|
Shirvanshah's Palace Mausoleum
, image = Palacio de los Shirvanshah, Baku, Azerbaiyán, 2016-09-26, DD 162-164 HDR.jpg , caption = , former_names = , building_type = Mausoleum , architectural_style = Architectural school of Shirvan-Absheron , structural_system = , address = Gala turn, 76 , location_city = Baku , location_country =Azerbaijan , location = Old City , owner = , client = Khalilullah I , current_tenants = , landlord = , map_type = Azerbaijan , map_relief = , map_size = , map_caption = Location within Azerbaijan , coordinates = , start_date = , completion_date = 1435–1436 , demolition_date = , status = , material = , height = , diameter = , other_dimensions = , floor_count = , floor_area = , main_contractor = , architect = Muhammad Ali , str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from Greek μαυσωλείον) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres outside Rome. Whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habib Al-Siyar
Habib ( ar, حبيب, ''ḥabīb''; ), sometimes written as Habeeb, is an Arabic masculine given name, occasional surname, and honorific, with the meaning "beloved" or "my love", or "darling". It also forms the famous Arabic word ‘''Habibi’'' which is used to refer to a friend or a significant other in the aspect of love or admiration''.'' The name is popular throughout the Muslim World, though particularly in the Middle East and Africa. In other countries, especially in Yemen and Southeast Asian countries such as Brunei, Singapore, Indonesia and Malaysia, it is an honorific to address a Muslim scholar of Sayyid (a descendant of Muhammad) families and where it is one of the names of the Islamic prophet Muhammad – حبيب الله '' Habib Allah'' (Habibullah/ Habiballah) - "Most Beloved of Allah (God)". The name, as is the case with other Arabic names, is not only confined to Muslims. Notable examples of Christian individuals named Habib include Habib the Deacon, Gabri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stalactite
A stalactite (, ; from the Greek 'stalaktos' ('dripping') via ''stalassein'' ('to drip') is a mineral formation that hangs from the ceiling of caves, hot springs, or man-made structures such as bridges and mines. Any material that is soluble and that can be deposited as a colloid, or is in suspension, or is capable of being melted, may form a stalactite. Stalactites may be composed of lava, minerals, mud, peat, pitch, sand, sinter, and amberat (crystallized urine of pack rats). A stalactite is not necessarily a speleothem, though speleothems are the most common form of stalactite because of the abundance of limestone caves. The corresponding formation on the floor of the cave is known as a stalagmite. Mnemonics have been developed for which word refers to which type of formation; one is that ''stalactite'' has a C for "ceiling", and ''stalagmite'' has a G for "ground". Another example is that ''stalactites'' "hang on ''T''ight" and ''stalagmites'' "''M''ight grow up" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahrukh Of Shirvan
Shahrukh was the 43rd and last Shirvanshah, governing Shirvan under Safavid suzerainty. After persistent disloyalty, Safavid king Tahmasp I (r. 1524—1576) expelled him in 1538, and made Shirvan a full administrative subunit of the Safavid Empire. Subsequently, he appointed his brother Alqas Mirza Abu'l Ghazi Sultan Alqas Mirza ( fa, ابوالقاسم غازی سلطان القاص میرزا), better known as Alqas Mirza (; 15 March 1516 – 9 April 1550), was a Safavid prince and the second son of king (shah) Ismail I (r. 1501–1524). ... as its governor. References Sources * Shirvanshahs 1520 births 1539 deaths Safavid governors of Shirvan 16th-century people of Safavid Iran {{Iran-royal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hijri Calendar
The Hijri calendar ( ar, ٱلتَّقْوِيم ٱلْهِجْرِيّ, translit=al-taqwīm al-hijrī), also known in English as the Muslim calendar and Islamic calendar, is a lunar calendar consisting of 12 lunar months in a year of 354 or 355 days. It is used to determine the proper days of Islamic holidays and rituals, such as the annual fasting and the annual season for the great pilgrimage. In almost all countries where the predominant religion is Islam, the civil calendar is the Gregorian calendar, with Syriac month-names used in the Levant and Mesopotamia (Iraq, Syria, Jordan, Lebanon and Palestine) but the religious calendar is the Hijri one. This calendar enumerates the Hijri era, whose epoch was established as the Islamic New Year in 622 CE. During that year, Muhammad and his followers migrated from Mecca to Medina and established the first Muslim community (''ummah''), an event commemorated as the Hijrah. In the West, dates in this era are usually denoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirvan
Shirvan (from fa, شروان, translit=Shirvān; az, Şirvan; Tat: ''Şirvan''), also spelled as Sharvān, Shirwan, Shervan, Sherwan and Šervān, is a historical Iranian region in the eastern Caucasus, known by this name in both pre-Islamic Sasanian and Islamic times. Today, the region is an industrially and agriculturally developed part of the Azerbaijan Republic that stretches between the western shores of the Caspian Sea and the Kura River, centered on the Shirvan Plain. History Etymology Vladimir Minorsky believes that names such as Sharvān (Shirwān), Lāyzān and Baylaqān are Iranian names from the Iranian languages of the coast of the Caspian Sea. There are several explanations about this name: * Shirvan or Sharvan are changed forms of the word "Shahrbān" ( fa, شهربان, links=no) which means "the governor". The word "Shahrban" has been used since Achaemenian Dynasty as "Xshathrapawn" (satrap) to refer to different states of the kingdom. * Shervan in Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badr Shirvani
Badr Shirvani (; sometimes Romanized ''Shirwani''; 1387–1450) was a Persian poet. He spent most of his career at the court of the Shirvanshahs, but received patronage from other rulers as well. Early life Badr was born in Shamakhi in Shirvan (present-day Azerbaijan) to a certain Hajji Shams al-Din, a seemingly wealthy figure. Badr's father paid little attention to him after his mother died. Little is known about his education; according to his own writings, Badr "was precocious and began writing poetry at the age of ten or eleven". Most information about Badr's life stems from his own works. Work The majority of Badr's ''divan'' consists of "panegyric odes" (''qasidas''). Most of these "odes" are dedicated to the ruling Shirvanshah dynasty and the court, in particular Ibrahim I (1378–1418) and Khalil I (1418–1463). Badr however, did not devote himself exclusively to writing about the Shirvanshahs and the elite of Shirvan. He also received patronage from the Paduspanid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpeg/1200px-Taj_Mahal_(Edited).jpeg "Click for more on -> Mausoleum")
