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Shiv Mandir, Ambernath
The Shiv Mandir of Ambarnath is a historic 11th-century Hindu temple, still in use, at Ambarnath near Mumbai, in Maharashtra, India. It is also known as the Ambreshwar Shiva Temple, and known locally as Puratana Shivalaya. It is situated on the bank of Vadavan (Waldhuni) river, 2 km away from Ambarnath railway station (East). The temple was built in 1060 AD beautifully carved in stone. It was probably built by Shilahara king Chhittaraja, it may also have been rebuilt by his son Mummuni. Unusually, the sanctuary or garbhagriha is below ground, reached by some 20 steps down from the mandapa, and is open to the sky as the shikhara tower above stops abruptly at a little above the height of the mandapa, and was apparently never completed. It is in bhumija form, and if completed would have been close in form to the Udayesvara Temple also known as Neelkantheshwara temple in Udaipur, Madhya Pradesh, begun in 1059, and the Gondeshwar Temple at Sinnar. It is clear from what wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiv Mandir, Ambernath
The Shiv Mandir of Ambarnath is a historic 11th-century Hindu temple, still in use, at Ambarnath near Mumbai, in Maharashtra, India. It is also known as the Ambreshwar Shiva Temple, and known locally as Puratana Shivalaya. It is situated on the bank of Vadavan (Waldhuni) river, 2 km away from Ambarnath railway station (East). The temple was built in 1060 AD beautifully carved in stone. It was probably built by Shilahara king Chhittaraja, it may also have been rebuilt by his son Mummuni. Unusually, the sanctuary or garbhagriha is below ground, reached by some 20 steps down from the mandapa, and is open to the sky as the shikhara tower above stops abruptly at a little above the height of the mandapa, and was apparently never completed. It is in bhumija form, and if completed would have been close in form to the Udayesvara Temple also known as Neelkantheshwara temple in Udaipur, Madhya Pradesh, begun in 1059, and the Gondeshwar Temple at Sinnar. It is clear from what wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva Temples In Maharashtra
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindus, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an Asceticism#Hinduism, ascetic life on Mount Kailash as well as a householder with his wife P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Maharashtra
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In The 11th Century
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Survey Of India
The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexander Cunningham who also became its first Director-General. History ASI was founded in 1861 by Alexander Cunningham who also became its first Director-General. The first systematic research into the subcontinent's history was conducted by the Asiatic Society, which was founded by the British Indologist William Jones on 15 January 1784. Based in Calcutta, the society promoted the study of ancient Sanskrit and Persian texts and published an annual journal titled ''Asiatic Researches''. Notable among its early members was Charles Wilkins who published the first English translation of the '' Bhagavad Gita'' in 1785 with the patronage of the then Governor-General of Bengal, Warren Hastings. However, the most important of the society's achieveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavaksha
In Indian architecture, gavaksha or chandrashala (''kudu'' in Tamil, also nāsī) are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". ''Gavākṣha'' (or gavaksa) is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world. Like the whole of the classic chaitya, the form originated i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gondeshwar Temple
The Gondeshwar temple (IAST: Gondeśvara) is an 11th-12th century Hindu temple located in Sinnar, a town in the Nashik district of Maharashtra, India. It features a panchayatana plan; with a main shrine dedicated to Shiva; and four subsidiary shrines dedicated to Surya, Vishnu, Parvati, and Ganesha. History The Gondeshwar temple was built during the rule of the Seuna (Yadava) dynasty, and is variously dated to either the 11th or the 12th century. Sinnar was a stronghold of the dynasty during their pre-imperial period, and modern historians identify it with Seunapura, a town established by the Yadava king Seuanchandra. According to local tradition, the town of Sinnar was established by the Gavali (that is, Yadava) chief Rav Singhuni, and the Gondeshvara temple was commissioned by his son Rav Govinda, at a cost of 200,000 rupees. According to another suggestion, the temple - also known as Govindeshvara (IAST: Govindeśvara) - was built by the Yadava feudatory Govinda-raja, but no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udaipur, Madhya Pradesh
Udaipur is a town in the Indian state of Madhya Pradesh near Ganj Basoda. It is the site of a well-preserved Śiva temple, a monument of national importance protected by the Archaeological Survey of India. History Udaipur's history reaches back to at least the ninth century, but it became famous and appears to have assumed its present name under the Paramāra king Udayāditya (c. 1060-87). It continued to be important in the 14th, 15th and 16th centuries, and was an important town on the north-south trade route. Geography Udaipur is located at 23°54'2"N 78°3'29"E. Transport Udaipur is connected by bus service from Ganj Basoda railway station 93 km from Bhopal Junction towards Jhansi (203 km) and 604 km from New Delhi Jn. Monuments The monuments of Udaipur were first studied by M. B. Garde and published in the reports of the archaeological department of Gwalior state. The data in these reports was compiled into a list prepared in 1952. Śiva temple The mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhumija
Bhumija is a variety of north Indian temple architecture marked by how the rotating square-circle principle is applied to construct the ''shikhara'' (superstructure or spire) on top of the sanctum. Invented about the 10th-century in the Malwa region of central India (west Madhya Pradesh and southeast Rajasthan) during the Paramara dynasty rule, it is found in Hindu and Jain temples. Most early and elegant examples are found in and around the Malwa region, but this design is also found in Gujarat, Rajasthan, Deccan and some major Hindu temple complexes of southern and eastern India.Encyclopedia Britannica (2018)Bhumija in South Asian Arts Description The hallmark of Bhumija style is a square plan that is not divided, but instead rotated around its center ''and'' this rotation is stopped at regular intervals as the superstructure rises vertically. By adjusting the pace of rotation and the interval at which the rotation stops, many creative variations can be implemented. Each tier is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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