Seven Sacraments (Poussin)
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Seven Sacraments (Poussin)
''The Seven Sacraments'' refers to two series of paintings of the seven sacraments by the French painter Nicolas Poussin. First series Painted between 1637 and 1640, the first series was commissioned by Cassiano del Pozzo in the second half of the 1630s and was sold to the Dukes of Rutland in 1784. One of the seven, ''Penance'', was destroyed in a fire at the Rutlands' Belvoir Castle in 1816, and ''Baptism'' was acquired by the National Gallery of Art in Washington DC in 1939, where it still resides. The remaining five were still at Belvoir Castle at the time when Anthony Blunt wrote his catalogue in 1966 and then were on show at the National Gallery in London until recently. All five of these paintings in the National Gallery were taken off show in November 2010 prior to the attempted sale of ''Ordination'' on 8 December that year. ''Ordination'' was ultimately purchased by the Kimbell Art Museum for US$24.3 million and was displayed for the first time there on September 14 ...
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Francis Egerton, 3rd Duke Of Bridgewater
Francis Egerton, 3rd Duke of Bridgewater (21 May 1736 – 8 March 1803), known as Lord Francis Egerton until 1748, was a British nobleman from the Egerton family. He was the youngest son of the 1st Duke. He did not marry, and the dukedom expired with him, although the earldom was inherited by a cousin, Lieutenant-General John Egerton. A pioneer of canal construction, he is famed as the "father of British inland navigation", who commissioned the Bridgewater Canal—often said to be the first true canal in Britain, and the modern world. The canal was built for him by his agent John Gilbert with advice from James Brindley to service his coal mines at Worsley, in Lancashire. Life Bridgewater, the younger son of Scroop Egerton, 1st Duke of Bridgewater, was born on 21 May 1736. Upon the death of their father in 1745, his elder brother inherited the title to become John Egerton, 2nd Duke of Bridgewater. He died only three years later, and Francis succeeded to the dukedom at the age ...
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Paintings In The National Galleries Of Scotland
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Paintings By Nicolas Poussin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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1645 Paintings
Events January–March * January 3 – The Long Parliament adopts the ''Directory for Public Worship'' in England, Wales, Ireland and Scotland, replacing the Book of Common Prayer (1559). Holy Days (other than Sundays) are not to be observed. * January 10 – Archbishop of Canterbury William Laud is executed for treason on Tower Hill, London. * January 14 – English Civil War: Fairfax is appointed Commander-in-Chief. * January 29 – English Civil War: Armistice talks open at Uxbridge. * February 2 – Battle of Inverlochy: The Covenanters are defeated by Montrose. * February 15 – English Civil War: The New Model Army is officially founded. * February 28 – English Civil War: Uxbridge armistice talks fail. * March 4 – English Civil War: Prince Rupert leaves Oxford for Bristol. * March 5 – Thirty Years' War – Battle of Jankau: The armies of Sweden decisively defeat the forces of the Holy Roman Empire, in one of the ...
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1640 Paintings
Year 164 (Roman numerals, CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 ''Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Roman empire, Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoism, Taoist (d. 244) * Yu Fan, C ...
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Bridgewater Loan
The Orleans Collection was a very important collection of over 500 paintings formed by Philippe II, Duke of Orléans, Philippe d'Orléans, Duke of Orléans, mostly acquired between about 1700 and his death in 1723. Apart from the great royal-become-national collections of Europe it is arguably the greatest private collection of Western art, especially Italian, ever assembled, and probably the most famous, helped by the fact that most of the collection has been accessible to the public since it was formed, whether in Paris, or subsequently in London, Edinburgh and elsewhere. The core of the collection was formed by 123 paintings from the collection of Queen Christina of Sweden, which itself had a core assembled from the war booty of the sacks by Swedish troops of Munich in 1632 and Battle of Prague (1648), Prague in 1648 during the Thirty Years War. During the French Revolution the collection was sold by Louis Philippe II, Duke of Orléans, Louis Philippe d'Orléans, ''Philippe Ég ...
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Scottish National Gallery
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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Sutherland Loan
The Orleans Collection was a very important collection of over 500 paintings formed by Philippe d'Orléans, Duke of Orléans, mostly acquired between about 1700 and his death in 1723. Apart from the great royal-become-national collections of Europe it is arguably the greatest private collection of Western art, especially Italian, ever assembled, and probably the most famous, helped by the fact that most of the collection has been accessible to the public since it was formed, whether in Paris, or subsequently in London, Edinburgh and elsewhere. The core of the collection was formed by 123 paintings from the collection of Queen Christina of Sweden, which itself had a core assembled from the war booty of the sacks by Swedish troops of Munich in 1632 and Prague in 1648 during the Thirty Years War. During the French Revolution the collection was sold by Louis Philippe d'Orléans, ''Philippe Égalité'', and most of it acquired by an aristocratic English consortium led by Francis Ege ...
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Duke Of Sutherland
Duke of Sutherland is a title in the Peerage of the United Kingdom which was created by William IV in 1833 for George Leveson-Gower, 2nd Marquess of Stafford. A series of marriages to heiresses by members of the Leveson-Gower family made the Dukes of Sutherland one of the richest landowning families in the United Kingdom. The title remained in the Leveson-Gower family until the death of the 5th Duke of Sutherland in 1963, when it passed to the 5th Earl of Ellesmere from the Egerton family. The subsidiary titles of the Duke of Sutherland are: Marquess of Stafford (created 1786), Earl Gower (1746), Earl of Ellesmere, of Ellesmere in the County of Shropshire (1846), Viscount Trentham, of Trentham in the County of Stafford (1746), Viscount Brackley, of Brackley in the County of Northampton (1846), and Baron Gower, of Sittenham in the County of York (1703). The marquessate of Stafford, the earldom of Gower and the viscountcy of Trentham are in the Peerage of Great Britain, ...
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Paul Fréart De Chantelou
Paul Fréart de Chantelou (25 March 1609 – 1694) was a French collector and patron of the arts. He encouraged major artists of his era, in particular Nicolas Poussin (1594–1665) and Gian Lorenzo Bernini (1598–1680), and is known for his diary describing Bernini's visit to Paris in 1665 (first published in 1885). Early life Paul Fréart was born in Le Mans, the third son of Jean Fréart, sieur de Chantelou and grand provost of Maine (died 1611). Paul's older brothers, Jean Fréart, sieur de Chantelou (1604–1674), and Roland Fréart, sieur de Chambray (1606–1676), were also connoisseurs and patrons of the arts. Chantelou and Poussin In 1638 Paul Fréart de Chantelou became a secretary to his cousin, François Sublet de Noyers, the superintendent of the Bâtiments du Roi, who sent Paul and his brother Roland to Rome in 1639 and 1640, principally to fetch Poussin, but also to bring back casts and designs of Roman antiquities for the French court. Poussin's return to Par ...
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