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Semplicità
Semplicità is a sans-serif typeface of the geometric style. It was published by the Nebiolo type foundry of Turin, Italy from around 1928. Semplicità, named for the Italian for "simplicity", is an example of the new wave of "geometric" sans-serifs such as Erbar and Futura appearing in the late 1920s and early 1930s. These designs were based on the proportions of the circle and the square and the influence of Roman square capitals, breaking from traditional "grotesque" designs of the nineteenth century. Semplicità, however, has a number of unusual features, including a 'U' with an angle, following the classical model, and an 'f' which descends below the baseline. It is also a "spurless" design, similar to the contemporary Bernhard Gothic and more recently FF Dax, in which most strokes end without terminals. These features give Semplicità an appearance similar to some of the flamboyant, modernist Art Deco lettering of the period. The design of Semplicità has sometimes been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nebiolo Printech
The Fonderia Nebiolo was a manufacturer of printing presses and paper and formerly a type foundry. Nebiolo & Co. was created in 1878 when Giovanni Nebiolo bought out the type foundry of G. Narizzano in Turin, Italy, in 1852. In 1908 the company merged with the Urania Company and operated under the name Augustea and began to buy out many smaller foundries. In 1916 it was again renamed Società Nebiolo. In 1976 in occasion of the renovation of the Company that naturally would have come to an end that year, Fiat entered into the press manufacturing business and the Studio Artistico was closed up. In 1992 it became Nebiolo Printech S.p.A. and continues to manufacture presses under that name today. Type foundry The Fonderia Nebiolo (Nebiolo Type Foundry) was part of a larger manufacturing organisation including: - a Cast Iron Foundry employing 270 people and covering an area of about , producing high quality meehanite castings, constantly controlled by a scientifically equipped la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futura (typeface)
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry (Bauersche Gießerei), in competition with Ludwig & Mayer's seminal Erbar typeface of 1926. Futura has an appearance of efficiency and forwardness. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FF Dax
FF Dax is a humanist sans-serif typeface designed by Hans Reichel, published by FontFont library. The typeface is popular in advertising and in marketing. It is a "spurless" sans-serif, similar to typefaces like Semplicità and some characters in Gill Sans, where strokes end without terminals. This gives it a modernist, abstract feeling, detached from handwriting principles. Other designs, Barmeno and Sari, more bulbous cousins of FF Dax, have also been designed by Reichel. In 2005 Hans Reichel reworked FF Dax into a cleaner, more mature text face called FF Daxline & FF Daxline Office Pro. Adoption FF Dax is widely adopted in several advertising materials, it is also used as a branding font by a few organisations and companies. The UPS Sans typeface, used in most of United Parcel Service branding since 2005, is a modified version of FF Dax. Wm Morrison, the British supermarket chain uses FF Dax on most in-store promotional material, hanging product location signs, and points ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Gothic
Bernhard Gothic is a family of geometric sans serif typeface designed by Lucian Bernhard in 1929 for the American Type Founders (ATF). Five variations by Bernhard were introduced over two years: * ''Bernhard Gothic Medium'' (1929) * ''Bernhard Gothic Light'' (1930) * ''Bernhard Gothic Light Italic'' (1930) * ''Bernhard Gothic Medium Italic'' (1930) * ''Bernhard Gothic Heavy'' (1930) * ''Bernhard Gothic Extra Heavy'' (1931) A final member of the family, ''Bernhard Gothic Medium Condensed,'' was introduced by ATF in 1936, but it is unclear as to who the designer was. Bernhard Gothic is more organic and less regular than other geometric sans-serif typefaces, including Futura, Kabel, and Twentieth Century, showing influence of Bernhard's earlier more expressionistic faces. It is a "spurless" design, similar to the contemporary Semplicità and Universal Grotesk and more recently FF Dax, in which strokes end without terminals. This gives an effect of modernism, detached from hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erbar (typeface)
In typography, Erbar or Erbar-Grotesk is a sans-serif typeface in the geometric style, one of the first designs of this kind released as type. Designer Jakob Erbar's aim was to design a printing type which would be free of all individual characteristics, possess thoroughly legible letter forms, and be a purely typographic creation. His conclusion was that this could only work if the type form was developed from a fundamental element, the circle. Erbar-Grotesk was developed in stages; Erbar wrote that he had originally sketched out the design in 1914 but had been prevented from working on it due to the war. The original version of Erbar was released in 1926, following Erbar's "Phosphor" titling capitals of 1922 which are very similar in design. Font ''Erbar'' was originally cast by the Ludwig & Mayer foundry of Frankfurt, Germany, with machine composition matrices later being offered by German and then American Linotype.Jaspert, Pincus, Berry and Johnson.''The Encyclopedia of T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FontShop
FontShop International was an international manufacturer of digital typefaces (fonts), based in Berlin. It was one of the largest digital Type foundry, type foundries. The ''FontFont'' library of fonts contains designs by 160 type designers, among them renowned designers such as Peter Biľak, Evert Bloemsma, Erik van Blokland, Neville Brody, Martin Majoor, Albert-Jan Pool, Hans Reichel, Just van Rossum, Fred Smeijers, and Erik Spiekermann. The aim of FontFont is to offer typefaces by designers for Graphic designer, designers. FontShop International was acquired by Monotype Imaging on July 14, 2014. The deal came as part of Monotype's takeover of many of the other large digital type retailers, including Mergenthaler Linotype Company, Linotype, Monotype Imaging, Monotype, International Typeface Corporation, ITC, and Bitstream Inc., Bitstream. History After founding the first German reseller of typefaces FontShop on June 12, 1991, Joan Spiekermann, Erik Spiekermann, and Neville B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Square Capitals
Roman square capitals, also called ''capitalis monumentalis'', inscriptional capitals, elegant capitals and ''capitalis quadrata'', are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs. When written in documents this style is known as Latin book hand. History Antiquity Square capitals were used to write inscriptions, and less often to supplement everyday handwriting as Latin book hand. For everyday writing the Romans used a current cursive hand known as Latin cursive. Notable examples of square capitals used for inscriptions are found on the Roman Pantheon, Trajan's Column, and the Arch of Titus, all in Rome. These Roman capitals are also called majuscules, as a counterpart to minuscule letters such as Merovingian and Carolingian. Before the 4th century CE, square capitals were used to write ''de luxe'' copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turin
Turin ( , Piedmontese language, Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), Po River, below its Susa Valley, and is surrounded by the western Alps, Alpine arch and Superga Hill. The population of the city proper is 847,287 (31 January 2022) while the population of the urban area is estimated by Larger Urban Zones, Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the Organisation for Economic Co-operation and Development, OECD to have a population of 2.2 million. The city used to be a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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