Seventeenth Zionist Congress
An organ stop can mean one of three things: *the control on an organ console that selects a particular sound *the row of organ pipes used to create a particular sound, more appropriately known as a ''rank'' *the sound itself Organ stops are sorted into four major types: principal, string, reed, and flute. This is a sortable list of names that may be found associated with electronic and pipe organ stops. Countless stops have been designed over the centuries, and individual organs may have stops, or names of stops, used nowhere else. This non-comprehensive list deals mainly with names of stops found on numerous Baroque, classical and romantic Romantic may refer to: Genres and eras * The Romantic era, an artistic, literary, musical and intellectual movement of the 18th and 19th centuries ** Romantic music, of that era ** Romantic poetry, of that era ** Romanticism in science, of that e ... organs. Here are a few of the most common ones: References External links * * a Fre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Organ Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term "Hammond organ#Drawbars, drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration (organ), Registration is the art of combining stops to produce a certain sound. The phrase "wikt:pull out all the stops, pull out all the stops,” while once only meant to engaging all voices on the organ, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'am ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fundamental Frequency
The fundamental frequency, often referred to simply as the ''fundamental'', is defined as the lowest frequency of a periodic waveform. In music, the fundamental is the musical pitch of a note that is perceived as the lowest partial present. In terms of a superposition of sinusoids, the fundamental frequency is the lowest frequency sinusoidal in the sum of harmonically related frequencies, or the frequency of the difference between adjacent frequencies. In some contexts, the fundamental is usually abbreviated as 0, indicating the lowest frequency counting from zero. In other contexts, it is more common to abbreviate it as 1, the first harmonic. (The second harmonic is then 2 = 2⋅1, etc. In this context, the zeroth harmonic would be 0 Hz.) According to Benward's and Saker's ''Music: In Theory and Practice'': Explanation All sinusoidal and many non-sinusoidal waveforms repeat exactly over time – they are periodic. The period of a waveform is the smallest value of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ophicleide (organ Stop)
Ophicleide ( ) and Contra Ophicleide are powerful pipe organ reed pipes used as organ stops. The name comes from the early brass instrument, the ophicleide, forerunner of the euphonium. The Ophicleide is generally at pitch, and the Contra Ophicleide at . While they can be or reeds in a manual division, they are most commonly found in the pedal division of the organ. Voiced to develop both maximum fundamental tone (as in the Bombarde) and overtone series (as in the Posaune), if the classic voicing technique and use of terminology are followed, the Ophicleide and Contra Ophicleide are among the most powerful and loudest organ stops. Generally the only types of stop more powerful are the various forms of Trompette ''en chamade ''En chamade'' (French: "to sound a parley") refers to powerfully voiced reed stops in a pipe organ that have been mounted horizontally, rather than vertically, in the front of the organ case, projecting out into the church or concert hall. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Mixture (organ Stop)
A mixture is an organ stop, usually of principal tone quality, that contains multiple ranks of pipes including at least one mutation stop. It is designed to be drawn with a combination of stops that forms a complete chorus (for example, principals of 8′, 4′, and 2′ pitches). The mixture sounds the upper harmonics of each note of the keyboard, adding a chord to each note played. The individual pitches in the mixture are not distinguished by the listener; rather, they reinforce the fundamental pitches of the chorus, adding volume and brilliance to the sound. Because pipes playing upper harmonics produce their own set of harmonic overtones, an element of harmonic dissonance is introduced, giving mixtures their characteristic tonal texture as they enrich the ensemble. Historically, the mixture descends from the medieval Blockwerk concept, an organ in which there were no stops and all the ranks sounded simultaneously. Nomenclature Mixture stops are typically labeled i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Mutation Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term " drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration is the art of combining stops to produce a certain sound. The phrase " pull out all the stops,” while once only meant to engaging all voices on the organ, has entered general usage, for deploying all available means to pursue a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Aristide Cavaillé-Coll
Aristide Cavaillé-Coll (; 4 February 1811 – 13 October 1899) was a French organ builder. He has the reputation of being the most distinguished organ builder of the 19th century. He pioneered innovations in the art and science of organ building that permeated throughout the profession and influenced the course of organ building, composing and improvising through the early 20th century. As the author of scientific journal articles about the organ construction details, he published the results of his research and experiments. He was the inventor of the symphonic organ being able to follow smooth and immediate dynamic changes like a symphonic orchestra. This goal was reached by: a) invention of harmonic flue and reed stops, such as the ''flûte harmonique'', ''trompette harmonique'', ''clairon harmonique'', b) invention of divided windchest with 2-3 different wind pressure sections, c) creation of groups of stops (''jeux d'anches'' and ''jeux de fonds'') allowing for fast dynamics ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Resultant (organ)
A combination tone (also called resultant or subjective tone)Combination Tone , ''Britannica.com''. Accessed September 2015. is a phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist (although he was not the first, see Georg Andreas Sorge) and so they are also called Tartini tones. There are t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Gedackt
Gedackt (also spelled gedeckt) is the name of a family of stops in pipe organ building. They are one of the most common types of organ flue pipe. The name stems from the Middle High German word ''gedact'', meaning "capped" or "covered". History The concept of the stopped flute pipe (of which gedackt is a prime example) is almost as old as organ construction. As early as 1600, in Germanic organs, stopped flutes were common additions to the specification. Besides giving a distinct flute-like tone (in contrast to the more open and expressive tone of the diapason, the organ's basic voice) the stopped flutes offer a perfect ensemble stop for making combinations. Stopped flutes like the gedackt are extremely versatile in an organ specification. Certain types of organ stops go in and out of fashion over the centuries, but the stopped flute ranks like the gedackt are always present on instruments of all sizes. Even the very smallest pipe organs frequently have some form of stopped flu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Organ Pipe
An organ pipe is a sound-producing element of the pipe organ that resonates at a specific pitch when pressurized air (commonly referred to as ''wind'') is driven through it. Each pipe is tuned to a specific note of the musical scale. A set of organ pipes of similar timbre comprising the complete scale is known as a rank; one or more ranks constitutes a stop. Construction Materials Organ pipes are generally made out of either metal or wood. Very rarely, glass, porcelain, plastic, paper, Papier-mâché, or even stone pipes may be seen. A historical organ in the Philippines has pipes made exclusively of bamboo. Metal Metal pipes are usually made of lead; for increased rigidity it is alloyed with tin along with trace amounts of antimony and copper. The percentage of each metal in the alloy influences the characteristics of the resulting pipe. A high proportion of tin results in a slightly brighter colour (optical colour, not timbre). In addition, high amounts of tin give a glea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |