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Shirakaba (magazine)
''Shirakaba'' (Japanese: ''White Birch'') was an avant-garde literary and art magazine which existed in the period between 1910 and 1923. History and profile ''Shirakaba'' was launched in 1910 by a group of the Japanese writers, art critics, artists, including Naoya Shiga, Takeo Arishima, and Saneatsu Mushanokōji. They were the members of the Shirakabaha (Japanese: White Birch School) group which opposed to the Confucian worldview, naturalism, and dominant Japanese traditions. The first issue of ''Shirakaba'' appeared in April 1910. The magazine acted as a platform for the Japanese writers and artists who wanted to try new literary and artistic forms. Main contributors included Kōtarō Takamura, Ryūzaburō Umehara, and Ryūsei Kishida. They were supporters of the German expressionism, post-impressionist movements, and other avant-garde movements originated in the Western countries. Based on the views and works of Leo Tolstoy they attempted to advance the ideologies of individu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Magazine
A literary magazine is a periodical devoted to literature in a broad sense. Literary magazines usually publish short stories, poetry, and essays, along with literary criticism, book reviews, biographical profiles of authors, interviews and letters. Literary magazines are often called literary journals, or little magazines, terms intended to contrast them with larger, commercial magazines. History ''Nouvelles de la république des lettres'' is regarded as the first literary magazine; it was established by Pierre Bayle in France in 1684. Literary magazines became common in the early part of the 19th century, mirroring an overall rise in the number of books, magazines, and scholarly journals being published at that time. In Great Britain, critics Francis Jeffrey, Henry Brougham and Sydney Smith founded the '' Edinburgh Review'' in 1802. Other British reviews of this period included the ''Westminster Review'' (1824), ''The Spectator'' (1828), and ''Athenaeum'' (1828). In the Unite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Tolstoy
Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-reformed Russian. ; ), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy. Born to an aristocratic Russian family in 1828, Tolstoy's notable works include the novels ''War and Peace'' (1869) and ''Anna Karenina'' (1878), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, ''Childhood'', '' Boyhood'', and ''Youth'' (1852–1856), and '' Sevastopol Sketches'' (1855), based upon his experiences in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daguerreotype
Daguerreotype (; french: daguerréotype) was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process. Invented by Louis Daguerre and introduced worldwide in 1839, the daguerreotype was almost completely superseded by 1860 with new, less expensive processes, such as ambrotype ( collodion process), that yield more readily viewable images. There has been a revival of the daguerreotype since the late 20th century by a small number of photographers interested in making artistic use of early photographic processes. To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made the resulting lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Böcklin
Arnold Böcklin (16 October 182716 January 1901) was a Swiss symbolist painter. Biography He was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk trade. His mother, Ursula Lippe, was a native of the same city. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes. After serving his time in the army, Böcklin set out for Rome in March 1850. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Stuck
Franz von Stuck (February 23, 1863 – August 30, 1928), born Franz Stuck, was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with '' The Sin'' in 1892. In 1906, Stuck was awarded the Order of Merit of the Bavarian Crown and was henceforth known as Franz Ritter von Stuck. Life and career Born at Tettenweis near Passau, Stuck displayed an affinity for drawing and caricature from an early age. To begin his artistic education he relocated in 1878 to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy. He first became well known by cartoons for ''Fliegende Blätter'', and vignette designs for programmes and book decoration. In 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for '' The Guardian of Paradise''. In 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photogravure
Photogravure (in French ''héliogravure'') is a process for printing photographs, also sometimes used for reproductive intaglio printmaking. It is a photo-mechanical process whereby a copper plate is grained (adding a pattern to the plate) and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high quality intaglio plate that can reproduce detailed continuous tones of a photograph. The process was important in 19th-century photography, but by the 20th century was only used by some fine art photographers. By the mid-century it was almost extinct, but has seen a limited revival. History History of process The earliest forms of photogravure were developed by two original pioneers of photography itself, first Nicéphore Niépce in France in the 1820s, and later Henry Fox Talbot in England. Niépce was seeking a means to create photographic images on plates that could then be etched and used to make prints o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Japanese Studies
''The Journal of Japanese Studies'' (JJS) is the most influential journal dealing with research on Japan in the United States. It is a multidisciplinary forum for communicating new information, new interpretations, and recent research results concerning Japan to the English-reading world. The Journal publishes broad, exploratory articles suggesting new analyses and interpretations, substantial book reviews, and occasional symposia by Japan scholars from around the world. JJS appears two times each year, winter and summer, with an annual total of approximately 500 pages. It was begun in Autumn 1974 with Kenneth B. Pyle as its first editor and is now coedited by Janet Hunter and Morgan Pitelka. Housed at the University of Washington, JJS is currently supported by the Japan Foundation and the University of Washington and by endowments from the Kyocera Corporation and the National Endowment for the Humanities. Susan Hanley, professor of Japanese Studies at the University of Washin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Leach
Bernard Howell Leach (5 January 1887 – 6 May 1979), was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery". Biography Early years (Japan) Leach was born in Hong Kong. His mother Eleanor (née Sharp) died in childbirth. He spent his first three years in Japan with his father, Andrew Leach, until he moved back to Hong Kong in 1890. Leach attended the Slade School of Fine Art and the London School of Art, where he studied etching under Frank Brangwyn. Reading books by Lafcadio Hearn, he became interested in Japan. In 1909 he returned to Japan with his young wife Muriel (née Hoyle) intending to teach etching. Satomi Ton, Kojima Kikuo, and later Ryūsei Kishida were his pupils. In Tokyo, he gave talks and attended meetings along with Mushanokōji Saneatsu, Shiga Naoya, Yanagi Sōetsu and others from the "Shirakaba-Group",Shirakaba ="The Birch" () was an influential cultural magazine at that time. who were trying to introduce w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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