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Seis Problemas Para Don Isidro Parodi
The seis is a type of Puerto Rican Jíbaro dance music closely associated with the décima. It originated in the latter half of the 17th century in the southern part of Spain. The seis is influenced by Spanish, African, and Taino cultures. The Arabian aspects come from Spain, where the Muslims or the Moors had ruled for over 700 years. Like other Jíbaro music, the seis is associated with Christmas, folkloric festivals, concursos de trovadores (poetry-singing contests), and other large celebrations. The word means '' six'', which may have come from the custom of having six couples perform the dance, though many more couples eventually became quite common. Men and women form separate lines down the hall or in an open place of beaten earth, one group facing the other. The lines would approach and cross each other and at prescribed intervals the dancers would tap out the rhythm with their feet. Instruments The seis was made for a solo voice and accompanying instruments. The melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puerto Rican Music
The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have included European, Indigenous, and African influences, although many aspects of Puerto Rican music reflect origins elsewhere in the Caribbean. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, and especially in New York City. Their music, from salsa to the boleros of Rafael Hernández Marín, Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Traditional, folk and popular music Early music Music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly docum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Décima
A décima is a ten-line stanza of poetry. The most popular form is called décima espinela after Vicente Espinel (1550–1624), a Spanish writer, poet, and musician from the Siglo de Oro who used it extensively throughout his compositions. The décima deals with a wide range of subject matters, including themes that are philosophical, religious, lyrical, and political. Humorous décimas would typically satirize an individual's weakness or foolish act. A decimero would frequently challenge the target of the satire or his/her defender to respond in kind with a décima, thereby setting up a duel that tests the originality and wit of contending composers. Latin America and Spain The ''décima'' in all Latin America and in Spain is a style of poetry that is octosyllabic and has 10 lines to the stanza. The espinela rhyming scheme (ABBAACCDDC) is the de facto scheme in use. It is spoken, sung and written throughout Latin America with variations in different countries. It is often improv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuatro (instrument)
The cuatro is a family of Latin American string instruments played in Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings. Cuatro means ''four'' in Spanish; the instrument's 15th century predecessors were the Spanish vihuela and the Portuguese cavaquinho, the latter having four strings like the cuatro. Modern cuatros come a variety of sizes and shapes, and number of strings. Cuatros can either have single-strings, like a guitar, or double- or triple-coursed strings like a mandolin, and vary in size from a large mandolin or small guitar, to the size of a full-size guitar. Depending on their particular stringing, cuatros are part of the guitar or mandolin subfamilies of the lute fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of Latin America and sprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fajardo, Puerto Rico
Fajardo (, ) is a town and municipality -Fajardo Combined Statistical Area. Fajardo is the hub of much of the recreational boating in Puerto Rico and a popular launching port to Culebra, Vieques, and the U.S. and British Virgin Islands. It is also home to the largest marina in the Caribbean, called Puerto del Rey. The town contains various hotels and inns. Offshore, near Fajardo, a few islets can be found. These are Icacos, Isla Palomino, Palominito, and Diablo, among other uninhabited coral islands and barrier reefs. History Fajardo was founded in 1760, 1773 or 1774 (depending on the authority) as Santiago de Fajardo. It was one of the locations used by the American troops to invade Puerto Rico. On August 1, 1898 the USS Puritan under the command of Captain Frederic W. Rodgers, was sailing by the coastline of the city of Fajardo, when Rogers noticed the Faro de Las Cabezas de San Juan (Cape San Juan lighthouse) which was supposed to be the landing site for the US Army i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florencio Morales Ramos
Florencio ("Flor") Morales Ramos (September 5, 1915 – February 23, 1989), better known as Ramito, was a Puerto Rican trovador, and composer who was a native of Caguas, Puerto Rico. He is considered the king of Jíbaro music. Known as "El Cantor de la Montaña" (The Singer from the Mountain), Morales Ramos had two brothers, Luis (''"Luisito"'') and Juan María (''"Moralito"''), who also attained major recognition as jíbaro singers. Early years Ramito was born in the Bairoa barrio of Caguas, Puerto Rico (very close to where Bairoa Gym, headquarters for many Puerto Rican prizefighters and boxing champions, stands nowadays); ''"Cagüitas"'' (Little Caguas) was a boyhood nickname of his, used by his closest friends. He left school in fourth grade ("but an old-time fourth grade at that!", he mentioned whenever asked) to assist his parents, who were parenting twelve other children (including six of their own), and whose thereby economic situation was precarious. His mother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachi Cachi Music
Cachi Cachi music, also spelled Kachi Kachi, Kachi-Kachi and Katchi-Katchi, is a term that was coined to refer to music played by Puerto Ricans in Hawaii, after they migrated to Hawaii in 1901. It is a "variation of dance music found in Hawaii" which is, at times, played very fast. The "influence on Hawai'i endures to this day in the musical form known as ''cachi cachi'' played on the quarto icand derivative of the Puerto Rican jibaro style." ''Jibaro'' means farmer in Spanish. The Puerto Ricans in Hawaii "worked hard and played hard" and lightened the load for other plantation workers with their music. In Hawaii, the Puerto Ricans played their music with six-string guitar, güiro, and the Puerto Rican cuatro. Maracas and "palitos" sticks could be heard in the music around the 1930s. More modern versions of the music may include the accordion and electric and percussion instruments such as conga drums. Etymology Cachi cachi music is what the people in Hawaii, who heard the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
