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Seven Penitential Psalms
The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering). *Psalm 6 – Domine, ne in furore tuo arguas me. (Pro octava). (O Lord, rebuke me not in thy indignation. (For the octave.)) *Psalm 31 (32) – Beati quorum remissae sunt iniquitates. (Blessed are they whose iniquities are forgiven.) *Psalm 37 (38) – Domine ne in furore tuo arguas me. (in rememorationem de sabbato). (O Lord, rebuke me not in thy indignation. (For a remembrance of the Sabbath.)) *Psalm 50 (51) – Miserere mei, Deus, secundum magnam misericordiam tuam. (Have mercy on me, O God, according to thy great mercy.) *Psalm 101 (102) – Domine, exaudi orationem meam, et clamor meus ad te veniat. (O Lord, hear my prayer, and let my cry come unto thee.) *Psalm 129 (130) – De profundis clamavi ad te, Domine. (Out of the depths I have cried to thee, O Lord. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schnorr Von Carolsfeld Bibel In Bildern 1860 135
Schnorr is a German surname. Notable people with this surname include the following: * Claus P. Schnorr (born 1943), German mathematician and cryptographer * Donna Schnorr (died 1984), victim of American serial killer Brian Dugan * Veit Hans Schnorr, later Veit Hans Schnorr von Carolsfeld (1644–1715), German iron and cobalt magnate, ancestor of the Schnorr von Carolsfeld family * Adolf Schnorr (born 1883) German businessman. Founder of Adolf Schnorr GmbH, manufacturer of Disc Springs ;Schnorr von Carolsfeld * Julius Schnorr von Carolsfeld (1794–1872), German painter; younger son of Veit Hanns Schnorr von Carolsfeld * Ludwig Ferdinand Schnorr von Carolsfeld (1788–1853), German artist; elder son of Veit Hanns Schnorr von Carolsfeld * Ludwig Schnorr von Carolsfeld (1836–1865), German ''Heldentenor'' and creator of the role of Tristan; son of Julius Schnorr von Carolsfeld * Veit Hanns Schnorr von Carolsfeld (1764–1841), German portraitist * Malvina Garrigues Eugénia Malv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonsure
Tonsure () is the practice of cutting or shaving some or all of the hair on the scalp as a sign of religious devotion or humility. The term originates from the Latin word ' (meaning "clipping" or "shearing") and referred to a specific practice in medieval Roman Catholic Church, Catholicism, abandoned by papal order in 1972. Tonsure can also refer to the secular practice of shaving all or part of the scalp to show support or sympathy, or to designate mourning. Current usage more generally refers to cutting or shaving for monks, devotees, or mystics of any religion as a symbol of their renunciation of worldly fashion and esteem. Tonsure is still a traditional practice in Catholicism by specific religious orders (with papal permission). It is also commonly used in the Eastern Orthodox Church for newly baptised members and is frequently used for Buddhism, Buddhist novices, Bhikkhu, monks, and Bhikkhunī, nuns. The complete shaving of one's head bald, or just shortening the hair, exists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miserere (Josquin)
The ''Miserere'', by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five voices. He composed it while in the employ of Duke Ercole I d'Este in Ferrara, in 1503 or 1504. It was one of the most famous settings of that psalm of the entire Renaissance, was hugely influential in subsequent settings of the Penitential Psalms, and was itself probably inspired by the recent suffering and execution of the reformer Girolamo Savonarola. During the 1490s, the Duke of Ferrara, Ercole I d'Este, kept in close contact with Savonarola, who was also from Ferrara, and supported him in his efforts to reform the Roman Catholic Church. About a dozen letters between the two survive: the Duke sought advice both on spiritual and political matters (for example, his alliance with France). Even after Savonarola's arrest, Duke Ercole attempted to have him freed, but his last letter to the church authorities in Florence, in April 1498, went unanswered. After Sav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miserere (Allegri)
