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Shades Of Orange
In optics, orange has a wavelength between approximately 585 and 620  nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light. Varieties of the color orange may differ in hue, chroma (also called saturation, intensity, or colorfulness) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being an orange or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below. Orange (color wheel) The color known as ''color wheel orange'' is the tone of orange that is a pure chroma on the HSV color wheel, the expression of which is known as the RGB color wheel, exa ...
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Autumn
Autumn, also known as fall in American English and Canadian English, is one of the four temperate seasons on Earth. Outside the tropics, autumn marks the transition from summer to winter, in September ( Northern Hemisphere) or March ( Southern Hemisphere). Autumn is the season when the duration of daylight becomes noticeably shorter and the temperature cools considerably. Day length decreases and night length increases as the season progresses until the Winter Solstice in December (Northern Hemisphere) and June (Southern Hemisphere). One of its main features in temperate climates is the striking change in colour for the leaves of deciduous trees as they prepare to shed. Date definitions Some cultures regard the autumnal equinox as "mid-autumn", while others with a longer temperature lag treat the equinox as the start of autumn. In the English-speaking world of high latitude countries, autumn traditionally began with Lammas Day and ended around Hallowe'en, the approxima ...
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Orange (colour)
Orange is the colour between yellow and red on the visible spectrum, spectrum of light, visible light. Human eyes perceive orange when observing light with a dominant wavelength between roughly 585 and 620 nanometres. In traditional colour theory, it is a secondary colour of pigments, produced by mixing yellow and red. In the RGB colour model, it is a tertiary colour. It is named after the orange (fruit), fruit of the same name. The orange colour of many fruits and vegetables, such as carrots, pumpkins, sweet potatoes, and Orange (fruit), oranges, comes from carotenes, a type of photosynthetic pigment. These pigments convert the light energy that the plants absorb from the Sun into chemical energy for the plants' growth. Similarly, the hues of autumn leaves are from the same pigment after chlorophyll is removed. In Europe and America, surveys show that orange is the colour most associated with amusement, the unconventional, extroversion, warmth, fire, energy, activity, danger ...
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High-visibility Clothing
High-visibility clothing, sometimes shortened to hi vis or hi viz, is any clothing worn that is highly luminescent in its natural matt property or a color that is easily discernible from any background. It is most commonly worn on the torso and arm area of the body. Health and safety regulations often require the use of high visibility clothing as it is a form of personal protective equipment. Many colors of high visibility vests are available, with yellow and orange being the most common examples. Colors other than yellow or orange may not provide adequate luminescence for conformity to standards such as ISO 20471. As a form of personal protective equipment, high-visibility clothing is worn to increase a person's visibility and therefore prevent accidents caused by persons not being seen. As a result, it is often worn in occupations where hazardous situations are created by moving vehicles or low lighting conditions. These occupations include railway and road workers, airpor ...
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ANSI Z535
ANSI Z535 is an American standard that sets forth a system for presenting safety and accident prevention information. It corresponds to the international ISO 3864 standard. Sub-Standards The ANSI Z535 standard comprises the following six individual standards: * ANSI Z535.1 American National Standard for Safety Colors * ANSI Z535.2 American National Standard for Environmental and Facility Safety Signs * ANSI Z535.3 American National Standard for Criteria for Safety Symbols * ANSI Z535.4 American National Standard for Product Safety Signs and Labels * ANSI Z535.5 American National Standard for Safety Tags and Barricade Tapes (for Temporary Hazards) * ANSI Z535.6 American National Standard for Product Safety Information in Product Manuals, Instructions, and Other Collateral Materials Regulation ANSI and the Occupational Safety and Health Administration (OSHA) work side-by-side to manage Hazardous Communications (HazCom) in all American workplaces. While ANSI manages HazCom des ...
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Web Color
Web colors are colors used in Web design, displaying web pages on the World Wide Web, and the methods for describing and specifying those colors. Colors may be specified as an RGB color model, RGB triplet or in hexadecimal format (a ''hex triplet'') or according to their common English names in some cases. A color tool or other graphics software is often used to generate color values. In some uses, hexadecimal color codes are specified with notation using a leading number sign (#). A color is specified according to the intensity of its red, green and blue components, each represented by eight bits. Thus, there are 24 bits used to specify a web color within the sRGB gamut, and 16,777,216 colors that may be so specified. Colors outside the sRGB gamut can be specified in Cascading Style Sheets by making one or more of the red, green and blue components negative or greater than 100%, so the color space is theoretically an unbounded extrapolation of sRGB similar to scRGB. Specifying a ...
