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Shijing
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of ''chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confucia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Chinese Phonology
Scholars have attempted to reconstruct the phonology of Old Chinese from documentary evidence. Although the writing system does not describe sounds directly, shared phono-semantic, phonetic components of the most ancient Chinese characters are believed to link words that were pronounced similarly at that time. The oldest surviving Chinese verse, in the ''Classic of Poetry'' (''Shijing''), shows which words rhymed in that period. Scholars have compared these bodies of contemporary evidence with the much later Middle Chinese reading pronunciations listed in the ''Qieyun'' rime dictionary published in 601 AD, though this falls short of a phonemic analysis. Supplementary evidence has been drawn from cognates in other Sino-Tibetan languages and in Min Chinese, which split off before the Middle Chinese period, Chinese transcriptions of foreign names, and early borrowings from and by neighbouring languages such as Hmong–Mien languages, Hmong–Mien, Tai languages, Tai and Tocharian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chengyu
''Chengyu'' () are a type of traditional Chinese idiomatic expression, most of which consist of four characters. ''Chengyu'' were widely used in Classical Chinese and are still common in vernacular Chinese writing and in the spoken language today. According to the most stringent definition, there are about 5,000 ''chéngyǔ'' in the Chinese language, though some dictionaries list over 20,000. ''Chéngyǔ'' are considered the collected wisdom of the Chinese culture, and contain the experiences, moral concepts, and admonishments from previous generations of Chinese. Nowadays, ''chéngyǔ'' still play an important role in Chinese conversations and education. Chinese idioms are one of four types of formulaic expressions (熟语/熟語, ''shúyǔ''), which also include collocations (惯用语/慣用語 ''guànyòngyǔ''), two-part allegorical sayings (歇后语/歇後語 ''xiēhòuyǔ''), and proverbs (谚语/諺語 ''yànyǔ''). They are often referred to as Chinese idioms or fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Chinese
Old Chinese, also called Archaic Chinese in older works, is the oldest attested stage of Chinese language, Chinese, and the ancestor of all modern varieties of Chinese. The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in the late Shang dynasty. Chinese bronze inscriptions, Bronze inscriptions became plentiful during the following Zhou dynasty. The latter part of the Zhou period saw a flowering of literature, including Four Books and Five Classics, classical works such as the ''Analects'', the ''Mencius (book), Mencius'', and the ''Zuo zhuan''. These works served as models for Literary Chinese (or Classical Chinese), which remained the written standard until the early twentieth century, thus preserving the vocabulary and grammar of late Old Chinese. Old Chinese was written with several early forms of Chinese characters, including Oracle bone script, Oracle Bone, Chinese bronze inscriptions, Bronze, and Seal scripts. Throughout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Confucius's teachings and philosophy underpin East Asian culture and society, remaining influential across China and East Asia to this day. Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, correctness of social relationships, justice, kindness, and sincerity. His followers competed with many other schools during the Hundred Schools of Thought era, only to be suppressed in favor of the Legalists during the Qin dynasty. After the collapse of Qin and the victory of Han over Chu, Confucius's thoughts received official sanction in the new government. During the Tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Wen Of Zhou
King Wen of Zhou (; 1152–1050 BC, the Cultured King) was Count of state of Zhou, Zhou during the late Shang dynasty in ancient China. Although frequently confused with his fourth son Duke of Zhou, also known as "Lord Zhou", they are different historical persons. Although it was his son King Wu of Zhou, Wu who conquered the Shang following the Battle of Muye, Count Wen was posthumously honored as the founder of the Zhou dynasty and posthumously titled King. Many of the hymns of the ''Classic of Poetry'' are praises to the legacy of King Wen. Some consider him the first epic hero of Chinese history. Archaeology Chinese scholars (e.g. Wang Yunwu (:zh:王雲五, 王雲五), Li Xueqin (:zh:李学勤, 李学勤), etc.) identified King Wen with a mentioned in inscriptions H11:82 & H11:84 among oracle bones excavated at Zhouyuan (), Qishan County. Biography Born Ji Chang (), Wen was the son of Tai Ren, Tairen and King Ji of Zhou, Ji Jili, the Count of Predynastic Zhou, Zhou, a vassal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Quan Tangshi'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. Through the ''Three Hundred Tang Poems'', Tang poetry has remain familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao Bing (1350–1423) in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Owen (sinologist)
Stephen Owen (born October 30, 1946) is an American sinologist specializing in Chinese literature, particularly Tang dynasty poetry and comparative poetics. He taught Chinese literature and comparative literature at Harvard University and is James Bryant Conant University Professor, Emeritus; becoming emeritus before he was one of only 25 Harvard University Professors. He is a member of American Academy of Arts and Sciences and a member of American Philosophical Society. Owen graduated from Yale University in 1968 and continued at Yale as a graduate student, receiving his doctorate in 1972 under Hans Fränkel. He taught at Yale from 1972 to 1982, when he went to Harvard. He has been a Fulbright Scholar and held a Guggenheim Fellowship, among many other awards and honors. In 2015, he completed a six-volume annotated translation of the complete poems of Du Fu. He was jointly awarded the 2018 Tang Prize in Sinology with Yoshinobu Shiba. Scholarly career Owen has written or edited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panegyric
A panegyric ( or ) is a formal public speech or written verse, delivered in high praise of a person or thing. The original panegyrics were speeches delivered at public events in ancient Athens. Etymology The word originated as a compound of grc, παν- 'all' (the form taken by the word πᾶν, neuter of πᾶς 'all', when that is used as a prefix) and the word grc, ἄγυρις, ágyris 'assembly' (an Aeolic dialect form, corresponding to the Attic or Ionic form grc, ἀγορά, agorá). Compounded, these gave grc, πανήγυρις, panḗgyris 'general or national assembly, especially a festival in honour of a god' and the derived adjective grc, πανηγυρικός, panēgyrikós 'of or for a public assembly or festival'. In Hellenistic Greek the noun came also to mean 'a festal oration, laudatory speech', and the adjective 'of or relating to a eulogy, flattering'. The noun grc, πανήγυρις, panḗgyris had been borrowed into Classical Latin by around the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a ''stanza''. A title, in some poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax () is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure ( constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). There are numerous approaches to syntax that differ in their central assumptions and goals. Etymology The word ''syntax'' comes from Ancient Greek roots: "coordination", which consists of ''syn'', "together", and ''táxis'', "ordering". Topics The field of syntax contains a number of various topics that a syntactic theory is often designed to handle. The relation between the topics is treated differently in different theories, and some of them may not be considered to be distinct but instead to be derived from one another (i.e. word order can be seen as the result of movement rules derived from grammatical relations). Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
