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Sensation (fiction)
Sensation is the fiction-writing mode for portraying a character's perception of the senses. According to Ron Rozelle, "...the success of your story or novel will depend on many things, but the most crucial is your ability to bring your reader into it. And that reader will be most completely in when you deliver the actual sensations of the many things that comprise your story" . As stated by Jessica Page Morrell, "You breathe life into fiction by translating the senses onto the page, producing stories rooted in the physical world ... that creates a tapestry, a galaxy of interwoven sensory ingredients." Also according to Rozelle, "The sensation of what something feels like is used to describe everything from sensual pleasure to pain and torture. It's a wide range, and your readers have actually experienced only some of those feelings. So your job is to either make them recall exactly what it feels like when something occurs in your story or, if they haven't experienced it, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction-writing Mode
A fiction-writing mode is a manner of writing with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Some writing modes suggested include action, dialogue, thoughts, summary, scene, description, background, exposition and transition. Overview The concept goes back at least as far as Aristotle who, in ''Poetics'', referred to narration and action as different modes or manner of representing something. For many years, fiction writing was described as having two types: narration and dialogue. Evan Marshall, in ''The Marshall Plan for Novel Writing'' (1998) noted that writers should know what they are doing at all times. He described w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Rozelle
Ron Rozelle is an American author of ten books of fiction and nonfiction, including 'Description & Setting: Techniques and Exercises for Crafting a Believable World of People, Places & Events', a volume in the Writers Digest 'Write Great Fiction' series; 'The Windows of Heaven', a novel of the 1900 Galveston storm; 'A Place Apart', a novel set in modern day Ohio; and 'Warden: Death and Life in the Texas Prison System', coauthored with Jim Willett, Rozelle's memoir, 'Into That Good Night', the first non-agented property published by New York’s venerated Farrar, Straus, & Giroux in over five years, was a national short list finalist for the P.E.N. Prize and the Carr P. Collins Award and was selected as the second-best work of nonfiction in the nation for the year 1998 by the San Antonio Express-News. He has taught writing workshops at numerous conferences and universities and was twice the memoir teacher at the Newman National Writer’s Conference at Mississippi College. His arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessica Page Morrell
Jessica Page Morrell is an American author. Career Morrell is a contributor to ''The Writer'' and '' Writer's Digest'' magazines. Her book, ''Thanks But This Isn't For Us'' (2009), describes mistakes that new authors make and how these writers can fix their writing. In particular, she lays out the necessity and process of creating a plan or structure for a novel, before starting to write one. ''Library Journal ''Library Journal'' is an American trade publication for librarians. It was founded in 1876 by Melvil Dewey. It reports news about the library world, emphasizing public libraries, and offers feature articles about aspects of professional prac ...'' states that she "convincingly portrays the craft of writing for publication." Morrell conducts workshops throughout the Pacific Northwest. Morrell grew up in Wisconsin and earned a Bachelor of Arts degree at the University of Wisconsin–Madison. She has one daughter and two granddaughters and lives in Portland, Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction-writing Modes
A fiction-writing mode is a manner of writing with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Some writing modes suggested include action, dialogue, thoughts, summary, scene, description, background, exposition and transition. Overview The concept goes back at least as far as Aristotle who, in ''Poetics'', referred to narration and action as different modes or manner of representing something. For many years, fiction writing was described as having two types: narration and dialogue. Evan Marshall, in ''The Marshall Plan for Novel Writing'' (1998) noted that writers should know what they are doing at all times. He described w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetorical Modes
The rhetorical modes (also known as modes of discourse) are a long-standing attempt to broadly classify the major kinds of language-based communication, particularly writing and speaking, into narration, description, exposition, and argumentation. First attempted by Samuel P. Newman in ''A Practical System of Rhetoric'' in 1827, the modes of discourse have long influenced US writing instruction and particularly the design of mass-market writing assessments, despite critiques of these classification's explanatory power for non-school writing. Definitions Different definitions of mode apply to different types of writing. Chris Baldick defines mode as an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. Frederick Crews uses the term to mean a type of essa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style (fiction)
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as ''rules'', ''elements'', ''essentials'', ''mechanics'', or ''handbook''; the latter are ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensory Systems
The sensory nervous system is a part of the nervous system responsible for processing sense, sensory information. A sensory system consists of sensory neurons (including the sensory receptor cells), neural pathways, and parts of the brain involved in sensory perception. Commonly recognized sensory systems are those for Vision (sense), vision, Auditory system, hearing, somatic sensation, touch, taste, olfaction, smell, and Vestibular system, balance. Senses are transducers from the physical world to the realm of the mind where people interpret the information, creating their perception of the world around them. The receptive field is the area of the body or environment to which a receptor organ and receptor cells respond. For instance, the part of the world an eye can see, is its receptive field; the light that each Rod cell, rod or Cone cell, cone can see, is its receptive field. Receptive fields have been identified for the visual system, auditory system and somatosensory sys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
