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Shades Of Grey (Al Grey Album)
''Shades of Grey'' is an album by trombonist Al Grey released in 1965 on the Tangerine label as TRCS-1504.Edwards, D. Eyries, P. and Callahan, MTangerine Album Discographyaccessed April 24, 2017 Track listing All compositions by Al Grey and Roger Spotts except where noted # "Toin Me Loose" (Al Grey) – 4:25 # "Bewitched" (Richard Rodgers, Lorenz Hart) – 3:46 # "I Know You Want Me" – 3:26 # "Put It on Mellow" 7:30 # "Dinnertime" (Roger Spotts) – 6:35 # "Dinah" (Harry Akst, Joe Young, Sam M. Lewis) – 3:49 # "A New Blues" – 4:41 # "Jilly's Honey" (Grey, Sonny Payne) – 4:30 Personnel *Al Grey – trombone, leader *Harry "Sweets" Edison – trumpet * William Hughes, Grover Mitchell (tracks 2 & 3) – trombone * Elvira Redd (tracks 4 & 6) – alto saxophone *Eddie "Lockjaw" Davis – tenor saxophone *Kirk Stuart – piano, organ *Wyatt Ruther – bass * Rufus Jones (track 2–4 & 6), Sonny Payne Sonny Payne (May 4, 1926 – January 29, 1979) was an American jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Grey
Al Grey (June 6, 1925 – March 24, 2000) was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called ''Plunger Techniques''. Career Al Grey was born in Aldie, Virginia, United States, and grew up in Pottstown, Pennsylvania. He was introduced to the trombone at the age of four, playing in a band called the Goodwill Boys, which was led by his father. During World War II he served in the U.S. Navy, where he continued to play the trombone. Soon after his discharge, he joined Benny Carter's band, then the bands of Jimmie Lunceford, Lucky Millinder, and Lionel Hampton. In the 1950s, he was a member of the big bands of Dizzy Gillespie and Count Basie. He led bands in the 1960s with Billy Mitchell and Jimmy Forrest. Later in life he recorded with Clark Terry and J. J. Johnson. He made thirty recordings under his own name and another seventy with bands. Grey's early trombon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Hughes (musician)
William Henry Hughes (March 28, 1930 – January 14, 2018) was an American jazz trombonist and bandleader. He spent most of his career with the Count Basie Orchestra and was the director of that ensemble until September 2010. Biography Early life and career Bill Hughes was born in Dallas, Texas, and his family moved to Washington, D.C., when he was nine years old. His father worked at the Bureau of Engraving and played trombone in the Elks Club marching band. Hughes began playing the trombone at age twelve or thirteen and was performing at Washington jazz venues by the age of sixteen. One of these venues was the 7T Club, where he performed with saxophonist and flautist Frank Wess. While students at Howard University, Hughes and Wess played in the Howard Swingmasters, along with bassist Eddie Jones. The Swingmasters were one of several early groups that helped promote the study and performance of jazz at Historically Black Colleges and Universities. Although interested in p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1965 Albums
Events January–February * January 14 – The Prime Minister of Northern Ireland and the Taoiseach of the Republic of Ireland meet for the first time in 43 years. * January 20 ** Lyndon B. Johnson is sworn in for a full term as President of the United States. ** Indonesian President Sukarno announces the withdrawal of the Indonesian government from the United Nations. * January 30 – The state funeral of Sir Winston Churchill takes place in London with the largest assembly of dignitaries in the world until the 2005 funeral of Pope John Paul II. * February 4 – Trofim Lysenko is removed from his post as director of the Institute of Genetics at the Academy of Sciences in the Soviet Union. Lysenkoist theories are now treated as pseudoscience. * February 12 ** The African and Malagasy Common Organization ('; OCAM) is formed as successor to the Afro-Malagasy Union for Economic Cooperation ('; UAMCE), formerly the African and Malagasy Union ('; UAM). * Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Payne
