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Serafino Gentili
Serafino Gentili (1775 – 13 May 1835) was an Italian opera singer particularly known for his performances in tenore di grazia roles. He sang in opera houses throughout Italy as well as in Paris and Dresden. During the course of his career, he created the role of Lindoro in Rossini's ''L'italiana in Algeri'' as well as leading roles in several other operas by less well-known composers. In his later years, he went by the surname Gentili-Donati to distinguish himself from the tenor Pietro Gentili. Gentili was born in Venice and is presumed to have had his training there although little is known about his early life. However, by 1795 he was listed as "virtuoso di musica" in Ascoli Piceno where he made his debut at the Teatro Ventidio Basso in 1796 as Folletto in Antonio Brunetti's ''Lo sposo di tre e marito di nessuna''.Carnevale, Nadia (2000)"Gentili, Serafino" ''Dizionario Biografico degli Italiani'', Volume 53. Treccani. Online version retrieved 2 September 2014 . From 1822 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serafino Gentili By Luigi Rados (1773 - 1840)
Serafino is an Italian given name. It may refer to: People * Serafino de Montegranaro (1540–1604), Italian Capuchin friar * Serafino de' Serafini (1323-1393), Italian painter * Serafino Belfanti (1860–1939), Italian immunologist * Serafino Biagioni (1920–1983), Italian bicycle racer * Serafino Brizzi (1684–1724), Italian engraver * Serafino Cretoni (1833–1909), Italian Cardinal of the Roman Catholic Church * Serafino De Tivoli (1826–1892), Italian artist of the Macchiaioli group * Serafino dell'Aquila (1466–1500), Italian poet and improvisatore * Serafino Dubois (1817–1899), Italian chess player * Serafino Ghizzoni (born 1954), former Italian international rugby union footballer * Serafino Mazzolini (1890–1945), Italian lawyer, politician and journalist * Serafino Mazzarochi (1890–1961), Italian gymnast who competed in the 1912 Summer Olympics * Serafino Porrecta (1536–1614), Italian-Dominican theologian * Serafino Vannutelli Serafino Vannutelli (26 Novem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's ''Il trionfo di Clelia'', an opera which Gluck had composed for the occasion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1775 Births
Events Summary The American Revolutionary War began this year, with the first military engagement being the April 19 Battles of Lexington and Concord on the day after Paul Revere's now-legendary ride. The Second Continental Congress takes various steps toward organizing an American government, appointing George Washington commander-in-chief (June 14), Benjamin Franklin postmaster general (July 26) and creating a Continental Navy (October 13) and a Marine force (November 10) as landing troops for it, but as yet the 13 colonies have not declared independence, and both the British (June 12) and American (July 15) governments make laws. On July 6, Congress issues the Declaration of the Causes and Necessity of Taking Up Arms and on August 23, King George III of Great Britain declares the American colonies in rebellion, announcing it to Parliament on November 10. On June 17, two months into the colonial siege of Boston, at the Battle of Bunker Hill, just north of Boston, Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Operatic Tenors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Coccia
Carlo Coccia (14 April 1782 – 13 April 1873) was an Italian opera composer. He was known for the genre of opera semiseria. Life and career Coccia was born in Naples, and studied in his native city with Pietro Casella, Fedele Fenaroli, and Giovanni Paisiello, who introduced him to King Joseph Bonaparte for whom he became the private musician. He wrote his first opera, ''Il matrimonio per lettera di cambio'', in 1807, but it was a failure; however, the following year, with the help of Paisiello, his second opera, ''Il poeta fortunato'', was well received. He then moved to Venice, where he concentrated on opera semiseria, of which ''Clotilde'' from 1815, is perhaps the best example. Accused of imitating other composers, and of producing too many uneven operas in great haste, he was eventually eclipsed by the emerging Gioachino Rossini, Rossini, and left for Lisbon, where he remained from 1820 to 1823. He then settled in London in 1824, where he was conductor at Her Majesty's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Benedetto
The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the theatre of choice for the presentation of ''opera seria'' until La Fenice was built in 1792. History The small, elegant theatre was first constructed by Michele Grimani on land owned by the Venier family. It was inaugurated on 26 December 1755 with a performance of Gioacchino Cocchi's opera ''Zoe''. In 1766 the ownership of the San Benedetto passed from Grimani to a consortium of patrician families in Venice who had been box holders at the theatre. The original design of the theatre was circular. However it was rebuilt in the traditional horseshoe shape following a fire in 1773. In 1765 Vincenzo Galeotti, who danced here from 1761, became the ballet master of the theatre and staged his first ballet here (at that time besides Galeotty and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Regio Di Torino
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Federici
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor *Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer *Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor *Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali (bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Gazzaniga
Giuseppe Gazzaniga (5 October 1743 – 1 February 1818) was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers. Biography Born in Verona, Gazzaniga was initially intended for the priesthood at the urging of his devout parents. He eventually convinced his father to allow him to pursue a career in music and began studies first in Venice and then at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples. While there, he was a pupil of Niccolò Piccinni and Nicola Porpora. Gazzaniga presented his first opera, '' Il barone di Trocchia'', at the Teatro di San Carlo in 1768. He would spend the next several decades writing mostly operas in Italy with the exception of a few trips to Dresden, Vienna, and Prague. His most successful opera was his ''Don Giovanni Tenorio'' written in 1787 to a libretto by Giovanni Bertati, possibly an inspiration for the libretto of Mozart's ''Don Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenore Di Grazia
, also called tenor (''graceful'', ''light'', and ''lightweight'' tenor, respectively), is a lightweight, flexible tenor voice type.Soreanu, Cristina. "Nineteenth Century’s Donizettian Singers and their Contribution to the Development of the Vocal Technique." Bulletin of the Transilvania University of Braşov, Series VIII: Performing Arts 2 (2014): 124–130. The tenor roles written in the early 19th-century Italian operas are invariably leggero tenor roles, especially those by Rossini such as Lindoro in ''L'italiana in Algeri'', Don Ramiro in ''La Cenerentola'', and Almaviva in ''Il barbiere di Siviglia''; and those by Bellini such as Gualtiero in ''Il pirata'', Elvino in ''La sonnambula'' and Arturo in ''I puritani''. Many Donizetti roles, such as Nemorino in ''L'elisir d'amore'' and Ernesto in ''Don Pasquale'', Tonio in ''La fille du régiment'', are also ''tenore di grazia'' roles. One of the most famous leggero tenors of that period was Giovanni Battista Rubini, for whom Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Mayr
Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845), was a German composer. His music reflects the transition from the Classical to the Romantic musical era. He was an early inspiration to Rossini and taught and advocated for Donizetti. Life He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed ''Zibaldone'' or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed ''maestro di cappella'' at the Cath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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