Seychelles (album)
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Seychelles (album)
''Seychelles'' is the debut studio album by the legendary Japanese jazz fusion guitarist Masayoshi Takanaka, released via Kitty Records in July 1976. The album's initial release was distributed via a cassette tape, and was re-released as a CD in 1984. The album is named after the Seychelles islands. Reception According to ''The Japan Times'', Takanaka's debut album ''Seychelles'' "helped pioneer Japan's rock-fusion scene". The record's tracks are characterized by melodic guitar solos with a slightly tropical vibe. Track listing ;''Seychelles'' track listing Personnel Credits and personnel adapted from liner notes * Masayoshi Takanaka – producer, composer, arranger, guitar, percussion, lead vocals * Yukihiro Takahashi – lyrics (tracks 1, 2, 6) * Tsugutoshi Gotō is a Japanese songwriter, bassist and music producer. Gotō broke into the Japanese music industry playing bass on tour for artists like Sadistic Mika Band, Bread & Butter and Shiro Kishibe. He went o ...
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Masayoshi Takanaka
is a Japanese guitarist, composer, and producer. He was born in 1953 in the Shinagawa ward in Tokyo, Japan. Takanaka's music was influential in the city pop genre of the late 1970s and '80s. Early life Takanaka was born to a Chinese father and a Japanese mother. His father came to Japan from Nanjing, China after World War II and married his mother, whose surname was Takanaka. Takanaka was born in Akabane ward, but moved to Oimachi, Shinagawa ward soon after birth. Masayoshi was naturalized in Japan when he was in the fourth grade of elementary school, and changed his name from Masayoshi Liu to Masayoshi Takanaka. Career Masayoshi Takanaka began his professional career in 1971 by playing guitar and bass guitar in the prog rock band Flied Egg under Vertigo. In 1972, Takanaka joined the Sadistic Mika Band. The band fragmented after the divorce of two of its main members, and, in 1976, Takanaka released his first solo album, ''Seychelles''. Throughout the '70s and '80s, T ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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City Pop
is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in the 1980s. It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles – including AOR, soft rock, R&B, funk, and boogie – that were associated with the country's nascent economic boom and leisure class. It was also identified with new technologies such as the Walkman, cars with built-in cassette decks and FM stereos, and various electronic musical instruments. There is no unified consensus among scholars regarding the definition of city pop. In Japan, the tag simply referred to music that projected an "urban" feel and whose target demographic was urbanites. Many of the artists did not embrace the Japanese influences of their predecessors, and instead, largely drew from American soft rock, boogie, and funk. Some examples may also feature tropical flourishes or elements taken from disco, jazz fusion, Okinawan, Latin ...
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