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Secret Diary
''Secret Diary'' is the debut studio album by American musician Girl Talk, released in 2002 on Illegal Art Illegal Art is a sampling record label that was started in 1998. The label gained immediate notoriety from legal threats surrounding '' Deconstructing Beck'', a compilation made exclusively from sampling Beck's music. This was followed by two ot .... The album was later made available for purchase through a " pay what you want" pricing system on Illegal Art's website. Track listing # "Let's Start This Party Right" – 2:26 # "I Want You Back" – 3:27 # "Ffun Haave To" – 5:12 # "What If..." – 4:22 # "Time to Get Glamorous" – 4:51 # "Unicorn vs. Gravity" – 2:16 # "The Right Stuff" – 5:48 # "Fun in the Sun" – 3:44 # "Jumpin(g)" – 3:23 # "Friends 4Ever" – 4:14 References External links Girl TalkoIllegal ArtUser-editable breakdown of samples and timings for ''Secret Diary'' {{Authority control Girl Talk (musician) albums 2002 remix albums Illegal Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illegal Art
Illegal Art is a sampling record label that was started in 1998. The label gained immediate notoriety from legal threats surrounding '' Deconstructing Beck'', a compilation made exclusively from sampling Beck's music. This was followed by two other theme-based compilations, ''Extracted Celluloid'' and ''Commercial Ad Hoc''. All three were co-released with Negativland's Seeland Records label and sponsored by RTMark. After these theme-based compilations, Illegal Art focused on artist releases. One of the most popular artists on the label is Girl Talk (Gregg Gillis), who in 2006 released his third album, ''Night Ripper'', to critical acclaim on the label, earning a ''Wired'' magazine Rave Award a year later. Illegal Art also released the '' Steinski Retrospective'', spanning his work from 1983 to 2006. It includes the legendary "Lessons", which have been described as "one of the most desirable and prized bootleg recordings in hip hop" (Antidote). It also contains a variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregg Gillis
Gregg Michael Gillis (born October 26, 1981), known by the stage name Girl Talk, is an American disc jockey who specializes in mash-ups and digital sampling. Gillis has released five LPs on the record label Illegal Art and EPs on both 333 and 12 Apostles. He was trained as an engineer. Early life and education Gillis began experimenting with electronic music and sampling while a student at Chartiers Valley High School in the Pittsburgh, Pennsylvania suburb of Bridgeville. After a few collaborative efforts, he started the solo "Girl Talk" project while studying biomedical engineering at Case Western Reserve University in Cleveland, Ohio. In school, Gillis focused on tissue engineering. Influences Gillis states his musical inspirations to have been Squarepusher, Aphex Twin, Just Blaze, Nirvana and Kid606 among others. He has also stated interest in punk rock, as well as noise musician Merzbow. He stated that he was first introduced to the genre of Plunderphonics by John Oswald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pay What You Want
Pay what you want (or PWYW, also referred to as value-for-value model) is a pricing strategy where buyers pay their desired amount for a given commodity. This amount can sometimes include zero. A minimum (floor) price may be set, and/or a suggested price may be indicated as guidance for the buyer. The buyer can select an amount higher or lower than the standard price for the commodity.''Smart Pricing'', Chapter 1. "Pay As You Wish" Pricing, Raju and Zhang, Wharton School Publishing, 2010. . Many common PWYW models set the price prior to a purchase (''ex ante''), but some defer price-setting until after the experience of consumption (''ex post'') (similar to tipping). PWYW is a buyer-centered form of participatory pricing, also referred to as co-pricing (as an aspect of the co-creation of value). Motivation PWYW models can be sometimes successful as they eliminate many disadvantages of conventional pricing. These models can eliminate fear of whether a product is worth a given s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
