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Shaka Bundu
''Shaka Bundu'' is the debut album by South African musician Penny Penny released in 1994. Penny was discovered in a Johannesburg recording studio by producer Joe Shirimani, who was impressed by Penny's unique vocal style. Shirimani's record label Shandel Music enjoyed the demos he produced for Penny, and let the pair record an album together. Recorded over the space of one week using an Atari computer, Korg M1 synthesiser and reel-to-reel tape, the album blends the Tsonga disco style of music with American house music, reflecting the popularity of American and British electronic dance music in South Africa. It has been credited for pioneering a new style of Tsonga disco with its fusion of slow house rhythms, synthesised steel drums and Penny's modern vocal style atop traditional call-and-response female backing vocals. Released on cassette by Shandel Music, ''Shaka Bundu'' was a success in South Africa, selling over 250,000 copies in the country and being certified double platin ...
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Penny Penny
Eric Kulani Giyani Nkovani (born 1962), better known by his stage names Penny Penny and Papa Penny is a South African musician and politician, known affectionately as the "Shangaan Disco King" for the musical style he helped popularise. He was the youngest of 68 children from a local traditional Surgeon/ doctor with 25 wives. His family was poor, meaning he received no education, but he soon became known for his dancing and was nicknamed Penny. Aged 19, he worked on a West Driefontein goldmine near Carletonville, and soon left to escape the region's poor working conditions, although he won several breakdancing trophies before his departure. His breakthrough came with the recording and release of his 1994 debut album ''Shaka Bundu'', which was recorded in a week using little gear but went on to sell 250,000 copies in the country. The music features Tsonga (or Shangaan) disco sound, which emerged in Penny's native Tsonga culture, fused with contemporary house music from the United S ...
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African Music
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African m ...
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Korg M1 (2017-02-10 22
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. The M1 was advertised as a 'workstation' rather than a synthesizer, integrating composition and performance features into a single device. It features 16-voice polyphony, high-quality digital samples (including drum sounds), an integrated 8-track sequencer and digital effects processing. The M1 is one of the bestselling synthesizers in history, selling an estimated 250,000 units. Development Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. Whereas previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally. Korg assembled an international team to develop the sounds for the M1. To create a deep blown bottle sound, the team played a pan flute over a large sake bottle. Features The M1 features a 61-note velocity- ...
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Jazzie B
Trevor Beresford Romeo OBE, (born 26 January 1963) better known as Jazzie B, is a British DJ and music producer. He is the founder of Soul II Soul. Life and career Jazzie was born in London UK to parents of Antiguan descent in Hornsey, London, the ninth of ten children, several of whom began running sound systems in the 1960s and 1970s. At age 18, Jazzie was working for cockney pop skiffle legend Tommy Steele, as a tape operator. He had his first gig in 1977 working with friends under the Rastafari name Jah Rico. He changed their working name to Soul II Soul in 1982. Soul II Soul was originally an umbrella name for several of his projects - the sound system, a clothing line and Camden record shop, a record imprint, as well as the group itself. From 1985 to 1989, Jazzie and Soul II Soul would hold what would be regarded as a legendary night at the Africa Centre in Covent Garden. The Soul II Soul track "Fairplay" was recorded there just before the group started to find wide ...
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Soul II Soul
Soul II Soul are a British musical collective formed in London in 1988. They are best known for their two major hits; 1989's UK number five and US number eleven " Keep On Movin'", and its follow-up, the UK number one and US number four " Back to Life". They have won two Grammy Awards, and have been nominated for five Brit Awards—twice for Best British Group.Soul II Soul BRITS Profile
. BRIT Awards Ltd. Retrieved 26 January 2013


Career


1988–1989: Beginnings and club classics

The group initially attracted attention as a sound system some years prior to 1988 run by founder Jazzie B, playing at nights including ...
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I've Been Thinking About You
"I've Been Thinking About You" is a song by British-American band Londonbeat from their second studio album, '' In the Blood'' (1990), produced by record producer Martyn Phillips. It was written by band members Jimmy Chambers, George Chandler, Jimmy Helms, and William Henshall. Released in 1990 as the first single from the album, it became a major worldwide hit, reaching the number-one spot in more than 10 countries—including Australia, Canada, Germany and the United States—and peaking at number two on the UK Singles Chart. Critical reception AllMusic editor Jim Smith described the song as "soulful dance", adding that Londonbeat's "pleasant harmonies and pumping flow are undeniably catchy." Another editor, Stephen Thomas Erlewine called it "dazzling". David Taylor-Wilson from ''Bay Area Reporter'' noted it as "infectious", stating that the band "blends Motownlike harmonies with dance grooves that incorporate ’70s funk rhythms". A reviewer from '' Billboard'' complime ...
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Londonbeat
Londonbeat is a British dance-pop band who scored a number of pop and dance hits in the early 1990s. Band members are American Jimmy Helms (who also had a successful solo career and sang radio jingles for Radio Hallam and Hereward Radio in the UK); Jimmy Chambers (born 29 January 1946), from Trinidad, and Charles Pierre. Former members include multi-instrumentalist William Henshall (credited as Willy M); George Chandler (formerly a founding member and frontman of Olympic Runners); Marc Goldschmitz (subsequently a member of the band Leash) and Myles Kayne. History Londonbeat's career started in the Netherlands where "There's a Beat Going On" reached the top 10, and then "9 A.M (The Comfort Zone)" which subsequently became a modest success in the United Kingdom. They are best known for their song "I've Been Thinking About You", which hit Number 1 on the ''Billboard'' Hot 100 and the Hot Dance Music/Club Play charts in 1991, and for their close harmonies. Their follow-up singl ...
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Nightclub
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upsca ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Afrobeat
Afrobeat is a Nigerian music genre that involves the combination of West African musical styles (such as traditional Yoruba music and highlife) and American funk, jazz, and soul influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion.Grass, Randall F. "Fela AnikulaThe Art of an Afrobeat Rebel". ''The Drama Review: TDR''. MIT Press. 30: 131–148. The style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for popularizing the style both within and outside Nigeria. Distinct from Afrobeat is Afrobeats – a sound originating in West Africa in the 21st century, one that takes in diverse influences and is an eclectic combination of genres such as hip hop, house, jùjú, ndombolo, R&B and soca. The two genres, though often conflated, are not the same. History Afrobeat was developed in Nigeria in the late 1960s by Fela Kuti who, with drummer Tony Allen, experimented with different c ...
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Breakdancing
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured ...
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Carletonville
Carletonville is a town in Gauteng and the seat of the Merafong City Local Municipality in the West Rand District Municipality in Gauteng, South Africa, just north of the richest gold-mining area in the world. At 3,749 m, Western Deep Levels holds the record for the world's deepest gold mine. History Developed by various mining companies from 1937 onwards, Carletonville was named after the long-serving mining director of Consolidated Gold Fields, Guy Carleton Jones, but was not officially incorporated until 1959. Upon reaching a population of 2000 1967, (mostly white inhabitants of the apartheid era) it became officially recognised and celebrated as a provincial town. There are several privately owned gold-mining township villages and contractor labour quarters established on mining ground owned by the various mining houses which operate in the area. The villages are located to the South of the R501 provincial road which forms the southern boundary of Carletonville. While the min ...
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