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Serge Lamothe
Serge Lamothe (born February 15, 1963) is a French-Canadian writer. Education He holds a master's degree in literature from Laval University in Quebec City. Career He was a member of the board and vice president, in 2005, of UNEQ (Quebec Writers Union). From 2006 to 2015, he was a member of the board of the FIL (International Festival of Literature) in Montreal, Canada. Theater *''Le Prince de Miguasha'', radio play, Radio-Canada, 2003. *''Rapports intimes'', translation & adaptation of '' Intimate Exchanges'' by Alan Ayckbourn, 2003. *''Le Procès de Kafka'', stage adaptation of ''The Trial'', by Franz Kafka, 2004. *''Le fusil de chasse'', stage adaptation of ''The Hunting Gun'', by Yasushi Inoue, 2010. *''Kinkaku-ji'', stage adaptation of ''The Temple of the Golden Pavilion'' by Yukio Mishima, directed by Amon Miyamoto, Kanagawa Arts Theatre, Tokyo, and Lincoln Center, NYC, 2011. *''Waiting for Godot'', by Samuel Beckett, dramatist, directed by François Girard, Théâtre d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glen Berger
Glen Berger is an American playwright and scriptwriter. He has received commissions from the Children’s Theater of Minneapolis, Berkeley Repertory Theatre, the Alley Theatre, and the Lookingglass Theater. In 2010, he co-wrote the book for '' Spider-Man: Turn Off the Dark'', a musical adaptation of Spider-Man, directed by Julie Taymor with music and lyrics by Bono and The Edge of U2. The show had a famously troubled production, and in 2013, Berger wrote an account of his experiences, ''Song of Spider-Man - The Inside Story of the Most Controversial Musical in Broadway History''. Berger has also written scripts for animated children's TV shows, including ''Arthur'', ''Peep and the Big Wide World'', ''Fetch! with Ruff Ruffman'', ''Big & Small'', ''Octonauts'' and ''Curious George''. Berger won two Daytime Emmy Awards for ''Fetch! with Ruff Ruffman'' and ''Peep and the Big Wide World'', and was nominated twelve times for various series. He is an alumnus of New Dramatists. He is cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaija Saariaho
Kaija Anneli Saariaho (; ; born 14 October 1952) is a Finnish composer based in Paris, France. During the course of her career, Saariaho has received commissions from the Lincoln Center for the Kronos Quartet and from IRCAM for the Ensemble Intercontemporain, the BBC, the New York Philharmonic, the Salzburg Music Festival, the Théâtre du Châtelet in Paris, and the Finnish National Opera, among others. In a 2019 composers' poll by BBC Music Magazine, Saariaho was ranked the greatest living composer. Saariaho studied composition in Helsinki, Freiburg, and Paris, where she has lived since 1982. Her research at the Institute for Research and Coordination in Acoustics/Music (IRCAM) marked a turning point in her music away from strict serialism towards spectralism. Her characteristically rich, polyphonic textures are often created by combining live music and electronics. Life and work Saariaho was born in Helsinki, Finland. She studied at the Sibelius Academy under Paavo Hein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amin Maalouf
Amin Maalouf (; ar, أمين معلوف; born 25 February 1949) is a Lebanese-born French"Amin Maalouf" , Modern Arab writers. author who has lived in France since 1976."About the author" with Amin Maalouf. Although his native language is , he writes in French, and his works have been translated into over 40 languages. Of his several works of nonfiction, '' The Crusades through Ar ...