Sonny Payne (May 4, 1926 – January 29, 1979) was an American jazz drummer, best known for his work with Count Basie and Harry James. Biography Payne's father was Wild Bill Davis's drummer Chris Columbus. After early study with Vic Berton, in 1944 Payne started playing professionally around New York with the Dud and Paul Bascomb band, Hot Lips Page, Earl Bostic (1945–1947), Tiny Grimes (between 1947 and 1950), and Lucille Dixon (1948). From 1950 to 1953, Payne played with Erskine Hawkins' big band, and led his own band for two years, but in late December, 1954, he made his most significant move, joining Count Basie's big band for ten years of constant touring and recording. He was originally asked only to temporarily fill in for Basie's ailing regular drummer, but Payne's skillful playing was such a hit with audiences and the band that he was immediately hired to be Basie's permanent drummer. From Count Basie’s autobiography: “Sonny Payne came in there, and right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufus "Speedy" Jones
Rufus "Speedy" Jones (May 27, 1936 – April 25, 1990) was an American jazz drummer from Charleston, South Carolina. Starting out on trumpet, Jones switched to drums at the age of 13. He worked with Lionel Hampton in 1954 before being drafted. While stationed at Fort Jackson, Jones played in a quintet every Saturday night at the black United Service Organization clubhouse in Columbia. He later played with Red Allen and Maynard Ferguson's Orchestra (1959–1963). He led a quintet from 1963 to 1964, producing for Cameo Records his only album as a leader. Jones worked with Count Basie and Woody Herman in the mid-1960s and backed that up with Duke Ellington in the latter half of the decade. Rufus' son, Lebrew, was sentenced in 1989 to 22 years to life for the murder of Michaelanne Hall, a prostitute in New York City. He was released on parole on November 19, 2009 after significant doubts were raised about his guilt. Discography As leader * '' Five on Eight'' (Cameo, 1964) As side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyatt Ruther
Wyatt Robert "Bull" Ruther (February 5, 1923, Pittsburgh – October 31, 1999, San Francisco) was an American jazz double-bassist. Ruther played trombone in high school before picking up the double-bass. He studied at the San Francisco Conservatory of Music and the Pittsburgh Musical Institute, then played in New York City with Dave Brubeck (1951–52) and Erroll Garner (1951-55). He toured with Lena Horne in 1953 and recorded an album under his own name alongside Milt Hinton in 1955 for RCA Records entitled ''Basses Loaded''. Following this he played with Toshiko Akiyoshi in 1956, then studied at the Royal Conservatory of Music in Toronto, Canada. While in Canada he played with the Canadian Jazz Quartet (1956–57) and Peter Appleyard (1957). He played in the U.S. during the same period with Ray Bryant, Zoot Sims, Bob Brookmeyer, and Chico Hamilton. He toured with George Shearing in 1959 and then played on a world tour with Buddy Rich in 1960–61. In 1962-63 he played in Gerry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirk Stuart
Charles Kincheloe "Kirk" Stuart (April 13, 1934, Charleston, West Virginia - December 17, 1982) was an American jazz pianist and educator. Stuart studied at a conservatory before accompanying singers such as Billie Holiday (1956), Della Reese (1957–59), and Sarah Vaughan (1961–63). He also arranged and conducted for these singers. He led his own unit in Los Angeles later in the 1960s, and recorded with Al Grey in 1965 and once more with Reese in 1967. In later years he taught at Howard University and the Texas Southern University Jazz Ensemble, led ensembles in Las Vegas, and accompanied Joe Williams at the Smithsonian Institution in 1982. Later that year he died during surgery on his spleen. Discography With Al Grey *''Shades of Grey'' (Tangerine, 1965) With Sarah Vaughan *''Sassy Swings The Tivoli'' (1963) References *"Kirk Stuart", '' Grove Jazz'' online. Further reading *Leonard Feather, ''The Encyclopedia of Jazz in the Sixties''. *Obituary, ''Jazz Times ''JazzT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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