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Semplicità (typeface)
Semplicità is a sans-serif typeface of the geometric style. It was published by the Nebiolo type foundry of Turin, Italy from around 1928. Semplicità, named for the Italian for "simplicity", is an example of the new wave of "geometric" sans-serifs such as Erbar and Futura appearing in the late 1920s and early 1930s. These designs were based on the proportions of the circle and the square and the influence of Roman square capitals, breaking from traditional "grotesque" designs of the nineteenth century. Semplicità, however, has a number of unusual features, including a 'U' with an angle, following the classical model, and an 'f' which descends below the baseline. It is also a "spurless" design, similar to the contemporary Bernhard Gothic and more recently FF Dax, in which most strokes end without terminals. These features give Semplicità an appearance similar to some of the flamboyant, modernist Art Deco lettering of the period. The design of Semplicità has sometimes been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FF Dax
FF Dax is a humanist sans-serif typeface designed by Hans Reichel, published by FontFont library. The typeface is popular in advertising and in marketing. It is a "spurless" sans-serif, similar to typefaces like Semplicità and some characters in Gill Sans, where strokes end without terminals. This gives it a modernist, abstract feeling, detached from handwriting principles. Other designs, Barmeno and Sari, more bulbous cousins of FF Dax, have also been designed by Reichel. In 2005 Hans Reichel reworked FF Dax into a cleaner, more mature text face called FF Daxline & FF Daxline Office Pro. Adoption FF Dax is widely adopted in several advertising materials, it is also used as a branding font by a few organisations and companies. The UPS Sans typeface, used in most of United Parcel Service branding since 2005, is a modified version of FF Dax. Wm Morrison, the British supermarket chain uses FF Dax on most in-store promotional material, hanging product location signs, and points ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (typeface)
Tempo is a 1930 sans-serif typeface designed by R. Hunter Middleton for the Ludlow Typograph company. Tempo is a geometric sans-serif design, closely copying German typefaces in this style, above all Futura, which had attracted considerable attention in the United States. Unlike Futura, however, it has a "dynamic" true italic, with foot serifs suggesting handwriting and optional swash capitals. Tempo was expanded to a sprawling family released over the 1930s and 40s, that () has not been fully digitised. It included the shadow-form display typeface Umbra, which has often been released separately. Some styles had a double-storey 'a' in the usual print form, similar to Erbar, others the single-storey form in the manner of Futura, and numerous alternative characters were available. Digital-period type designer James Puckett describes it as "bonkers; really four typefaces that just got lumped together for the sake of marketing." Middleton also designed a slab-serif typeface in simi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Display Typeface
A display typeface is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." Titling fonts are a subset of display typefaces which are typically used for headlines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Céline (brand)
Celine (formerly spelled Céline, and stylized in all caps) is a French luxury ready-to-wear and leather goods brand owned by the LVMH group since 1996. It was founded in 1945 by Céline Vipiana. Since November 2015, the headquarters are located at 16 rue Vivienne in the 2nd arrondissement of Paris at the Hôtel Colbert de Torcy, which has French Historic Monument classification.Robert MurphyThe House That Céline BuiltMarch 25, 2015 Séverine Merle has been the Chief Executive Officer since April 2017. On January 21, 2018, LVMH announced that Hedi Slimane would take over at Celine as its artistic, creative and image director. Creation of the brand In 1945, Céline Vipiana (1915–1997) and her husband, Richard, created one of the first luxury brands in the industry, Céline, a made-to-measure children's shoe business, and opened a first boutique at 52 rue Malte in Paris. The brand was recognised by its logo, the red elephant created by Raymont Peynet. A new positioning In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MyFonts
MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. It was created by Bitstream Inc., launched in September 1999 (during the ATypI conference in Boston), and started selling fonts in March 2000. In November 2011, Monotype Imaging Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with ... announced plans to acquire MyFonts and the other font-related parts of Bitstream for $50 million in cash. Business Wire. 10 November 2011 The acquisition was concluded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klingspor Museum
The Klingspor-Museum is a museum in Offenbach, Germany, specializing in the art of modern book production, typography and type. It includes a collection of fine art books from Karl Klingspor, one of the owners of Klingspor Type Foundry in Offenbach am Main, which inspired the museum's creation. The collection The museum hosts the work of famous type designers like Rudolf Koch, Otto Eckmann, Peter Behrens, Walter Tiemann, Rudo Spemann, Imre Reiner, Hans Bohn, Karlgeorg Hoefer, Ernst Schneidler, Werner Bunz and Georg Trump. Paul Ritter donated his collection of Frans Masereel to the museum. Many works from other printing collections such as the Acorn Press, Bremer Presse, Cranach Presse, Doves Press, Edition Tiessen, Ernst Engel Presse (to name a few), are in the collection of the museum. The library is open for visitors and holds several exhibitions each year. See also * Museumsufer Museumsufer (Museum Embankment) is the name of a landscape of museums in Frankfurt, H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Butti
Alessandro Butti (b. 1893 – d. 1959 in Turin) was an Italian type designer who lived and worked mostly in Turin where he was art director of the Nebiolo type foundry. He also taught at the Scuola Vigliani-Paravia. Microgramma is his most famous face. After Butti's death, his collaborator on that face, Aldo Novarese, added a lower case which was then called Eurostile Eurostile is a geometric sans-serif typeface designed by Aldo Novarese in 1962. Novarese created Eurostile for one of the best-known Italian foundries, Nebiolo, in Turin. Novarese developed Eurostile to succeed the similar Microgramma, which .... Fonts designed by Alessandro Butti References *Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983. . *Friedl, Ott, and Stein, ''Typography: an Encyclopedic Survey of Type Design and Techniques Throughout History.'' Black Dog & Levinthal Publishers: 1998. .Font Designer - Alessandro Butti [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Gothic
Bernhard Gothic is a family of geometric sans serif typeface designed by Lucian Bernhard in 1929 for the American Type Founders (ATF). Five variations by Bernhard were introduced over two years: * ''Bernhard Gothic Medium'' (1929) * ''Bernhard Gothic Light'' (1930) * ''Bernhard Gothic Light Italic'' (1930) * ''Bernhard Gothic Medium Italic'' (1930) * ''Bernhard Gothic Heavy'' (1930) * ''Bernhard Gothic Extra Heavy'' (1931) A final member of the family, ''Bernhard Gothic Medium Condensed,'' was introduced by ATF in 1936, but it is unclear as to who the designer was. Bernhard Gothic is more organic and less regular than other geometric sans-serif typefaces, including Futura, Kabel, and Twentieth Century, showing influence of Bernhard's earlier more expressionistic faces. It is a "spurless" design, similar to the contemporary Semplicità and Universal Grotesk and more recently FF Dax, in which strokes end without terminals. This gives an effect of modernism, detached from hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nebiolo Printech
The Fonderia Nebiolo was a manufacturer of printing presses and paper and formerly a type foundry. Nebiolo & Co. was created in 1878 when Giovanni Nebiolo bought out the type foundry of G. Narizzano in Turin, Italy, in 1852. In 1908 the company merged with the Urania Company and operated under the name Augustea and began to buy out many smaller foundries. In 1916 it was again renamed Società Nebiolo. In 1976 in occasion of the renovation of the Company that naturally would have come to an end that year, Fiat entered into the press manufacturing business and the Studio Artistico was closed up. In 1992 it became Nebiolo Printech S.p.A. and continues to manufacture presses under that name today. Type foundry The Fonderia Nebiolo (Nebiolo Type Foundry) was part of a larger manufacturing organisation including: - a Cast Iron Foundry employing 270 people and covering an area of about , producing high quality meehanite castings, constantly controlled by a scientifically equipped la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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