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Émilie (opera)
''Émilie'' is an opera – specifically a 9-scene, 75-minute monodrama for soprano – by Finnish composer Kaija Saariaho to a libretto by Amin Maalouf. It was written in 2008. Based on the life and writings of Marquise Émilie du Châtelet (1706–1749), the work premiered at the Opéra de Lyon, France, on 1 March 2010, with Finnish soprano Karita Mattila, its dedicatee, in the title role. It recounts the achievements of this mathematician, physicist, and mistress of Voltaire: the first woman to establish an international scientific reputation, with pioneering work in the study of fire. The opera ''Émilíe'' is based on the actual biography of Émilie du Châtelet, an 18th-century French intellectual in her own right and the mistress of the French philosopher Voltaire. She had a child by a later lover, and the childbirth led to her death. In the plot of the opera, her character's arias are linked to the birth of the child and of her significant scholarship. The soprano soloist is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra National De Lyon
The Opéra National de Lyon, marketed as Opéra de Lyon during the last decade, is an opera company in Lyon, based and performing mostly at the Opéra Nouvel, an 1831 theater that was modernized and architecturally transformed in 1993. The inaugural performance of François-Adrien Boïeldieu's ''La Dame blanche'' was given on 1 July 1831. The Nineteenth and Twentieth Centuries saw some significant French premieres of major operas including Richard Wagner's ''Die Meistersinger'' in 1896, Giordano's '' Andrea Chénier'' in the following year, and Moussorgsky's ''Boris Godunov'' in 1913. In addition, many world premieres such as Arnold Schoenberg's ''Erwartung'' (1967) have been presented. In the years after the 1969 appointment of Louis Erlo as general director, many innovative productions and premieres of both French operas and Twentieth Century operas have been staged. Two significant French artists who have been associated with the Opéra in recent years are the stage director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seven Deadly Sins (ballet Chanté)
''The Seven Deadly Sins'' (german: Die sieben Todsünden, link=no, french: Les sept péchés capitaux, link=no) is a satirical ''ballet chanté'' ("sung ballet") in seven scenes (nine movements, including a Prologue and Epilogue) composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman and more recently by Michael Feingold. It was the last major collaboration between Weill and Brecht. Origins With the Nazi seizure of power following the Reichstag fire of 27 February 1933, Brecht and Weill–especially Weill as a Jew–recognized that Berlin could no longer serve as their artistic home. Brecht left Berlin and traveled to Paris, stayed briefly in Prague, and then in Vienna. Less than a month later he was in Zurich and then moved to less expensive lodgings in Lugano, Switzerland. There a patron offered him living quarters in his summer home in Carona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Kremlin Palace
The State Kremlin Palace (russian: Государственный Кремлёвский Дворец), formerly and unofficially still better known as the Kremlin Palace of Congresses (Кремлёвский Дворец съездов), is a large modern building inside the Moscow Kremlin. History The building was built at the initiative of Nikita Khrushchev as a modern arena for Communist Party meetings. The building replaced several heritage buildings including the old neo-classical building of the State Armoury and some of the back corpuses of the Great Kremlin Palace. This, and that the architecture of the projected building contrasted with the historic milieu resulted in quite an uproar, particularly after other historic buildings of the Kremlin, such as the Chudov and Ascension cloisters, had already been replaced and laws by the mid-1950s ought to prevent demolishion of historic structures, making the construction in some ways illegal. The construction work started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio City Music Hall
Radio City Music Hall is an entertainment venue and Theater (structure), theater at 1260 Sixth Avenue (Manhattan), Avenue of the Americas, within Rockefeller Center, in the Midtown Manhattan neighborhood of New York City. Nicknamed "The Showplace of the Nation", it is the headquarters for the Rockettes. Radio City Music Hall was designed by Edward Durell Stone and Donald Deskey in the Art Deco style. Radio City Music Hall was built on a plot of land that was originally intended for a Metropolitan Opera House, although plans for the opera house were canceled in 1929. It opened on December 27, 1932, as part of the construction of Rockefeller Center. The 5,960-seat Music Hall was the larger of two venues built for Rockefeller Center's "Radio City" section, the other being Center Theatre (New York City), Center Theatre; the "Radio City" name later came to apply only to the Music Hall. It was largely successful until the 1970s, when declining patronage nearly drove the theater to bank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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