Shintōshū
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Shintōshū
The is a Japanese ''setsuwa'' collection in ten volumes, believed to date from the Nanboku-chō period (1336–1392).Iwanami Japanese dictionary, 6th Edition (2008), DVD version It illustrates with tales about various shrines the Buddhist ''honji suijaku'' theory, according to which Japanese ''kami'' were simply local manifestations of the Indian gods of Buddhism. This theory, created and developed mostly by Tendai monks, was never systematized, but was nonetheless very pervasive and very influential.* The book had thereafter great influence over literature and the arts. History The book is believed to have been written during the late Nanboku-chō period, either during the Bunna or the Enbun era. It carries the note but who exactly wrote it is unclear. Divided in ten volumes and 50 chapters, it supports the Tendai and Ise Shinto ''honji suijaku'' theory according to which Japanese ''kami'' were simply local manifestations of the Indian gods of Buddhism. This theory was never ...
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Honji Suijaku
The term in Japanese religious terminology refers to a theory widely accepted until the Meiji period according to which Indian Buddhist deities choose to appear in Japan as native ''kami'' to more easily convert and save the Japanese.Breen and Teeuwen (2000:95) The theory states that some ''kami'' (but not all) are local manifestations (the , literally, a "trace") of Buddhist deities (the , literally, "original ground").Satō Masato (2007) The two entities form an indivisible whole called ''gongen'' and in theory should have equal standing, but this was not always the case. In the early Nara period, for example, the ''honji'' was considered more important and only later did the two come to be regarded as equals.Basic Terms of Shinto During the late Kamakura period it was proposed that the ''kami'' were the original deities and the buddhas their manifestations (see the ''Inverted honji suijaku'' section below). The theory was never systematized but was nonetheless very pervasive an ...
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