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Seven Standards
''Seven Standards (1985), Vols. 1 & 2'' is a two volume set by free jazz musician Anthony Braxton. It was recorded January 30 – 31, 1985. The album is less free than most of Braxton's previous work and features jazz standards arranged in the usual jazz-combo style. Track listing Volume 1 #"Joy Spring" (Clifford Brown) – 7:33 #" Spring Is Here" (m. Richard Rodgers w. Lorenz Hart) – 3:53 #"I Remember You" (m. Victor Schertzinger w. Johnny Mercer) – 5:22 #"Toy" ( Clifford Jordan) – 6:33 #" You Go to My Head" (m. J. Fred Coots w. Haven Gillespie) – 9:35 #" Old Folks" (m. Willard Robison w. Dedette Lee Hill) – 7:10 #"Background Music" (Warne Marsh)– 5:34 Volume 2 #"Moment's Notice" ( John Coltrane) – 8:33 #" Ruby, My Dear" (Thelonious Monk) – 5:11 #" Groovin' High" (Dizzy Gillespie) – 6:40 #" Yardbird Suite" (Charlie Parker) – 4:31 #" Nica's Dream" ( Horace Silver) – 4:19 #"Milestones" (Miles Davis) – 4:35 #"Trinkle Tinkle" (Thelonious Monk) – 6:20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Folks (1938 Song)
"Old Folks" is a 1938 popular song and jazz standard composed by Willard Robison with lyrics by Dedette Lee Hill, the wife and occasional colleague of Billy Hill. The lyrics tell of an old man nicknamed "Old Folks" and reference his service in the American Civil War, his habit of smoking with a " yellow cob pipe", and the prospect of his death. A 1938 version by Larry Clinton and His Orchestra and vocalist Bea Wain charted at No. 4; around this time it was also recorded by Mildred Bailey and Bing Crosby and performed on radio by Benny Goodman and Fats Waller. It was recorded on saxophone by Don Byas in 1946 and saxophonist Ben Webster, who made more than a dozen recordings of the song and often performed it in concert as a ballad, first recorded it in 1951. Its most famous jazz version is by trumpeter Miles Davis on ''Someday My Prince Will Come'' (1961). Other notable recordings * Ernestine Anderson – ''Never Make Your Move Too Soon'' (1981) * Kenny Dorham – ''Quiet Kenny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milestones (composition)
"Milestones" is a jazz composition written by Miles Davis. It appears on the Milestones (Miles Davis album), album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a Modal jazz, modal style and experimentation in this piece led to the writing of "So What (composition), So What" from the 1959 album ''Kind of Blue''. The song's modes consist of G Dorian mode, Dorian for 16 bars, A Aeolian mode, Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats. Originally titled "Miles" on the initial album pressings, people soon began referring to the piece as "Milestones" rather than "Miles". On later editions of the album the title was changed. The musicians who performed on "Milestones" are: *Miles Davis – trumpet *Cannonball Adderley – alto saxophone *John Coltrane – tenor saxophone *Red Garland – piano *Paul Chambers – double bass *Philly Joe Jones – drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nica's Dream
"Nica's Dream" is a jazz standard composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th chords. Its first studio recording by Silver was on the ''Horace-Scope ''Horace-Scope'' is an album by jazz pianist Horace Silver released on the Blue Note Records, Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor (bassist), Gene Taylor, and Roy Brooks. Recepti ...'' album. Thomas Owens describes the composition – "The trumpet melody, one of the great themes in jazz literature, is a 64-measure song in aaba form. The accompaniment for the a sections is in a Latin style based on ..one of Silver's favorite patterns. In the bridge the accompaniment alternates between backbeat chordal punctuati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groovin' High
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and according to ''Bebop: The Music and Its Players'' author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn ''(né'' Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography ''Dizzy'' characterizes the song as "a pleasant medium-tempo tune" that "demonstrates... illespie's/nowiki> skill in fashioning interesting textures using only six instruments". The song has been used to title many compilation albums and also the 2001 biography ''Groovin' High: The Life of Dizzy Gillespie''. Impact First published on the 1945 album '' Shaw 'Nuff'', the song is one of seven on that album that, acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruby, My Dear
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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