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Servaes De Koninck
Servaes de Koninck, or Servaes de Konink, Servaas de Koninck or Servaas de Konink, or Servaes de Coninck (1653/54 – c.1701) was a Flemish baroque composer of motets, Dutch songs, chamber and incidental music, French airs and Italian cantatas. After training and starting his career in Flanders he moved to Amsterdam in the Dutch Republic, where he was active in circles connected to the Amsterdam Theatre. Life and work Youth and education in the Southern Low Countries De Koninck (Coninck) was born at Dendermonde (Flanders) in 1653. From 1663 to 1665, he was a boy chorister at St. James Church in Ghent. In 1675, he became a student at the University of Leuven. Around 1680, he lived in Brussels. Career in the Republic About 1685, he took up residence in Amsterdam in the Dutch Republic, where he had been preceded by another composer from the Southern Netherlands, Carolus Hacquart. He operated in circles connected to the Amsterdam Theatre and he probably worked later on as an indep ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Abraham Alewijn
Abraham Alewijn (16 October 1664, Amsterdam – 4 October 1721, Batavia, Dutch East Indies) was a jurist and in his time a well-respected poet, who distinguished himself above his contemporary poets, as evidenced from his ''Zede- en Harpzangen'', which had its third printing in quarto Quarto (abbreviated Qto, 4to or 4º) is the format of a book or pamphlet produced from full sheets printed with eight pages of text, four to a side, then folded twice to produce four leaves. The leaves are then trimmed along the folds to produc ... in 1713. But he made himself especially valuable as a writer of comedies. His play poetry exists of: *''Amarillis'', play with a happy ending, Amsterdam, 1693. *''Hardersspel''. Amsterdam, 1699. *''Hardersspel'' honouring Corn. Pruimer. Amsterdam, 1702. *, comedy. Amsterdam, 1702. *. Amsterdam, 1703, illustrated. *, comedy. Amsterdam, 1707. *, comedy. Amsterdam, 1715. *, comedy. Amsterdam, 1720. *, comedy. Amsterdam, 1721. *, musical play. Amsterdam. i ...
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Cornelis Sweerts
Cornelis is a Dutch form of the male given name Cornelius. Some common shortened versions of Cornelis in Dutch are Cees, Cor, Corné, Corneel, Crelis, Kees, Neel and Nelis. Cornelis (Kees) and Johannes (Jan) used to be the most common given names in the Low Countries, and the origin of the term Yankees is commonly thought to derive from the term Jan-Kees for the Dutch settlers in New Netherland. Among the notable persons named Cornelis are: * Cornelis Engebrechtsz (c. 1462–1527), painter from Leiden * Cornelis Massijs (c. 1508–1556), painter from Flanders, Belgium * Cornelis Floris de Vriendt (1513/14-1575), architect and sculptor * Cornelis Cort (c. 1533–1578), engraver and draughtsman * Cornelis Corneliszoon (c. 1550–1607), inventor of the wind powered sawmill * Cor Dillen (c. 1920–2009), director of Philips and their CEO in South America * Cornelis van Haarlem (1562–1638), leading Northern Mannerist painter * Cornelis de Houtman (1565–1599), explorer who start ...
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Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the City Region of Amsterdam, urban area and 2,480,394 in the Amsterdam metropolitan area, metropolitan area. Located in the Provinces of the Netherlands, Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a World Heritage Site, UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is th ...
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Manuscript
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printing, printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or ms ...
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Publisher
Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newspapers, and magazines. With the advent of digital information systems, the scope has expanded to include electronic publishing such as E-book, ebooks, academic journals, micropublishing, Electronic publishing, websites, blogs, video game publisher, video game publishing, and the like. Publishing may produce private, club, commons or public goods and may be conducted as a commercial, public, social or community activity. The commercial publishing industry ranges from large multinational conglomerates such as Bertelsmann, RELX, Pearson plc, Pearson and Thomson Reuters to thousands of small independents. It has various divisions such as trade/retail publishing of fiction and non-fiction, educational publishing K–12, (k-12) and Academic publi ...
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Trio (music)
In music, a trio (from the Italian language, Italian) is any of the following: * a composition for three performers or three Part (music), musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three Part (music), parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonata ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ...
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