the warriors from the Tomari area and has been handed down to the present day. Its characteristics are many passages in which defense and offense are performed in one single action, that actions are formidable, and th ...
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Kata
''Kata'' is a Japanese word ( 型 or 形) meaning "form". It refers to a detailed choreographed pattern of martial arts movements made to be practised alone. It can also be reviewed within groups and in unison when training. It is practised in Japanese martial arts as a way to memorize and perfect the movements being executed. Korean martial arts with Japanese influence (hapkido, Tang Soo Do) use the derived term ''hyeong'' (hanja: 形) and also the term ''pumsae'' (hanja: 品勢 hangeul: 품새). Kata are also used in many traditional Japanese arts such as theatre forms like kabuki and schools of tea ceremony (''chadō''), but are most commonly known in the martial arts. Kata are used by most Japanese and Okinawan martial arts, such as iaido, judo, kendo, kenpo, and karate. Background Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practising kata allowed a company of persons to engage in a strug ...
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Isshin-ryū
is a style of Okinawan karate founded by Tatsuo Shimabuku (島袋 龍夫) in 1956. Isshin-Ryū karate is largely a synthesis of Shorin-ryū karate, Gojū-ryū karate, and kobudō. The name means, literally, "one heart method" (as in "wholehearted" or "complete"). In 1989 there were 336 branches of Isshin-ryū throughout the world (as recorded by the IWKA), most of which were concentrated in the United States. Kata The system is summarized in its kata, and the specific techniques used to punch (vertical fist) and kick (snapping kicks) presented as upper and lower 'charts', most of which are thrown from natural stances and body posture. In many of the various forms of the system, sixteen kata (eight empty-hand, three bo, two sai, a bo-bo kumite kata, a bo-sai kumite kata and one tuifa kata) are agreed upon as composing Isshin-ryu. These kata include original developments of the Master, and inherited kata from the parent styles. Empty-Hand Kata Seisan Tatsuo Shimabuk ...
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Tsuki
derives from the verb , meaning "to thrust". The second syllable is accented, with Japanese's unvoiced vowels making it pronounced almost like "ski" (but preceded by a "t" sound). In Japanese martial arts and Okinawan martial arts, ''tsuki'' is used to refer to various thrusting techniques. Tsuki in Karate In karate and its variants, the term ''tsuki'' is used as a part of a compound word for any one of a variety of thrusting techniques (usually punches). It is never used as a stand-alone term to describe a discrete technique. For example, ''gyaku seiken chudan-tsuki'', more commonly referred to as ''chudan-tsuki'' (段突), refers to a mid-level (''chudan'') punch (''tsuki'') executed with the rear (''gyaku'') arm. Note that in a compound word, where ''tsuki'' does not come first, its pronunciation and writing changes slightly due to rendaku, and it is pronounced as "''zuki''" (and is sometimes transliterated that way). Performing a Choku-Tsuki (Straight Punch) in Karate T ...
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Karate Stances
Karate has many different Stance (martial arts), stances, each used for different types of power and movement. In Japanese the general term is changing to dachi when used as a suffix. Some stances focus more on mobility than stability, and vice versa. High stances In all these stances the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee. Heisoku-dachi (閉足立, Feet together stance) Feet together. This is usually a transitional stance, although it is used as the ready stance in some karate kata, kata. Musubi-dachi (結び立, Joining stance) Heels together, toes open at about 45 degrees. This stance is used to perform the formal respectful bow, ''rei'' (礼). Musubi-dachi-heiko (結び立-平行) From musubi-dachi, open heels until both outer edges of feet are parallel. Some styles don't distinguish this stance from heiko-dachi. Hachiji dachi, Hachiji-dachi (八字立, natural stance, literally "stand like the cha ...
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Dan (rank)
The ranking system is used by many Japanese, Okinawan, Korean, and other martial art organizations to indicate the level of a person's ability within a given system. Used as a ranking system to quantify skill level in a specific domain, it was originally used at a Go school during the Edo period. It is now also used in most modern Japanese fine and martial arts. Martial arts writer Takao Nakaya claims that this dan system was first applied to martial arts in Japan by Kanō Jigorō (1860–1938), the founder of judo, in 1883, and later introduced to other East Asian countries. In the modern Japanese martial arts, holders of dan ranks often wear a black belt; those of higher rank may also wear either red-and-white or red belts depending on the style. Dan ranks are also given for strategic board games such as Go, Japanese chess ('' shōgi''), and renju, as well as for other arts such as the tea ceremony (''sadō'' or ''chadō''), flower arrangement (''ikebana''), Japanese call ...
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Bushi (warrior)
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the ''daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the ''bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of the ...
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Miyamoto Musashi
, also known as Shinmen Takezō, Miyamoto Bennosuke or, by his Buddhist name, Niten Dōraku, was a Japanese swordsman, philosopher, strategist, writer and rōnin, who became renowned through stories of his unique double-bladed swordsmanship and undefeated record in his 61 duels (next is 33 by Itō Ittōsai). Musashi, as he was often simply known, is considered a ''Kensei'', a sword-saint of Japan. He was the founder of the Niten Ichi-ryū, or Nito Ichi-ryū, style of swordsmanship, and in his final years authored and ''Dokkōdō'' (獨行道, ''The Path of Aloneness''). Both documents were given to Terao Magonojō, the most important of Musashi's students, seven days before Musashi's death. ''The Book of Five Rings'' deals primarily with the character of his Niten Ichi-ryū school in a concrete sense, i.e., his own practical martial art and its generic significance; ''The Path of Aloneness'', on the other hand, deals with the ideas that lie behind it, as well as his life's ...
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Matsumura Sōkon
was one of the original karate masters of Okinawa. The years of his lifespan are reported variously as c.1809-1901 or 1798–1890 or 1809–1896 or 1800–1892. However, the dates on the plaque at Matsumura's tomb, put there by Matsumura's family, clearly state that he was born in 1809 and died in 1899. Early history Matsumura Sōkon was born in Yamagawa Village, Shuri, Okinawa. Matsumura began the study of karate under the guidance of Sakukawa Kanga. Sakukawa was an old man at the time and reluctant to teach the young Matsumura, who was regarded as something of a troublemaker. However, Sakukawa had promised Kaiyo Sōfuku, Matsumura Sōkon’s father, that he would teach the boy, and thus he did. Matsumura spent five years studying under Sakukawa. As a young man, Matsumura had already garnered a reputation as an expert in the martial arts. Royal Service Matsumura was recruited into the service of the Shō family, the royal family of matsumura Ryūkyū Kingdom in 1836 and r ...
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Ankō Itosu
is considered by many the father of modern karate. This title is also often given to Gichin Funakoshi because of the latter spreading karate throughout Japan, but only after Ankō sensei had introduced the art of Okinawate to the country. Biography Itosu was born in 1831 and died in 1915.Origins of Beikoku Shido-kan Karate
Retrieved on 29 August 2007.
A low-rank Ryūkyūan , Itosu was small in stature, shy, and introverted as a child. He was raised in a strict home of the '''' (a family of position), and was educated in the