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Sharona Alperin
"My Sharona" () is the debut single by the Knack. The song was written by Berton Averre and Doug Fieger, and it was released in 1979 from their debut album, '' Get the Knack''. It reached number one on the ''Billboard'' Hot 100 singles chart, where it remained for six weeks, and was number one on ''Billboard''s 1979 Top Pop Singles year-end chart. It was certified gold by the Recording Industry Association of America, representing 500,000 copies sold, and was Capitol Records' fastest gold status debut single since the Beatles' " I Want to Hold Your Hand" in 1964. It has since gone on to sell more than 10 million copies as of 2010. Inspiration When Doug Fieger was 25 years old, he met 17-year-old Sharona Alperin, who inspired a two-month-long run of songwriting, as well as eventually becoming his girlfriend for the next four years. Fieger recounted that "It was like getting hit in the head with a baseball bat; I fell in love with her instantly. And when that happened, it s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knack
The Knack was an American rock band based in Los Angeles that rose to fame with its first single, "My Sharona", an international number-one hit in 1979. History Founding (1977–1978) Singer Doug Fieger was a native of Oak Park, Michigan, a northern suburb of Detroit, Michigan, and grew up in the 9 Mile/Greenfield area. The brother of attorney Geoffrey Fieger (later known for representing Jack Kevorkian in a series of assisted suicide cases) Fieger had previously played in an eclectic rock band called Sky as well as the Sunset Bombers. Although Sky had received a modest amount of acclaim, including being produced by Rolling Stones producer Jimmy Miller, the band broke up without having any chart success. As a result, Fieger made the decision to move to Los Angeles and start another band. Shortly after arriving in L.A., Fieger met Berton Averre (lead guitar, backing vocals and keyboards), and the two started a songwriting partnership. Fieger had also known Bruce Gary (drums) fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Want To Hold Your Hand
"I Want to Hold Your Hand" is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment. With advance orders exceeding one million copies in the United Kingdom, "I Want to Hold Your Hand" would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller "She Loves You", their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, "I Want to Hold Your Hand" stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total. It was also the group's first American number-one hit, entering the ''Billboard'' Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flam (drum Rudiment)
In ''rudimental drumming'', a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of ''field drumming'', where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also ''fundamental''. This tradition of drumming originates in military drumming and it is a central component of martial music. Definition Rudimental drumming has something of a flexible definition, even within drumming societies devoted to that form of drumming. RudimentalDrumming.com defines it as "the study of coordination." The Percussive Arts Society defines it as a particular method for learning the drums—beginning with rudiments, and gradually building up speed and complexity through practicing those rudiments. ''Camp Duty Update'' defines a drum rudiment as an excerpt from a milit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Gary
Bruce Gary (April 7, 1951 – August 22, 2006) was an American musician who was best known as the drummer for the music group the Knack. He was nominated for two Grammy Awards as a stage performer, producer, and recording artist. Born in Burbank, California, the young Gary had a lot of energy so his parents allowed him to set up the drum kit that his cousin had offered him after getting bored with it. Gary left home at 15 and was drawn to the musical scene of Topanga Canyon, California. He made friends with guitarist Randy California. In the 1960s and early 1970s he played with bluesman Albert Collins. By the time he was twenty-four he was touring and recording with former Cream bassist Jack Bruce and guitarist Mick Taylor, who had just left the Rolling Stones. This stellar lineup also included jazz pianist Carla Bley. Gary also worked with Dr. John in the 1970s. In 1978, singer Doug Fieger asked him to join a group with guitarist Berton Averre. The three were subsequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokey Robinson And The Miracles
The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history. Referred to as Motown's "soul supergroup", the Miracles recorded 26 Top 40 Pop hits, sixteen of which reached the ''Billboard'' Top 20, seven top 10 singles, and a number one single ("The Tears of a Clown") while the Robinsons and Tarplin were members. Following the departure of Tarplin and the Robinsons, the rest of the group continued with singer Billy Griffin and managed by Martin Pichinson who helped rebuild the Miracles, they scored two final top 20 singles, "Do It Baby" and " Love Machine", a second No. 1 hit, which topped the charts before the group departed for Columbia Records in 1977, recording as a quintet with Billy's brother Donald Griffin replacing Marv Tarplin, where af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Going To A Go-Go (song)
"Going to a Go-Go" is a 1965 single recorded by The Miracles for Motown's Tamla label. The Miracles' original version Smokey Robinson sings lead on "Going to a Go-Go", which he co-wrote with fellow Miracles Pete Moore, Bobby Rogers, and Marv Tarplin. Moore, Rogers, Ronnie White, and Smokey Robinson's wife Claudette Robinson provide backing vocals for the song, an up-tempo dance song inviting people of all walk of life to attend a go-go party. Miracles Robinson and Pete Moore were the song's producers. In the Motown DVD release ''Smokey Robinson And The Miracles: The Definitive Performances'', Miracles member and co-writer Bobby Rogers commented that this song was inspired by the success of the "Go-go" clubs that grew in popularity throughout the United States in the 1960s. While at first a regional phenomenon, the success of this Miracles song ignited a nationwide fad for go-go music in America. Issued in December 1965, "Going to a Go-Go" peaked at number 11 on the ''Billboard' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom-tom Drum
A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . It is not to be confused with a tam-tam, a gong. Design history The drum called "Thammattama", played by the Sinhala people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Buddhist temples paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spencer Davis Group
The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK number ones "Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), " I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form rock band Traffic. After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimme Some Lovin'
"Gimme Some Lovin" is a song first recorded by the Spencer Davis Group. Released as a single in 1966, it reached the Top 10 of the record charts in several countries. Later, ''Rolling Stone'' included the song on its list of the 500 Greatest Songs. Other artists have also recorded versions of the song; group singer Steve Winwood later recorded it live with Traffic and a rendition by the Blues Brothers reached number 18 on the main US singles chart. Background As recalled by bassist Muff Winwood, the song was conceived, arranged, and rehearsed in just half an hour. At the time, the group was under pressure to come up with another hit, following the relatively poor showing of their previous single, "When I Come Home", written by Jamaican-born musician Jackie Edwards, who had also penned their earlier number one hits, "Keep On Running" and "Somebody Help Me". The band auditioned and rejected other songs Edwards offered them, and they let the matter slide until, with a recording s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
