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Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the "Odes"). They are composed in ancient Chinese, mostly in four-character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Press (New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confuc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Large Seal Script
The large seal script or great seal script () is a traditional reference to Chinese writing from before the Qin dynasty (i.e. before 221 BCE), and is now popularly understood to refer narrowly to the writing of the Western and early Eastern Zhou dynasties (i.e. 1046–403 BCE), and more broadly to also include the oracle bone script (c.1250–1000 BCE). The term is in contrast to the name of the official script of the Qin dynasty, which is often called the small or lesser seal script (小篆 ''Xiǎozhuàn'', also termed simply ''seal script''). However, due to the lack of precision in the term, scholars often avoid it and instead refer more specifically to the provenance of particular examples of writing. In the Han dynasty (202 BCE – 220 CE), when clerical script became the popular form of writing and (small) seal script was relegated to more formal usage such as on signet seals and for the titles of stelae (inscribed stone memorial tablets which were popular at the time), th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durham, North Carolina
Durham ( ) is a city in the U.S. state of North Carolina and the county seat of Durham County, North Carolina, Durham County. Small portions of the city limits extend into Orange County, North Carolina, Orange County and Wake County, North Carolina, Wake County. With a population of 283,506 in the 2020 United States Census, 2020 Census, Durham is the List of municipalities in North Carolina, 4th-most populous city in North Carolina, and the List of United States cities by population, 74th-most populous city in the United States. The city is located in the east-central part of the Piedmont (United States), Piedmont region along the Eno River. Durham is the core of the four-county Research Triangle#Office of Management and Budget Definition, Durham-Chapel Hill Metropolitan Area, which has a population of 649,903 as of 2020 U.S. Census. The Office of Management and Budget also includes Durham as a part of the Raleigh, North Carolina, Raleigh-Durham-Cary Combined Statistical Area, com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fields And Gardens Poetry
Fields and Gardens poetry (), in poetry) is a poetic movement which sparked centuries of poetic enthusiasm, generally considered to effectively date from the Six Dynasties era. Both the Chinese Landscape poetry and the Fields and Gardens poetry share a common theme of nature foremost with human beings and human thought seemingly not in main focus; however, in the case of the Fields and Gardens genre the nature that was focused upon was more domestic—the nature found in gardens, in backyards, and in the cultivated countryside. Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that invoked an image inside a reader's mind. Fields and Gardens poetry is one of many Classical Chinese poetry genres. One of the main practitioners of the Fields and Gardens poetry genre was Tao Yuanming (also known as Tao Qian (365–427), among other names or versions of names). Tao Yuanming has been regarded as the first great poet as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Haven, Connecticut
New Haven is a city in the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound in New Haven County, Connecticut and is part of the New York City metropolitan area. With a population of 134,023 as determined by the 2020 U.S. census, New Haven is the third largest city in Connecticut after Bridgeport and Stamford and the principal municipality of Greater New Haven, which had a total 2020 population of 864,835. New Haven was one of the first planned cities in the U.S. A year after its founding by English Puritans in 1638, eight streets were laid out in a four-by-four grid, creating the "Nine Square Plan". The central common block is the New Haven Green, a square at the center of Downtown New Haven. The Green is now a National Historic Landmark, and the "Nine Square Plan" is recognized by the American Planning Association as a National Planning Landmark. New Haven is the home of Yale University, New Haven's biggest taxpayer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fu (poetry)
''Fu'' (), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form during the Han dynasty (206AD220). ''Fu'' are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. Features characteristic of ''fu'' include alternating rhyme and prose, varying line length, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics. ''Fu'' composers usually strove to use as wide a vocabulary as possible, and classical ''fu'' often contain many rare and archaic Chinese words. They were not sung like songs, but were recited or chanted. The ''fu'' genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (9601279). ''Fu'' were used as grand praises for the imperial courts, palaces, and cities, but were also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty (, ; ) was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–207 BC) and a warring interregnum known as the ChuHan contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and it has influenced the identity of the Chinese civilization ever since. Modern China's majority ethnic group refers to themselves as the "Han people", the Sinitic language is known as "Han language", and the written Chinese is referred to as "Han characters". The emperor was at the pinnacle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cí (poetry)
''Cí'' (pronounced ; ), also known as ''chángduǎnjù'' () and ''shīyú'' (), is a type of lyric poetry in the tradition of Classical Chinese poetry that also draws upon folk traditions. ''Cí'' use various poetic meters derived from a base set of fixed pattern forms, using fixed-rhythm, fixed-tone, and line-lengths varying according that of the model examples. The rhythmic and tonal pattern of the ''cí'' are based upon certain, definitive musical song tunes (''cípái''), and in many cases the name of the musical tune is given in the title of a ''cí'' piece, in a form such as "after (the tune of)...." The underlying songs are generally lost or uncertain. Typically, the number of characters in each line and the arrangement of tones were determined by one of around 800 set patterns, each associated with a particular title, called ''cípái'' (). Originally, they were written to be sung to a tune of that title, with a set rhythm, rhyme, and tempo. Therefore, the title may have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Of Chu
Chu, or Ch'u in Wade–Giles romanization, (, Hanyu Pinyin: Chǔ, Old Chinese: ''*s-r̥aʔ'') was a Zhou dynasty vassal state. Their first ruler was King Wu of Chu in the early 8th century BCE. Chu was located in the south of the Zhou heartland and lasted during the Spring and Autumn period. At the end of the Warring States period it was destroyed by the Qin in 223 BCE during the Qin's wars of unification. Also known as Jing () and Jingchu (), Chu included most of the present-day provinces of Hubei and Hunan, along with parts of Chongqing, Guizhou, Henan, Anhui, Jiangxi, Jiangsu, Zhejiang, and Shanghai. For more than 400 years, the Chu capital Danyang was located at the junction of the Dan and Xi Rivers near present-day Xichuan County, Henan, but later moved to Ying. The house of Chu originally bore the clan name Nai ( OC: /*rneːlʔ/) which was later written as Mi ( OC: /*meʔ/). They also bore the lineage name Yan ( OC: /*qlamʔ/, /*qʰɯːm/) which would later be w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
