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Serjeant-painter
The Serjeant Painter was an honourable and lucrative position as court painter with the English monarch. It carried with it the prerogative of painting and gilding all of the King's residences, coaches, banners, etc. and it grossed over £1,000 in a good year by the 18th century. The work itself involved painting the palaces, coaches, royal barges, and all sorts of decorations for festivities, which often had to be designed as well. The actual involvement of the serjeant painters in this gradually declined. The post itself fell out of use in the 18th century, after a period when "fine art" painters were appointed, and expected to supervise rather than execute decorative painting, for a good salary. History The post of serjeant-painter came into being with the appointment of John Browne in 1511–12. In the time of Henry VIII they seem to have acted as at least foremen for the actual workers; from 1527 better artists were made "King's Painter", like Lucas Horenbout. They may ha ...
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Robert Peake The Elder
Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz. Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time. It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.Waterhouse, ''Painting in Britain'', 41. A family of painters Peake married Elizabeth Beckwith, probably in 1579. He is often called "the elder", to distinguish him from his son, the painter and print selle ...
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John De Critz
John de Critz or John Decritz (1551/2 – 14 March 1642 (buried)) was one of a number of painters of Flemish origin active at the English royal court during the reigns of James I of England and Charles I of England. He held the post of Serjeant Painter to the king from 1603, at first jointly with Leonard Fryer and from 1610 jointly with Robert Peake the Elder. Family John de Critz's father was Troilus de Critz, a goldsmith from Antwerp. De Critz was born in Antwerp. His Flemish parents brought him as a boy to England from Antwerp, during the Spanish persecution of Protestants in the Habsburg Netherlands. He was apprenticed to the artist and poet Lucas de Heere, also from Antwerp, who may have taught members of the Gheeraerts family and Robert Peake as well. De Critz established himself as an independent artist by the late 1590s. John de Critz's sister Magdalena married Marcus Gheeraerts the Younger, another Flemish court painter, who may also have been a pupil of de Heere. ...
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Robert Streater
Robert Streater (1621–1679) (also known as Streeter), was an English landscape, history, still-life and portrait artist, architectural painter, and etcher. He was Serjeant Painter to King Charles II, and decorated the ceiling of Christopher Wren's Sheldonian Theatre in Oxford. Life and work Streater was born in Covent Garden, London, and is said to have been the son of a painter, and to have received his instruction in painting and drawing from an artist called Du Moulin. He was very industrious, and attained considerable ability in his art, which was highly praised by his contemporaries. His style was founded on that of the Baroque Italian painters. He excelled in architectural and decorative paintings on a large scale, especially those in which perspective and a knowledge of foreshortening were required. He painted landscapes, especially topographical, with skill, and also still life. Sir William Sanderson, in his ''Graphice'' (1658), spoke of "Streter, who indeed is a c ...
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Portrait Miniatures
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married. The first miniaturists used watercolour to paint on stretched vellum, or (especially in England) on playing cards trimmed to the shape required. Th ...
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Robert Cecil, 1st Earl Of Salisbury
Robert Cecil, 1st Earl of Salisbury, (1 June 156324 May 1612), was an English statesman noted for his direction of the government during the Union of the Crowns, as Tudor England gave way to Stuart period, Stuart rule (1603). Lord Salisbury served as the Secretary of State (England), Secretary of State of England (1596–1612) and Lord High Treasurer (1608–1612), succeeding his William Cecil, 1st Baron Burghley, father as Queen Elizabeth I's Lord Privy Seal and remaining in power during the first nine years of King James VI and I, James I's reign until his own death. The principal discoverer of the Gunpowder Plot of 1605, Robert Cecil remains a controversial historic figure as it is still debated at what point he first learned of the plot and to what extent he acted as an ''agent provocateur''. Early life and family Cecil (created Earl of Salisbury in 1605) was the younger son of William Cecil, 1st Baron Burghley by his second wife, Mildred Cooke, eldest daughter of Sir An ...
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Horace Walpole
Horatio Walpole (), 4th Earl of Orford (24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English writer, art historian, man of letters, antiquarian, and Whigs (British political party), Whig politician. He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic Revival, Gothic style some decades before his Victorian era, Victorian successors. His literary reputation rests on the first Gothic fiction, Gothic novel, ''The Castle of Otranto'' (1764), and his ''Letters'', which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published. The youngest son of the first British Prime Minister, Sir Robert Walpole, 1st Earl of Orford, he became the 4th and last Earl of Orford of the second creation on his nephew's death in 1791. Early life: 1717–1739 Walpole was born in London, the youngest son of Prime Minister ...
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George Vertue
George Vertue (1684 – 24 July 1756) was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period. Life Vertue was born in 1684 in St Martin-in-the-Fields, London, his father, perhaps a tailor, and mother are noted as 'Roman Catholic'. At the age of 13, he was apprenticed to a prominent heraldic engraver of French origin who became bankrupt and returned to France. Vertue worked seven years under Michael Vandergucht, before operating independently. He was amongst the first members of Godfrey Kneller's London Academy of Painting, who had employed him to engrave portraits. citing: Walpole's ''Anecdotes of Painting''; Nichols's ''Literary Anecdotes'', ii. 246; Chester's ''Westminster Abbey Reg.''; Dodd's manuscript ''Hist. of English Engravers'' in Brit. Mus. (Addit. MS. 33406). It was there that he became a pupil of Thomas Gibson, a leading portrait painter. Vertue had a deep interest in antiqu ...
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Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to d ...
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George Gower Self-portrait 1579
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old ...
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Monopoly
A monopoly (from Greek language, Greek el, μόνος, mónos, single, alone, label=none and el, πωλεῖν, pōleîn, to sell, label=none), as described by Irving Fisher, is a market with the "absence of competition", creating a situation where a specific person or company, enterprise is the only supplier of a particular thing. This contrasts with a monopsony which relates to a single entity's control of a Market (economics), market to purchase a good or service, and with oligopoly and duopoly which consists of a few sellers dominating a market. Monopolies are thus characterized by a lack of economic Competition (economics), competition to produce the good (economics), good or Service (economics), service, a lack of viable substitute goods, and the possibility of a high monopoly price well above the seller's marginal cost that leads to a high monopoly profit. The verb ''monopolise'' or ''monopolize'' refers to the ''process'' by which a company gains the ability to raise ...
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Master Of The Revels
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. Originally he was responsible for overseeing royal festivities, known as ''revels'', and he later also became responsible for stage censorship, until this function was transferred to the Lord Chamberlain in 1624. However, Henry Herbert, the deputy Master of the Revels and later the Master, continued to perform the function on behalf of the Lord Chamberlain until the English Civil War in 1642, when stage plays were prohibited. The office continued almost until the end of the 18th century, although with rather reduced status. History The Revels Office has an influential role in the history of the English stage. Among the expenses of the royal Wardrobe we find provision made for ''tunicae'' and ''viseres'' ( shirts and hats) in 1347 for th ...
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Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ...
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