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Seán Ó Riada
Seán Ó Riada (; born John Reidy; 1 August 1931 – 3 October 1971), was an Irish composer and arranger of Irish traditional music. Through his incorporation of modern and traditional techniques he became the single most influential figure in the revival of Irish traditional music during the 1960s. Ó Riada's career began as a music director at Radio Éireann from 1954, after which he worked at the Abbey Theatre from 1955 to 1962. He lectured in music at University College Cork from 1963 until his death in 1971. He became a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings and broadcasts. His best-known pieces in the classical tradition include ''Nomos No. 1: Hercules Dux Ferrariae'' (1957), but he became particularly famous for his film scores ''Mise Éire'' (1959) and '' Saoirse?'' (1960). He left a lasting influence as founder and director of the ensemble Ceoltóirí Chualann (from 1961). His music still endures: his ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cork (city)
Cork ( , from , meaning 'marsh') is the second largest city in Ireland and third largest city by population on the island of Ireland. It is located in the south-west of Ireland, in the province of Munster. Following an extension to the city's boundary in 2019, its population is over 222,000. The city centre is an island positioned between two channels of the River Lee which meet downstream at the eastern end of the city centre, where the quays and docks along the river lead outwards towards Lough Mahon and Cork Harbour, one of the largest natural harbours in the world. Originally a monastic settlement, Cork was expanded by Viking invaders around 915. Its charter was granted by Prince John in 1185. Cork city was once fully walled, and the remnants of the old medieval town centre can be found around South and North Main streets. The city's cognomen of "the rebel city" originates in its support for the Yorkist cause in the Wars of the Roses. Corkonians sometimes refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aloys Fleischmann
Aloys Fleischmann (13 April 1910 – 21 July 1992) was an Irish composer, musicologist, professor and conductor. Life Fleischmann was born in Munich to Ireland-based German parents. Both were musicians, both graduates of the Royal Academy of Music in Munich. His father, Aloys Fleischmann senior of Dachau, organist and choirmaster at the Cathedral of St. Mary and St Anne, Cork and his mother, Tilly Fleischmann née Swertz (1882–1967), born in Cork to German parents, pianist and piano teacher. Fleischmann was educated in Scoil Íte, the school founded by Terence MacSwiney's sisters in 1916, in Christian Brothers College, Cork, and in St Finbarr's College, Farranferris. He graduated from University College Cork with a BA in 1930, was awarded the BMus in 1931, an MA in 1932, and a doctorate in music (DMus) from the National University of Ireland in 1963. In 1932, he went to study composition, conducting and musicology at the Academy of Music and University of Munich under Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sean-nós Singing
Sean-nós singing ( , ; Irish for "old style") is unaccompanied traditional Irish vocal music usually performed in the Irish language. Sean-nós singing usually involves very long melodic phrases with highly ornamented and melismatic melodic lines, differing greatly from traditional folk singing elsewhere in Ireland, although there is significant regional variation within Ireland. Sean-nós songs cover a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term ''sean-nós'', which simply means "in the old way", is a vague term that can also refer to various other traditional activities, musical and non-musical. The musician and academic Tomás Ó Canainn said:''...no aspect of Irish music can be fully understood without a deep appreciation of sean-nós singing. It is the key which opens every lock.'' The origins of sean-nós singing are unknown, but it is probably at least seven cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Republic
The Irish Republic ( ga, Poblacht na hÉireann or ) was an unrecognised revolutionary state that declared its independence from the United Kingdom in January 1919. The Republic claimed jurisdiction over the whole island of Ireland, but by 1920 its functional control was limited to only 21 of Ireland's 32 counties, and British state forces maintained a presence across much of the north-east, as well as Cork, Dublin and other major towns. The republic was strongest in rural areas, and through its military forces was able to influence the population in urban areas that it did not directly control. Its origins date back to the Easter Rising of 1916, when Irish republicans seized key locations in Dublin and proclaimed an Irish Republic. The rebellion was crushed, but the survivors united under a reformed Sinn Féin party to campaign for a republic. The party won a clear majority of largely uncontested seats in the 1918 general election, and formed the first Dáil (legislature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise Éire
''Mise Éire'' (, Irish for "I mIreland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. Background ''Mise Éire is'' a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. Political relevance In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. Later use Described as both a literary and historical text, it was regularly used by Republican prisoners in Long Kesh as a means of learning and teaching Irish. ''Is Mise'' continues to be relevant in post-partition Ireland, suggest scholars, as illustrating of the difficulties in identifying "Irishness" in Northern Ireland. Counter view The title of the poem was used as a title for a 1959 documentary film by George Morrison, which dealt with key figures and events in Irish Nationalism between the 1890s and the 1910s, including Pearse himself. Seán Ó Riada wrote a sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Morrison (documentary Maker)
George Edward MorrisonPaul Levy, ‘FitzGibbon , Theodora (1916–1991)’, ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edn, May 201/ref> (born 1922) is an Irish director of film documentaries. His works include 1959 documentary ''Mise Éire'' and ''Saoirse?''. Morrison was born in Tramore, County Waterford. His mother was an actress at Dublin's Gate Theatre, while his father worked as a neurological anaesthetist. Morrison studied medicine at Trinity College, Dublin but dropped out in order to pursue his ambition to work in films. Early in his career he assisted director Hilton Edwards in two of the latter's films: ''From Time to Time'' and ''Hamlet of Elsinore''. For ''Mise Éire'', Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe. The result, released by Gael Linn to great acclaim at the 1959 Cork Film Festival, was the first feature-length Irish language film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Biography Childhood and early years (1881–98) Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), also spoke Hungarian fluently. A native of Turócszentmárton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Nationalism
Musical nationalism refers to the use of musical ideas or motifs that are identified with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them. History As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. As new nations were formed in Europe, nationalism in music was a reaction against the dominance of the mainstream European classical tradition as composers started to separate themselves from the standards set by Italian, French, and especially German traditionalists. More precise considerations of the point of origin are a matter of some dispute. One view holds that it began with the war of liberation against Napoleon, leading to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sean-nós Singing
Sean-nós singing ( , ; Irish for "old style") is unaccompanied traditional Irish vocal music usually performed in the Irish language. Sean-nós singing usually involves very long melodic phrases with highly ornamented and melismatic melodic lines, differing greatly from traditional folk singing elsewhere in Ireland, although there is significant regional variation within Ireland. Sean-nós songs cover a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term ''sean-nós'', which simply means "in the old way", is a vague term that can also refer to various other traditional activities, musical and non-musical. The musician and academic Tomás Ó Canainn said:''...no aspect of Irish music can be fully understood without a deep appreciation of sean-nós singing. It is the key which opens every lock.'' The origins of sean-nós singing are unknown, but it is probably at least seven cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Irish Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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