Self-portrait With Sir Endymion Porter
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Self-portrait With Sir Endymion Porter
''Self-portrait with Sir Endymion Porter'' is a self-portrait by Anthony van Dyck, showing him with his patron Sir Endymion Porter. Painting The painting was produced in 1635 and measures 119 cm by 127 cm. It is now in the Museo del Prado in Madrid, Spain.See: ''La llave del Prado'', por Consuelo Luca de Tena y Manuela Mena, Madrid, Ed. Sílex, 1990. It is van Dyck's only self-portrait to include another figure, showing Porter's importance in his life. The pair had first met in 1620, during van Dyck's first stay in London. Porter was Charles I of England's main art dealer, negotiating to acquire the vast art collection of the Duke of Mantua and also collecting art for himself. He also knew Peter Paul Rubens and Orazio Gentileschi. Van Dyck presented the double portrait to Porter himself - it was later acquired by Isabella Farnese Elisabeth Farnese (Italian: ''Elisabetta Farnese'', Spanish: ''Isabel Farnesio''; 25 October 169211 July 1766) was Queen of Spain by marria ...
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Anthony Van Dyck - Sir Endymion Porter And Van Dyck
Anthony or Antony is a masculine given name, derived from the '' Antonii'', a ''gens'' ( Roman family name) to which Mark Antony (''Marcus Antonius'') belonged. According to Plutarch, the Antonii gens were Heracleidae, being descendants of Anton, a son of Heracles. Anthony is an English name that is in use in many countries. It has been among the top 100 most popular male baby names in the United States since the late 19th century and has been among the top 100 male baby names between 1998 and 2018 in many countries including Canada, Australia, England, Ireland and Scotland. Equivalents include ''Antonio'' in Italian, Spanish, Portuguese and Maltese; ''Αντώνιος'' in Greek; ''António'' or ''Antônio'' in Portuguese; ''Antoni'' in Catalan, Polish, and Slovene; '' Anton'' in Dutch, Galician, German, Icelandic, Romanian, Russian, and Scandinavian languages; ''Antoine'' in French; '' Antal'' in Hungarian; and ''Antun'' or '' Ante'' in Croatian. The usual abbreviated form is ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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17th-century Portraits
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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1635 Paintings
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The '' Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed ...
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Portraits By Anthony Van Dyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Self-portraits By Anthony Van Dyck
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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