|
Septet (Saint-Saëns)
The Septet in E major, Op. 65, was written by Camille Saint-Saëns between 1879 and 1880 for the unusual combination of trumpet, two violins, viola, cello, double bass and piano. Like the suites Opp. 16, 49, 90, the septet is a neoclassical work that revives 17th-century French dance forms, reflecting Saint-Saëns's interest in the largely forgotten French musical traditions of the 17th century. History The septet is dedicated to Émile Lemoine, a mathematician who in 1861 founded the chamber music society La Trompette. Saint-Saëns and other well known musicians such as Louis Diémer, Martin Pierre Marsick, and Isidor Philipp would often perform at the concerts of the society, which took place at Salle Érard and later in the hall of the Horticultural Society. For many years, Lemoine had asked Saint-Saëns to compose a special piece with the trumpet to justify the name of the society, and jokingly he would respond that he could create a work for guitar and thirteen tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septet
A septet is a formation containing exactly seven members. It is commonly associated with musical groups but can be applied to any situation where seven similar or related objects are considered a single unit, such as a seven-line stanza of poetry. In jazz, a septet is any group of seven players, usually containing a drum set, string bass or electric bass, and groups of one or two of the following instruments, guitar, piano, trumpet, saxophone, clarinet, or trombone. See, for example, Miles Davis, and Chick Corea's 1984 album, ''Septet''. Classical and romantic period One of the most famous classical septets is Beethoven's Septet in E major, Op. 20, composed around 1799–1800, for clarinet, bassoon, horn, violin, viola, cello, and double bass. The popularity of Beethoven's septet made its combination of instruments a standard for subsequent composers, including Conradin Kreutzer (Op. 62, 1822), Franz Berwald, and Adolphe Blanc (Op. 40, ca. 1864), and, with small changes in the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Horticultural Society Of France
The National Horticultural Society of France (French: ''Société nationale dhorticulture de France'', or SNHF) is a horticultural society founded in 1827 by Louis-Étienne Héricart de Thury. Headquartered in Paris, it comprises specialized departments which organize conferences, themed journeys and garden visits, and exhibitions. History The ''Société d’Horticulture de Paris'' was founded on 11 June 1827 on the initiative of Vicomte Héricart de Thury to unite enthusiasts who wanted to exchange ideas and cultivate exotic species. In 1835 the organization received royal recognition and became the ''Société Royale d’Horticulture''. A second, similar organizations was formed, and was named ''Société Nationale d’Horticulture de la Seine''. Under the presidency of the Duc de Morny the two merged in 1854, taking the name ''Société Impériale Centrale d’Horticulture'', with its headquarters on 84 Rue de Grenelle, in Paris's 7th arrondissement of Paris The 7th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quintet (Schumann)
The Piano Quintet in E-flat major, Op. 44, by Robert Schumann was composed in 1842 and received its first public performance the following year. Noted for its "extroverted, exuberant" character, Schumann's piano quintet is considered one of his finest compositions and a major work of nineteenth-century chamber music. Composed for piano and string quartet, the work revolutionized the instrumentation and musical character of the piano quintet and established it as a quintessentially Romantic genre. Composition and performance Schumann composed his piano quintet in just a few weeks in September and October 1842, in the course of his so-called Chamber Music Year. Prior to 1842, Schumann had completed no chamber music at all with the exception of an early piano quartet (in 1829). However, during his year-long concentration on chamber music he composed three string quartets, Op. 41; followed by the piano quintet, Op. 44; a piano quartet, Op. 47; and the ''Phantasiestücke'' for pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Previn
André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved success, and the latter two were part of his life until the end. In movies, he arranged and composed music. In jazz, he was a celebrated trio pianist, a piano-accompanist to singers of standards, and pianist-interpreter of songs from the "Great American Songbook". In classical music, he also performed as a pianist but gained television fame as a conductor, and during his last thirty years created his legacy as a composer of art music. Before the age of twenty, Previn began arranging and composing for Metro-Goldwyn-Mayer. He would go on to be involved in the music of more than fifty films and would win four Academy Awards. He won ten Grammy Awards, for recordings in all three areas of his career, and then one more, for lifetime achieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carter Brey
Carter Brey (born 1954) is an American cello virtuoso. He had a prolific solo career from 1981 until 1996 when he became the principal cellist of the New York Philharmonic, a position he still holds today. Biography Carter Brey was born in Montclair, New Jersey and grew up in Westchester County, New York. He began playing the violin at age 9 and the cello at age 12 in school, although he did not seriously consider becoming a professional musician until he was 16. He studied under Laurence Lesser and Stephen Kates at Johns Hopkins University's Peabody Institute and later with Aldo Parisot at Yale University, where he was a Wardell Fellow and a Houpt Scholar. He taught at the University of South Florida in between his time at Peabody and Yale. In 1979 he joined the Cleveland Orchestra where he played for two seasons. Brey came to international attention in 1981 when he won the 3rd Prize of the Concours de violoncelle Rostropovitch, Rostropovich International Cello Competition, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ani Kavafian
Ani Kavafian ( hy, Անի Գավաֆեան, born May 10, 1948, Istanbul) is a classical violinist and professor at the Yale School of Music. Early life and education Born in Istanbul of Armenian heritage, Ani Kavafian began piano lessons at the age of three. After immigrating to the United States in 1956, she began violin studies in Detroit, Michigan with Ara Zerounian and then with Mischa Mischakoff. She went on to study at the Juilliard School with Ivan Galamian receiving a Master of Science degree. Career In 1973, she was a winner of the Young Concert Artists International Auditions, where she now serves as president of their Alumni Association. In 1979, she was the recipient of the Avery Fisher Career Grant. The same year, she became a member of the Chamber Music Society of Lincoln Center; she continues to tour the United States, Canada and Europe with CMS. Her affiliation there is the longest tenure of any artist of the Society. She has appeared with the New York Phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Stevens (trumpeter)
Thomas Stevens (July 29, 1938 – July 14, 2018) was an American trumpeter, composer, and author. Thomas Stevens was appointed to the Los Angeles Philharmonic Orchestra in 1965 by then music director, Zubin Mehta, who named him principal trumpet in 1972, a position he held until 2000. He served in the same capacity with the "World Orchestra for Peace," Sir Georg Solti's hand-picked group assembled in Geneva for the celebration of the fiftieth anniversary of the United Nations, and the Casals Festival Orchestra in Puerto Rico. The Los Angeles appointment was preceded by a stint in the U.S. Army as solo trumpeter with the West Point Band followed by a one year engagement with the Dallas Symphony Orchestra. In addition to his work as an orchestral musician, Mr.Stevens has performed and recorded as a soloist and chamber musician with major organizations worldwide, including the Chamber Music Society of Lincoln Center, and during the early 1980s he was invited by Pierre Boulez to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Septet")
.png "Click for more on -> Piano Quintet (Schumann)")
.jpg "Click for more on -> André Previn")