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Web Colors
Web colors are colors used in displaying web pages on the World Wide Web, and the methods for describing and specifying those colors. Colors may be specified as an RGB triplet or in hexadecimal format (a ''hex triplet'') or according to their common English names in some cases. A color tool or other graphics software is often used to generate color values. In some uses, hexadecimal color codes are specified with notation using a leading number sign (#). A color is specified according to the intensity of its red, green and blue components, each represented by eight bits. Thus, there are 24 bits used to specify a web color within the sRGB gamut, and 16,777,216 colors that may be so specified. Colors outside the sRGB gamut can be specified in Cascading Style Sheets by making one or more of the red, green and blue components negative or greater than 100%, so the color space is theoretically an unbounded extrapolation of sRGB similar to scRGB. Specifying a non-sRGB color this way req ...
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Web Colors
Web colors are colors used in displaying web pages on the World Wide Web, and the methods for describing and specifying those colors. Colors may be specified as an RGB triplet or in hexadecimal format (a ''hex triplet'') or according to their common English names in some cases. A color tool or other graphics software is often used to generate color values. In some uses, hexadecimal color codes are specified with notation using a leading number sign (#). A color is specified according to the intensity of its red, green and blue components, each represented by eight bits. Thus, there are 24 bits used to specify a web color within the sRGB gamut, and 16,777,216 colors that may be so specified. Colors outside the sRGB gamut can be specified in Cascading Style Sheets by making one or more of the red, green and blue components negative or greater than 100%, so the color space is theoretically an unbounded extrapolation of sRGB similar to scRGB. Specifying a non-sRGB color this way req ...
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Complementary Colors
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors". Which pairs of colors are considered complementary depends on the color theory one uses: *Modern color theory uses either the RGB additive color model or the CMY subtractive color model, and in these, the complementary pairs are red– cyan, green–magenta, and blue–yellow. *In the traditional RYB color model, the complementary color pairs are red–green, yellow–purple, and blue–orange. *Opponent process theory suggests that the most contrasting color pairs are red–green and blue–yellow. *The black-white color pair is common to all the above theories. In different color models Traditional color model The traditional color wheel model dates to the 18th century an ...
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Yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the RGB color model, used to create colors on television and computer screens, yellow is a secondary color made by combining red and green at equal intensity. Carotenoids give the characteristic yellow color to autumn leaves, corn, canaries, daffodils, and lemons, as well as egg yolks, buttercups, and bananas. They absorb light energy and protect plants from photo damage in some cases. Sunlight has a slight yellowish hue when the Sun is near the horizon, due to atmospheric scattering of shorter wavelengths (green, blue, and violet). Because it was widely available, yellow ochre pigment was one of the first colors used in art; the Lascaux cave in France has a painting of a yellow horse 17,000 years old. Ochre and orpiment pigments were us ...
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HSV Color Space
HSL (for hue, saturation, lightness) and HSV (for hue, saturation, value; also known as HSB, for hue, saturation, brightness) are alternative representations of the RGB color model, designed in the 1970s by computer graphics researchers to more closely align with the way human vision perceives color-making attributes. In these models, colors of each ''hue'' are arranged in a radial slice, around a central axis of neutral colors which ranges from black at the bottom to white at the top. The HSL representation models the way different paints mix together to create color in the real world, with the ''lightness'' dimension resembling the varying amounts of black or white paint in the mixture (e.g. to create "light red", a red pigment can be mixed with white paint; this white paint corresponds to a high "lightness" value in the HSL representation). Fully saturated colors are placed around a circle at a lightness value of ½, with a lightness value of 0 or 1 corresponding to fully bla ...
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Colorfulness
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high ( Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area that appears white or highly transmitting". As a resu ...
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Tints And Shades
In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. Mixing a color with any neutral color (including black, gray, and white) reduces the chroma, or colorfulness, while the hue (the relative mixture of red, green, blue, etc. depending on the colorspace) remains unchanged. In the graphic arts, especially printmaking and drawing, "tone" has a different meaning, referring to areas of continuous color, produced by various means, as opposed to the linear marks made by an engraved or drawn line. In common language, the term ''shade'' can be generalized to encompass any varieties of a particular color, whether technically they are shades, tints, tones, or slightly different hues. Meanwhile, the term ''tint'' can be generali ...
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