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Sequence (film)
In film, a sequence is a series of scenes that form a distinct narrative unit, which is usually connected either by a unity of location or a unity of time. For example, a heist film might include an extended recruitment sequence in which the leader of the gang collects together the conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more acts; acts include one or more sequences; sequences are divided into one or more scenes; and scenes may be thought of as being built out of shots (if one is thinking visually) or ''beats'' (if one is thinking in narrative terms). The sequence paradigm of screenwriting was developed by Frank Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (film)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed.George, Kathleen (1994) ''Playwriting: The First Workshop'', Focal Press, , p. 154 Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unity Of Location
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: #''unity of action'': a tragedy should have one principal action. #''unity of time'': the action in a tragedy should occur over a period of no more than 24 hours. #''unity of place'': a tragedy should exist in a single physical location. History Italy In 1514, author and critic Gian Giorgio Trissino (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, ''Sofonisba''. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, ''Poetics''. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, ''Rhetoric''. In ''Rhetoric'' Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unity Of Time
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: #''unity of action'': a tragedy should have one principal action. #''unity of time'': the action in a tragedy should occur over a period of no more than 24 hours. #''unity of place'': a tragedy should exist in a single physical location. History Italy In 1514, author and critic Gian Giorgio Trissino (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, ''Sofonisba''. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, ''Poetics''. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, ''Rhetoric''. In ''Rhetoric'' Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heist Film
The heist film or caper film is a subgenre of crime film focused on the planning, execution, and aftermath of a significant robbery. One of the early defining heist films was ''The Asphalt Jungle'' (1950), which ''Film Genre 2000'' wrote "almost single-handedly popularized the genre for mainstream cinema". It featured robbers whose personal failings ultimately led to the failure of their robbery. Similar films using this formula were ''Armored Car Robbery'' (1950), '' The Killing'' (1956), and '' The Getaway'' (1972). By the 1990s, heist films began to "experiment and play with these conventions," incorporating things like comedy into heist stories. Characteristics of the genre While there is sometimes some confusion as to what counts as a heist film, there are characteristics that most films in the genre follow. The most basic of these is that films in the genre tend to follow the planning, execution and aftermath of one large robbery. While there can be smaller crimes lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Act (theater)
An act is a major division of a theatre work, including a play, film, opera, or musical theatre, consisting of one or more scenes. The term can either refer to a Consciousness, conscious division placed within a work by a playwright (usually itself made up of multiple scenes) or a unit of analysis for dividing a dramatic work into sequences. As applied, those definitions may or may not align. The word ''act'' can also be used for major sections of other entertainment, such as variety shows, television programs, music hall performances, cabaret, and literature. Acts and scenes An act is a part of a play defined by elements such as rising action, Climax (narrative), climax, and resolution. A scene (drama), scene normally represents actions happening in one place at one time, and is marked off from the next scene by a curtain, a black-out, or a brief emptying of the stage. To be more specific, the elements that create the plot (narrative), plot of a play and divide it into acts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (filming)
In filmmaking and video production, a shot is a series of film frame, frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a Film, movie where Camera angle, angles, Film transition, transitions and Cut (transition), cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Daniel
František "Frank" Daniel (April 14, 1926 – March 29, 1996) was a Czech-American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. He served as co-chair of the Columbia University film program, and as a dean of FAMU, the American Film Institute and the USC School of Cinema-Television. He was also an Artistic Director of the Sundance Institute. Life Czechoslovakia František Daniel was born in Kolín, Czechoslovakia. He earned a master's degree in music before studying film at VGIK in Moscow. Daniel was a member of a production unit Feix-Daniel at state-owned Barrandov Studios. In addition to that he wrote screenplays and taught screenwriting at FAMU. Among his students were Miloš Forman, Věra Chytilová or Pavel Juráček. In 1959 he had to leave Barrandov after the movies he worked on were critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Art
In comics studies, sequential art is a term proposed by comics artist Will EisnerWill Eisner, '' Comics and Sequential Art'', Poorhouse Press, 1990 (1st ed.: 1985), p. 5. to describe art forms that use images deployed in a specific order for the purpose of graphic storytellingWill Eisner, '' Graphic Storytelling and Visual Narrative'', W. W. Norton, 2008 (1st. ed.: Poorhouse Press, 1996), "Introduction: Comics as a Medium." (i.e., narration of graphic stories) or conveying information. The best-known example of sequential art is comics. Etymology The term "sequential art" was coined in 1985 by comics artist Will Eisner in his book '' Comics and Sequential Art''. Eisner analyzed this form into four elements: design, drawing, caricature, and writing. Scott McCloud, another comics artist, elaborated the explanation further, in his books ''Understanding Comics'' (1993) and '' Reinventing Comics'' (2000). In ''Understanding Comics'', he notes that the movie roll, before it is being proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Scenes
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film And Video Terminology
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
