Sevillana (olive)
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Sevillana (olive)
''Sevillanas'' () are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighborhoods, pilgrimage, and love themes. ''Sevillanas'' can be heard mainly in fairs and festivals, including the famous Seville Fair (''Feria de abril de Sevilla''). Among local groups that perform it are the Los Romeros de la Puebla, Los Amigos de Gines, Las Corraleras de Lebrija, Cantores de Hispalis, and Los del Río. Sevillanas Rocieras are a religiously oriented genre of the Sevillana, with a particular emphasis on the Virgin of the Rocío. They are sung in numerous religious and cultural events in the South of the country. The dance Sevillanas are danced by couples of all ages and sexes during celebrations (''fiestas'' or ''f ...
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Sevilla
Seville (; es, Sevilla, ) is the capital and largest city of the Spain, Spanish autonomous communities of Spain, autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the Guadalquivir, River Guadalquivir, in the southwest of the Iberian Peninsula. Seville has a municipal population of about 685,000 , and a List of metropolitan areas in Spain, metropolitan population of about 1.5 million, making it the largest city in Andalusia, the List of metropolitan areas in Spain, fourth-largest city in Spain and the Largest cities of the European Union by population within city limits, 26th most populous municipality in the European Union. Its old town, with an area of , contains three UNESCO World Heritage Sites: the Alcázar of Seville, Alcázar palace complex, the Seville Cathedral, Cathedral and the Archivo General de Indias, General Archive of the Indies. The Seville harbour, located about from the Atlantic Ocean, is the only rive ...
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Seguidilla
The seguidilla (; ; plural in both English and Spanish ''seguidillas''; diminutive of ''seguida'', which means "sequence" and is the name of a dance). Accessed May 2008. is an old Castilian folksong and dance form in quick triple time for two people with many regional variations. The music is generally in a major key and often begins on an offbeat. The term is also used for a Spanish stanza form with four to seven short, partly assonant lines in a characteristic rhythm. Types The earliest and most influential of the types of seguidilla are thought to originate in either La Mancha or Andalusia, having become typical of large parts of central Spain. Variants include the ''seguidilla manchega'' (from La Mancha) as well as the ''murciana'' from Murcia and the slightly faster '' sevillana'' of Seville. One of the most complex styles of seguidilla is the ''seguidilla flamenca'' or ''seguiriya''), which is used in flamenco music. Act I of Jacques Offenbach's opera ''La Périchole'' i ...
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Castilian People
Castilians (Spanish: ''castellanos'') are those people who live in certain former areas of the historical Kingdom of Castile, but the region's exact limits are disputed. A broader definition is to consider as Castilians the population belonging to the Iberian peninsular territories and the Canary Islands, which were controlled by the Crown of Castile and included a large part of the Iberian Peninsula. However, not all people in the regions of the medieval Kingdom of Castile or Crown of Castile think of themselves as Castilian. For that reason, the exact limits of what is Castile (historical region), Castilian today are disputed. The western parts of Castile and León (that is, the Region of León), Cantabria and La Rioja (Spain), La Rioja are often also included in the definition, but that is controversial for historical reasons and for the strong sense of unique cultural identity of those regions. The Province of Albacete is also often included, but it was previously has part ...
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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ...
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Seville Fair
The Seville Fair (officially and in es, Feria de Abril de Sevilla, "Seville April Fair") is held in the Andalusian capital of Seville, Spain. The fair generally begins two weeks after the Semana Santa, or Easter Holy Week. The fair officially begins at midnight on Saturday, and runs seven days, ending on the following Saturday. Each day the fiesta begins with the parade of carriages and riders, at midday, carrying Seville's leading citizens which make their way to the bullring, La Real Maestranza, where the bullfighters and breeders meet. For the duration of the fair, the fairgrounds and a vast area on the far bank of the Guadalquivir River are totally covered in rows of ''casetas'' (individual decorated marquee tents which are temporarily built on the fairground). These casetas usually belong to prominent families of Seville, groups of friends, clubs, trade associations and political parties. From around nine at night until six or seven the following morning, at first in the ...
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Los Del Río
Los del Río (, "Those from the River"), also known as The Del Rios, are a Spanish Latin pop and dance duo which was formed in 1962 by Antonio Romero Monge (17 February 1948) and Rafael Ruiz Perdigones (10 November 1947). They are best known for their hit dance single "Macarena", originally released in 1993. The song went on to become a worldwide success. Career The single "Tengo, tengo" was released on February 18, 1996, and appeared later that year on the album ''Fiesta Macarena''. The group ultimately released six albums: ''A mí me gusta (album), A mí me gusta'', ''Macarena Non Stop'', ''Fiesta Macarena'', ''Colores'', ''Rio y Guestano'' and ''Alegria y cosabuena''. Five of the albums featured versions of "Macarena", in different styles and remixes. Because of their considerable success worldwide, their native town of Dos Hermanas has named a new municipal music hall, the Anfiteatro Los del Río, after them. Another well-known song by Los del Río is "Sevilla tiene un col ...
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Andalusia
Andalusia (, ; es, Andalucía ) is the southernmost Autonomous communities of Spain, autonomous community in Peninsular Spain. It is the most populous and the second-largest autonomous community in the country. It is officially recognised as a Nationalities and regions of Spain, "historical nationality". The territory is divided into eight Provinces of Spain, provinces: Province of Almería, Almería, Province of Cádiz, Cádiz, Province of Córdoba (Spain), Córdoba, Province of Granada, Granada, Province of Huelva, Huelva, Province of Jaén (Spain), Jaén, Province of Málaga, Málaga, and Province of Seville, Seville. Its capital city is Seville. The seat of the High Court of Justice of Andalusia is located in the city of Granada. Andalusia is located in the south of the Iberian Peninsula, in southwestern Europe, immediately south of the autonomous communities of Extremadura and Castilla-La Mancha; west of the autonomous community of Region of Murcia, Murcia and the Mediterr ...
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Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ...
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Bolero (Spanish Dance)
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s. Bolero was performed as a solo or partner dance with a moderately slow tempo, accompanied by guitar and castanets, and with lyrics in the form of the seguidilla. Sebastián Cerezo was credited by as one of the earliest and best dancers of the genre. According to Zamácola y Ocerín, Cerezo danced slowly and his particular way of dancing marked the definitive transition from seguidilla to bolero (from ''voleo'', cf. ''vuelo'', "flight"). This original slow way of dancing was promoted by Murcian dancer Requejo around 1800 in response to the faster style of bolero dancing that had become popular over the years. The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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