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Shomin-geki
, literally ''common people drama'', is a pseudo-Japanese word invented by Western film scholars. It describes a genre of Japanese realist films which focus on the everyday lives of ordinary people. In Japanese the correct word for this genre is ''shōshimin-eiga'' (小市民 映画, literally ''petit-bourgeois film'' or ''lower middle class film''). Film historians Joseph L. Anderson and Donald Richie define the ''shomin-geki'' as " sentially a film about proletarian or lower-middle-class life, about the sometimes humorous, sometimes bitter relations within the family, about the struggle for existence, the kind of film many Japanese think of as being about 'you and me.'" The beginnings of the ''shomin-geki'' are assigned to the Shochiku film studio and its director Yasujirō Shimazu. Yasujirō Ozu (1903–1963), a former assistant of Shimazu, and Mikio Naruse (1905–1969) are two prominent directors considered to work primarily in the field of the ''shomin-geki''. Others in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Language
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Richie
Donald Richie (17 April 1924 – 19 February 2013) was an American-born author who wrote about the Japanese people, the culture of Japan, and especially Japanese cinema. Although he considered himself primarily a film historian, Richie also directed a number of experimental films, the first when he was seventeen. Biography Richie was born in Lima, Ohio. During World War II, he joined the United States Merchant Marine and served aboard Liberty ships as a purser and medical officer. By then he had already published his first work, "Tumblebugs" (1942), a short story.''Introduction'' by Leza Lowitz, in ''Botandoro'' by Donald Richie In 1947, Richie first visited Japan with the American occupation force, a job he saw as an opportunity to escape from Lima, Ohio. He first worked as a typist, and then as a civilian staff writer for the ''Pacific Stars and Stripes''. While in Tokyo, he became fascinated with Japanese culture, particularly Japanese cinema. He was soon writing movie rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shochiku
() is a Japanese film and kabuki production and distribution company. It also produces and distributes anime films, in particular those produced by Bandai Namco Filmworks (which has a long-time partnership—the company released most, if not all, anime films produced by Bandai Namco Filmworks). Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada. It has also produced films by highly regarded independent and "loner" directors such as Takashi Miike, Takeshi Kitano, Akira Kurosawa, Masaki Kobayashi and Taiwanese New Wave director Hou Hsiao-hsien. Shochiku is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and the oldest of Japan's "Big Four" film studios. History As Shochiku Kinema The company was founded in 1895 as a kabuki production company and later began producing films in 1920. Shochiku is considered the oldest company in Japan involved in present-day film production, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Shimazu
was a Japanese film director and screenwriter, and a pioneer of the ''shomin-geki'' (common people drama) genre at the Shōchiku studios in pre-World War II Japan. Biography Shimazu was born in Tokyo, the second son of merchant Otojirō Shimazu. His father owned a long-established seaweed business named Kōshū-ya directly in front of the main Mitsukoshi department store in Nihonbashi. Shimazu entered Shōchiku in 1920 after answering an advertisement and began training under Kaoru Osanai. He gave his debut as director in 1921 at Shōchiku's recently established Kamata studio, directing both comedy and melodrama films, often depicting the everyday life of the lower middle classes. ''Our Neighbor, Miss Yae'' (1934) and ''A Brother and His Younger Sister'' (1939) are regarded as his most exemplary and best films. By the end of the 1930s, he moved to Tōhō studios, where he made some films in cooperation with the Manchuria Film Association. He died of cancer just after the war e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikio Naruse
was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki ("common people drama") films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films have been compared with the works of Yasujirō Ozu. Many of his films in his later career were adaptations of the works of acknowledged Japanese writers. Titled a "major figure of Japan's golden age" and "supremely intelligent dramatist", he remains lesser known than his contemporaries Akira Kurosawa, Kenji Mizoguchi, and Ozu. Among his most noted films are ''Sound of the Mountain'', ''Late Chrysanthemums'', ''Floating Clouds'' and ''When A Woman Ascends The Stairs''. Biography Early years Mikio Naruse was born in Tokyo in 1905 and raised by his brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinosuke Gosho
was a Japanese film director and screenwriter who directed Japan's first sound film, '' The Neighbor's Wife and Mine'', in 1931. His films are mostly associated with the shomin-geki (lit. "common people drama") genre. Among his most noted works are ''Where Chimneys Are Seen'', '' An Inn at Osaka'', ''Takekurabe'' and ''Yellow Crow''. Life Gosho was born on January 24, 1902, in Kanda, Tokyo, to merchant Heisuke Gosho and his father's geisha mistress. At the age of five, after Heisuke's eldest son died, Gosho left his mother to be the successor to his father's wholesale business. He studied business at Keio University, graduating in 1923. Through his father's close relation to film director Yasujirō Shimazu, Gosho was able to join the Shochiku film studios and worked as assistant director to Shimazu. In 1925, Gosho debuted as a director with the film ''Nantō no haru''. His films of the 1920s are nowadays regarded as lost. Gosho's first notable success, and Japan's first feat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keisuke Kinoshita
was a Japanese film director and screenwriter.Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Among his best known films are '' Carmen Comes Home'' (1951), Japan's first colour feature, '' Tragedy of Japan'' (1953), ''Twenty-Four Eyes'' (1954), '' You Were Like a Wild Chrysanthemum'' (1955), ''Times of Joy and Sorrow'' (1957), '' The Ballad of Narayama'' (1958), and ''The River Fuefuki'' (1960). Biography Early years Keisuke Kinoshita was born Masakichi Kinoshita on 5 December 1912, in Hamamatsu, Shizuoka Prefecture, as the fourth of eight children of merchant Shūkichi Kinoshita and his wife Tama. His family manufactured pickles and owned a grocery store. A film fan already in early years, he vowed to become ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
