Shichigon-zekku
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Shichigon-zekku
''Qiyan jueju'' (七言絕句; abbr. ''qijue'' 七絕), known in Japan as is a type of jueju poetry form consisting of four phrases each seven Chinese characters (or kanji) in length. ''Shichigon-zekku'' are the most common form of classical Chinese poems ('' kanshi''), and the standard form of ''shigin'' (Japanese chanted poetry). Composition In composing ''Qiyan Jueju'', the character of the phrases (''Jueju'') is important. The rules are as follows: *First phrase : Depiction of the scene *Second phrase : Add further illustration and detail to the ''Qiju'' *Third phrase : By changing the scene of action, reveal the true essence of the poem *Fourth phrase : In assimilating the ''Zhuanju'' draw together and complete the poem Examples * Example of ''qiyan jueju'': * Example of ''shichigon-zekku'': See also *Chinese poetry *Jueju *Kishōtenketsu *Shigin is a performance of reciting a Japanese poem or a Chinese poem read in Japanese, each poem ( ''shi'') usually chant ...
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Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ...
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Kanshi (poetry)
is a Japanese term for Chinese poetry in general as well as the Japanese poetry written in Chinese by Japanese poets. It literally means "Han poetry". ''Kanshi'' was the most popular form of poetry during the early Heian period in Japan among Japanese aristocrats and proliferated until the modern period. History The earliest collection of ''kanshi'' was the ''Kaifūsō'', compiled in 751. The ''Kaifūsō'' was also one of the earliest works of Japanese literature, and according to Judith Rabinovitch and Timothy Bradstock, it was a collection of occasional verse spanning from 672 to 751. The compiler of the ''Kaifūsō'' may have been Omi no Mifune, Isonokami no Yakatsugu, or Prince Shirakabe and Fujiwara no Satsuo. Three imperial collections of ''kanshi'' were compiled during the 9th century: the ''Ryōunshū'' of 814, the ''Bunka Shūreishū'' of 818, and the ''Keikokushū'' of 827. Indeed, ''kanshi'' was accorded a higher place than the native waka form until the Kokin Wakashū ...
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Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ...
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:Category:Chinese Words And Phrases
This category is for articles on words and phrases of Chinese origin. For articles on words and phrases related to a specific area of China, or to a specific spoken variant, please refer to one of the subcategories. Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words and phrases by language {{CatAutoTOC ...
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Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ...
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Japanese Literary Terminology
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Japanese Poetic Forms
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Poetic Forms
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ...
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Shigin
is a performance of reciting a Japanese poem or a Chinese poem read in Japanese, each poem ( ''shi'') usually chanted ( ''gin'') by an individual or in a group. Reciting can be done loudly before a large audience, softly to a few friends, or quietly to the reciter themselves. Each reciting is also termed ''gin''. Any forms of Japanese and Chinese poetry are used for reciting. Kanshi and classical Chinese poems are usually composed of four or more lines of Chinese characters, or kanji (), each line having the same number of characters. ''Gin'' with four phrases, each seven characters long (the most common), are classified as . There is strictly only one standard melody, although many poems will be distinguished by minor variations from this theme. In Vietnam, "Shigin" (詩吟) exists under the name of "Thơ Ngâm" (詩吟). Performance Members of a shigin group will usually gather to train in a washitsu, or Japanese-style room with tatami matting. Participants kneel in th ...
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Kishōtenketsu
describes the structure and development of classic Chinese, Korean and Japanese narratives. The structure originated in China and was called ''qǐ chéng zhuǎn hé'' () and used in Chinese poetry as a four-line composition, such as Qijue. From there, it moved to Korea where it is called ''gi seung jeon gyeol'' (Hangul: 기승전결; Hanja: 起承轉結). Finally, the art style came to Japan, where it is referred to as , from which the English word derives. Regionalities There are variations of this dramatic structure based on region due to differences in how the Chinese characters are interpreted per the country and culture. China The Chinese interpretation is: : means start or introduction, usually meaning the reason something started : meant handling, process, or hardships : turn, turning point, crescendo : result. Korea The Korean interpretation is 기 : raising issues and introducing characters 승 : the beginning of the action (But not to solve a problem, necess ...
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Southern Dynasties
The Northern and Southern dynasties () was a period of political division in the history of China that lasted from 420 to 589, following the tumultuous era of the Sixteen Kingdoms and the Eastern Jin dynasty. It is sometimes considered as the latter part of a longer period known as the Six Dynasties (220–589). Albeit an age of civil war and political chaos, it was also a time of flourishing arts and culture, advancement in technology, and the spread of Mahayana Buddhism and Daoism. The period saw large-scale migration of the Han people to the lands south of the Yangtze. The period came to an end with the unification of all of China proper by Emperor Wen of the Sui dynasty. During this period, the process of sinicization accelerated among the non-Han ethnicities in the north and among the indigenous peoples in the south. This process was also accompanied by the increasing popularity of Buddhism ( introduced into China in the 1st century) in both northern and southern Ch ...
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