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Selma Jeanne Cohen Award
The Selma Jeanne Cohen Award is a writing award offered by the Dance Studies Association (DSA) for the best graduate student paper submission to the annual conference. Prior to the DSA's foundation in 2017, the award was sponsored by the Society of Dance History Scholars. The award was established in 1995 to honor Selma Jeanne Cohen's contributions to the field of dance history, and to encourage and recognize exemplary scholarship among students researching dance. The award includes a travel grant and registration fee waiver for the annual conference. Award winners *2018 - Natalia Duong, “Agent Orange Ecologies: Choreographing Kinship in Rhizophora” * 2018 - Sammy Roth, “Reproducing the Foreclosed White Body: Racial Imaginary and White Womanhood in Competition Dance” * 2018 - Jessica Friedman, ”Josephine Baker’s Decolonial Corporeal Borderland” * 2016 - Jennifer Aubrecht, “Rethinking Appropriation: The Reciprocal Relationship of Yoga and American Modern Dance” * 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Studies Association
Dance is a performing art art form, form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolism (arts), symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its History of dance, historical period or List of ethnic, regional, and folk dances by origin, place of origin. An important distinction is to be drawn between the contexts of Concert dance, theatrical and Participation dance, participatory dance, although these two categories are not always completely separate; both may have special functions, whether Social dance, social, ceremonial dance, ceremonial, competitive dance, competitive, erotic dance, erotic, war dance, martial, or sacred dance, sacred/liturgical dance, liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronised swimmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tere O'Connor
Tere O'Connor (born 1958) is an American dancer, choreographer and educator. Life and career Tere O'Connor was born in Rochester, New York, and graduated in 1979 with a B.A. from State University of New York at Purchase. He performed in the companies of Rosalind Newman and Matthew Diamond, and began working as a choreographer in 1982. He regularly collaborates with composer James Baker in works for the Tere O'Connor Dance company. O'Connor's works have been performed internationally. Notable dancers and choreographers including Lucy Guerin have danced with his company. From 1990-99, O'Connor was an instructor in Dance at Tisch School of the Arts, New York University, and he became a professor at the University of Illinois in Urbana-Champaign. He also teaches at Movement Research in New York City. Since 1989 he has been a member of the Artists Advisory Board of Danspace Project at St. Mark’s Church in New York City. Honors and awards *2009 Creative Capital Award *2006 New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Cole (choreographer)
Jack Cole (April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance". Early life Jack Cole made his professional dance debut with Denishawn at Lewisohn Stadium in New York City in August 1930. He began his training as a modern dancer only six weeks prior, studying with Ruth St. Denis and Ted Shawn. He was entranced by the Asian influences their dance school utilized in its choreography and costuming. He also performed briefly with Humphrey-Weidman, and was influenced by the pioneering modernists Doris Humphrey and Charles Weidman."Jack Cole biography" filmreference.com, retrieved April 6, 2010 Eager to make a living as a dancer during the Depression, he soon left the |
Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Dance
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meaning "English") or ''Angloise'' is another term for the English country dance. A Scottish country dance may be termed an . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandralekha (dancer)
Chandralekha Prabhudas Patel (6 December 1928 – 30 December 2006), commonly known as Chandralekha, was a dancer and choreographer from India. The niece of Vallabhbhai Patel, India's first deputy Prime Minister, she was an exponent of performances fusing Bharatanatyam with Yoga and martial arts like Kalarippayattu. She was conferred the highest award of the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama, the Sangeet Natak Akademi Fellowship in 2004. Early life and education She was born to an agnostic doctor father and a devout Hindu mother in Vada, Maharashtra. She spent her childhood in her native Gujarat and in Maharashtra. Career After completing high school, Chandralekha studied law, but quit her studies midway to learn dance instead. She started with Dasi Attam, a form of dance practiced by temple dancers in southern India, under the tutelage of Ellappa Pillai. She was also influenced by Balasaraswati and Rukmini Devi Arundale in her dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananya Chatterjea
Ananya Chatterjea is a contemporary Indian dancer and scholar. She is the founder, artistic director, and choreographer of Ananya Dance Theatre, a professional, contemporary Indian dance company composed of women artists of color. She is also a professor of dance at the University of Minnesota. Originally from Bengal, India, Chatterjea now lives in Minneapolis, Minnesota. Biography Chatterjea grew up in Kolkata, India where she was trained in Indian classical and folk dance, particularly the Odissi style. Growing up she struggled to reconcile the beauty of dance she was learning and practicing with the injustices around her. This began her journey to explore contemporary Indian dance rooted in social justice. In the early 90s she moved to New York City to begin studying at Columbia University. Chatterjea now lives in Minneapolis, Minnesota where she is a professor of dance at the University of Minnesota and leads her dance company. Ananya Dance Theatre After teaching dance for seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pina Bausch
Philippine "Pina" Bausch (27 July 1940 – 30 June 2009) was a German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as . Bausch's approach was noted for a stylized blend of dance movement, prominent sound design, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece, and her work had an influence on modern dance from the 1970s forward. Her work, regarded as a continuation of the European and American expressionist movements, incorporated many expressly dramatic elements and often explored themes connected to trauma, particularly trauma arising out of relationships. She created the company Tanztheater Wuppertal Pina Bausch, which performs internationally. Early life Bausch was born in Solingen, the daughter of August and Anita Bausch, who owned a restaurant with guest rooms which is where she was born. The restaurant provided Pina with a venue to start performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Dunham
Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an American dancer, choreographer, anthropologist, and social activist. Dunham had one of the most successful dance careers of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."Joyce Aschenbenner, ''Katherine Dunham: Dancing a Life'' (Urbana: University of Illinois Press, 2002). While a student at the University of Chicago, Dunham also performed as a dancer, ran a dance school, and earned an early bachelor's degree in anthropology. Receiving a post graduate academic fellowship, she went to the Caribbean to study the African diaspora, ethnography and local dance. She returned to graduate school and submitted a master's thesis to the anthropology faculty. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography. At the height of her career in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zora Neale Hurston
Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on Hoodoo (spirituality), hoodoo. The most popular of her four novels is ''Their Eyes Were Watching God'', published in 1937. She also wrote more than 50 short stories, plays, and essays. Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida, in 1894. She later used Eatonville as the setting for many of her stories. In her early career, Hurston conducted anthropological and ethnographic research while a student at Barnard College and Columbia University. She had an interest in African-American and Caribbean folklore, and how these contributed to the community's identity. She also wrote fiction about contemporary issues in the Black community and became a central figure of the Harlem Renaissance. Her short satires, drawing from the African-America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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