''Miserere'' (full title: ''Miserere mei, Deus'', Latin for "Have mercy on me, O God") is a setting of Psalm 51 (Psalm 50 in Septuagint numbering) by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part polyphony. History Composed around 1638, Allegri's setting of the ''Miserere'' was amongst the falsobordone settings used by the choir of the Sistine Chapel during Holy Week liturgy, a practice dating to at least 1514. At some point, several myths surrounding the piece came to the fore, stemming probably from the fact that the Renaissance tradition of ornamentation as practiced in the Sistine Chapel was virtually unknown ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bembo
Giovanni Francesco Bembo was an Italian Renaissance painter from Cremona, mainly active from 1515 to 1543. He apprenticed with Boccaccio Boccaccino. In 1515, he painted two frescoes: ''Presentation in the Temple'' and an ''Adoration of the Magi'' for the Duomo of Cremona. He painted an altarpiece for San Pietro depicting a ''Madonna with three saints and a donor'' in 1524. In 1530, he painted a ''Madonna with Saint Stephen'' and in 1540, a ''Madonna with St. John the Baptist and a Bishop'' now in the Museo Civico. He is supposed to have visited Rome, and thought to be identical with a painter who was there known as ''Vetriario''. Other works in Cremona include in San Niccoló, a ''St. Nicholas with the Virgin'' and in San Pietro is a ''Madonna'' (1524). His style recalls Fra Bartolommeo. Giovanni Francesco or Gianfrancesco Bembo, was the nephew of Bonifazio Bembo, the son of Giovanni and brother of Lorenzo, all painters. Giovanni Francesco is said by Vasari to have worked in Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Croce
Giovanni Croce (; also Ioanne a Cruce Clodiensis, Zuanne Chiozotto; 1557 – 15 May 1609) was an Italian composer of the late Renaissance, of the Venetian School. He was particularly prominent as a madrigalist, one of the few among the Venetians other than Monteverdi and Andrea Gabrieli. Life He was born in Chioggia, a fishing town on the Adriatic coast south of Venice, the same town as Gioseffo Zarlino, and he came to Venice early, becoming a member of the boy's choir at St. Mark's under Zarlino's direction by the time he was eight years old. Zarlino evidently found him in a choir in Chioggia Cathedral, and recruited him for St. Mark's.Arnold, p. 35 Croce may have been a parish priest at the church of Santa Maria Formosa, and he took holy orders in 1585; during this period he also served as a singer at St. Mark's. He evidently maintained some connection, probably as a director of music, with Santa Maria Formosa alongside his duties at St. Mark's. After the death of Zarl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Gabrieli
Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany. Life Details on Gabrieli's early life are uncertain. He was probably a native of Venice, most likely the parish of S. Geremia. He may have been a pupil of Adrian Willaert at St. Mark's in Venice at an early age. There is some evidence that he spent time in Verona in the early 1550s, due to a connection with Vincenzo Ruffo, who worked there as ''maestro di cappella'' – Ruffo published one of Gabrieli's madrigals in 1554, and Gabrieli also wrote some music for a Veronese academy. Gabrieli is known to have been organist in Cannaregio between 1555 and 1557, at which time he competed unsuccessfully for the post of org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penitential Psalms (Lassus)
The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering). *Psalm 6 – Domine, ne in furore tuo arguas me. (Pro octava). (O Lord, rebuke me not in thy indignation. (For the octave.)) *Psalm 31 (32) – Beati quorum remissae sunt iniquitates. (Blessed are they whose iniquities are forgiven.) *Psalm 37 (38) – Domine ne in furore tuo arguas me. (in rememorationem de sabbato). (O Lord, rebuke me not in thy indignation. (For a remembrance of the Sabbath.)) *Psalm 50 (51) – Miserere mei, Deus, secundum magnam misericordiam tuam. (Have mercy on me, O God, according to thy great mercy.) *Psalm 101 (102) – Domine, exaudi orationem meam, et clamor meus ad te veniat. (O Lord, hear my prayer, and let my cry come unto thee.) *Psalm 129 (130) – De profundis clamavi ad te, Domine. (Out of the depths I have cried to thee, O Lord. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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