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Sforza Castle Pinacoteca
The Pinacoteca del Castello Sforzesco is an art gallery in the museum complex of the Castello Sforzesco in Milan, northern Italy. History Inaugurated in 1878, the gallery displays over 230 artworks, which include masterpieces by Titian, Andrea Mantegna, Canaletto, Antonello da Messina, Pisanello, Vincenzo Foppa, Giovanni Bellini, Correggio, Bernardino Luini, Lorenzo Lotto, Tintoretto and others. The complete collection of the museum, enriched in the last two centuries by donations of illustrious citizens and collectors, now has more than 1,500 artworks. The first rooms of the Pinacoteca are dedicated to religious paintings of the 15th and 16th centuries, with artworks by Vincenzo Foppa, Bergognone, Bramantino, Carlo Crivelli, Bernardino Luini and other Lombard and Italian Renaissance painters. This part of the museum includes the ''Trivulzio Madonna'' by Andrea Mantegna, dating from 1497. (Another ''Trivulzio Madonna'' by Filippo Lippi is also in the museum.) The seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castello Sforzesco
The Castello Sforzesco (Italian for "Sforza's Castle") is a medieval fortification located in Milan, northern Italy. It was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city's museums and art collections. History The original construction was ordered by Galeazzo II Visconti, a local nobleman, in 1358 – c. 1370; this castle was known as the ''Castello di Porta Giova'' (or ''Porta Zubia''), from the name of a gate in walls located nearby. It was built in the same area of the ancient Roman fortification of ''Castrum Portae Jovis'', which served as '' castra pretoria'' when the city was the capital of the Roman Empire. It was enlarged by Galeazzo's successors, Gian Galeazzo, Giovanni Maria and Filippo Maria Visconti, until it beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bramantino
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums Established In 1878
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1878 Establishments In Italy
Events January–March * January 5 – Russo-Turkish War – Battle of Shipka Pass IV: Russian and Bulgarian forces defeat the Ottoman Empire. * January 9 – Umberto I becomes King of Italy. * January 17 – Battle of Philippopolis: Russian troops defeat the Turks. * January 23 – Benjamin Disraeli orders the British fleet to the Dardanelles. * January 24 – Russian revolutionary Vera Zasulich shoots at Fyodor Trepov, Governor of Saint Petersburg. * January 28 – '' The Yale News'' becomes the first daily college newspaper in the United States. * January 31 – Turkey agrees to an armistice at Adrianople. * February 2 – Greece declares war on the Ottoman Empire. * February 7 – Pope Pius IX dies, after a 31½ year reign (the longest definitely confirmed). * February 8 – The British fleet enters Turkish waters, and anchors off Istanbul; Russia threatens to occupy Istanbul, but does not carry out t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Milan
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognini Madonna
The ''Bolognini Madonna'' is a 16th century oil on panel painting (later transferred to canvas) by Antonio da Correggio. History It is dated to around 1514–1519, sometime between his '' Madonna and Child with St Francis'' (1514–1515) and his lost '' Albinea Madonna'' (1517–1519). http://www.correggioarthome.it/SchedaOpera.jsp?idDocumentoArchivio=2487 It has been attributed to Correggio since the late 19th century. In 1865, the painting was left by Gian Giacomo Attendolo Bolognini (for whom the painting is now named) to the Pinacoteca del Castello Sforzesco in Milan, where it now hangs. AA.VV., ''La Pinacoteca del Castello Sforzesco a Milano'', Skira, Milano 2005. It is compositionally related to the artist's '' Madonna and Child with the Infant John the Baptist''. Description and style In the painting, a room with a pilaster decorated by candelabras in low relief opens onto a distant river landscape, far behind the portrait subject. Seated and at half figur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentation Over The Dead Christ (Bramantino)
''Lamentation over the Dead Christ'' is an oil painting on canvas of by Bramantino, painted for the church of San Barnaba in Milan. The work was acquired by the Werner family in 1985 and now in the Pinacoteca del Castello Sforzesco in the same city. AA.VV., ''La Pinacoteca del Castello Sforzesco a Milano'', Skira, Milano 2005. A (possibly autograph) copy is now in a private collection. The painting shows the influence of Roman artists such as Mantegna which Bramantino had picked up during his stay in Rome, especially in its use of perspective. As in his ''Palazzo della Ragione Madonna'' and the ''Madonna and Child with Eight Saints ''Madonna and Child with Eight Saints'' is an oil painting on canvas of by Bramantino, originally in the church of Santa Maria del Giardino in Milan and now in the Contini Bonacossi collection at the Uffizi in Florence. It belongs to the '' s ...'', he also uses several light sources, showing the influence of the recent '' Last Supper'' by L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child (Bellini, Milan, 1460–1465)
''Madonna and Child'' is a c. 1460–1465 tempera on panel painting by Giovanni Bellini, signed on the '' trompe-l'œil'' parapet (IO ANNS BLLI SF.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna. The Christ Child holds a fruit, symbolising Original Sin and foreshadowing his Passion. Some art historians feel the haloes and drapery are too archaic for the work to be by Bellini, but the signature's authenticity was confirmed by a 1999 restoration. It formed part of prince Luigi Alberico Trivulzio's collection, which was originally assigned to Turin in 1935. However, this was disputed by Milan and the work now hangs in Milan in the Pinacoteca del Castello Sforzesco The Pinacoteca del Castello Sforzesco is an art gallery in the museum complex of the Castello Sforzesco in Milan, northern Italy. History Inaugurated in 1878, the gallery displays over 230 artworks, which include masterpieces by Titian, Andrea ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Man With A Book
''Portrait of a Man with a Book'' is an oil on canvas painting by Correggio, dated to around 1522. It was bequeathed to the Pinacoteca del Castello Sforzesco in Milan (where it now hangs) in 1945 by Lydia Caprara Morando Attendolo Bolognini. It is sometimes instead attributed to Parmigianino but majority opinion is that it dates to Correggio's first mature period, which is supported by the fact that it was painted directly on top of the sketch, an informal technique suggesting it was made for a close friend of the artist. It shows a man in a black coat and black cap three-quarter-length against a wooded background, reading from a tiny book held in his right hand, argued by Roberto Longhi to be a book of hours The book of hours is a Christian devotional book used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscrip ...''Edizione delle ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Sforza
The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. They acquired the Duchy of Milan following the extinction of the Visconti family in the mid-15th century, Sforza rule ending in Milan with the death of the last member of the family's main branch in 1535. History The first son of Muzio Attendolo Sforza, Francesco I Sforza, married Bianca Maria (1425–1468) in 1441. She was the daughter and only heir of the last Duke of Milan, ( Filippo Maria Visconti). He thus acquired the title of Duke of Milan (1450–1466), ruled Milan for 16 years, and made the Sforzas the heirs of the house of Visconti. The family also held the seigniory of Pesaro, starting with Muzio Attendolo's second son, Alessandro (1409–1473). The Sforza held Pesaro until 1512, after the death of Costanzo II Sforza. Muzio's third son, Bosio (1411–1476), founded the branch of Santa Fiora, who held the title of count of Cotignola; the Sforza ruled the small county of Santa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Bellotto
Bernardo Bellotto (c. 1721/2 or 30 January 172117 November 1780), was an Italian urban landscape painter or ''vedutista'', and printmaker in etching famous for his ''vedute'' of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting. Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of ''vedute'', may have used the camera obscura in order to achieve superior precision of urban views. Life Bellotto was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
