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Shintomi-za
The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century. It was established in January 1660, and run by the Morita family of actors until its destruction in the 1923 Great Kantō earthquake which destroyed much of Tokyo. History The Morita-za was first built by Morita Tarōbei I and his son Morita Kanya I, Morita Tashichi in 1660, in Edo's Kobiki-chō district. The theater would burn down only a few months later, and many more times over the years, but was always rebuilt (until 1923). It was designated as one of only four theaters allowed to operate in Edo, by a 1670 government edict; the other three officially designated theaters were the Nakamura-za, Ichimura-Takenojō-za, and Yamamura-za. After all four were destroyed in the 1703 1703 Genroku earthquake, Great Genroku fire, and rebuilt, there began a tradition of co-produc ...
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Morita Kanya XII
(9 November 1846 – 21 August 1897) was the leading Japanese theatre manager of the first half of the Meiji period, between 1868 and 1912. He built the first modern theater, the Shintomi-za (新富座), which incorporated Western features such as gaslights and chairs. The theater opened in June 1878, and was located at a foreign settlement in Tsukiji, Tokyo. He was also a crucial factor in attracting the new audience, the aristocracy, into the kabuki theaters (Kikan). Early life It is said that as a young boy of 12 years, Morita Kanya XII ran to the port of Yokohama in an attempt to leave Japan and immigrate into the Western world for the sake of fulfilling his goal: becoming a millionaire. Although the Shinsengumi police stopped him that time, his spirit and interest for the West remained an integral part of his personality. During the time of government takeover (1868), the 22-year-old Morita Kanya XII became so obsessed with the Western world that he would eat sashimi (a tra ...
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Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ...
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Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ...
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1660 Establishments In Japan
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * The ...
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Former Kabuki Theatres
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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Shochiku
() is a Japanese film and kabuki production and distribution company. It also produces and distributes anime films, in particular those produced by Bandai Namco Filmworks (which has a long-time partnership—the company released most, if not all, anime films produced by Bandai Namco Filmworks). Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada. It has also produced films by highly regarded independent and "loner" directors such as Takashi Miike, Takeshi Kitano, Akira Kurosawa, Masaki Kobayashi and Taiwanese New Wave director Hou Hsiao-hsien. Shochiku is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and the oldest of Japan's "Big Four" film studios. History As Shochiku Kinema The company was founded in 1895 as a kabuki production company and later began producing films in 1920. Shochiku is considered the oldest company in Japan involved in present-day film production, b ...
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Zamoto
A ''zamoto'' (座元) is a manager of a kabuki theatre. Historically, the zamoto owned the theatre and was responsible for obtaining performance rights from the ''shōgun''.''Japan Quarterly'', 1969, p. 302 (Asahi Shinbunsha) Typically the zamoto was often the latest son of the hereditary owners, such as at the Nakamura-za, Morita-za and Ichimura-za The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly thre .... References Kabuki {{theatre-stub ...
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Sogo Shosha
are Japanese companies that trade in a wide range of products and materials. In addition to acting as intermediaries, ''sōgō shōsha'' also engage in logistics, plant development and other services, as well as international resource exploration. Unlike trading companies in other countries, which are generally specialized in certain types of products, ''sōgō shōsha'' have extremely diversified business lines, in which respect the business model is unique to Japan. The structure of ''sōgō shōsha'' can give them advantages in international trade. First, they have extensive risk management capabilities in that they trade in many markets, keep balances in many foreign currencies and can generate captive supply and demand for their own operations. They also have large-scale in-house market information systems which give them economies of scale in pursuing new business opportunities. Their vast scale also allows them to provide capital in the form of credit, financing and expo ...
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Ichikawa Danzō IV
may refer to: Places *Ichikawa, Chiba, a city in Chiba, Japan **Ichikawa Gakuen (Ichikawa Junior and Senior High School), a large private boys and girls school in Moto-kita-kata, Ichikawa, Chiba * Ichikawa, Hyogo, a town in Hyōgo, Japan *Ichikawamisato, frequently known simply as Ichikawa, a city in Yamanashi, Japan *Ichi River The is a river which flows through the southwest of Hyōgo Prefecture, Japan. The Ibo, Kako, Ichi, Yumesaki, and Chikusa rivers are collectively referred to as the Harima Gokawa, the five major rivers that flow into the Harima Sea. Geography ..., a river in Hyōgo Prefecture Other uses * Ichikawa (surname) {{disambiguation, geo ...
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Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ...
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