Second Baptist Church (Poughkeepsie, New York)
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Second Baptist Church (Poughkeepsie, New York)
The Second Baptist Church in Poughkeepsie, New York, United States, is located at the corner of Vassar and Mill streets. It is a wooden building from the late 1830s in the Greek Revival architectural style, the only remaining church in the city in that style. A number of congregations have used the building since it was first erected. It was even a synagogue at one point, possibly leading to the nickname Vassar Temple, since it was built on land originally owned by Matthew Vassar, founder of Vassar College. In 1972 it was listed on the National Register of Historic Places, and later became a contributing property to the Mill Street-North Clover Street Historic District. Building The church is rectangular, three bays by six, with the narrow, colonnaded facade facing east. It has only one story, plus an attic, but appears to have two due to its brick basement being exposed on all but the south sides. The gabled roof has a gentle pitch Four pilasters on the short side ...
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Poughkeepsie (city), New York
Poughkeepsie ( ), officially the City of Poughkeepsie, separate from the Town of Poughkeepsie around it) is a city in the U.S. state of New York. It is the county seat of Dutchess County, with a 2020 census population of 31,577. Poughkeepsie is in the Hudson River Valley region, midway between the core of the New York metropolitan area and the state capital of Albany. It is a principal city of the Poughkeepsie–Newburgh–Middletown metropolitan area which belongs to the New York combined statistical area. It is served by the nearby Hudson Valley Regional Airport and Stewart International Airport in Orange County, New York. Poughkeepsie has been called "The Queen City of the Hudson". It was settled in the 17th century by the Dutch and became New York State's second capital shortly after the American Revolution. It was chartered as a city in 1854. Major bridges in the city include the Walkway over the Hudson, a former railroad bridge called the Poughkeepsie Bridge which re ...
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Roof Pitch
Roof pitch is the steepness of a roof expressed as a ratio of inch(es) rise per horizontal foot (or their metric equivalent), or as the angle in degrees its surface deviates from the horizontal. A flat roof has a pitch of zero in either instance; all other roofs are pitched. A roof that rises 3 inches per foot, for example, would be described as having a pitch of 3 (or “3 in 12”). Description The pitch of a roof is its vertical 'rise' over its horizontal 'run’ (i.e. its span), also known as its 'slope'. In the imperial measurement systems, "pitch" is usually expressed with the rise first and run second (in the US, run is held to number 12; e.g., 3:12, 4:12, 5:12). In metric systems either the angle in degrees or rise per unit of run, expressed as a '1 in _' slope (where a '1 in 1' equals 45°) is used. Where convenient, the least common multiple is used (e.g., a '3 in 4' slope, for a '9 in 12' or '1 in 1 1/3'). Selection Considerations involved in selecting a roof ...
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Presbyterian
Presbyterianism is a part of the Reformed tradition within Protestantism that broke from the Roman Catholic Church in Scotland by John Knox, who was a priest at St. Giles Cathedral (Church of Scotland). Presbyterian churches derive their name from the presbyterian polity, presbyterian form of ecclesiastical polity, church government by representative assemblies of Presbyterian elder, elders. Many Reformed churches are organised this way, but the word ''Presbyterian'', when capitalized, is often applied to churches that trace their roots to the Church of Scotland or to English Dissenters, English Dissenter groups that formed during the English Civil War. Presbyterian theology typically emphasizes the sovereignty of God, the Sola scriptura, authority of the Scriptures, and the necessity of Grace in Christianity, grace through Faith in Christianity, faith in Christ. Presbyterian church government was ensured in Scotland by the Acts of Union 1707, Acts of Union in 1707, which cre ...
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Ornament (architecture)
An ornament is something used for decoration. Ornament may also refer to: Decoration *Ornament (art), any purely decorative element in architecture and the decorative arts *Biological ornament, a characteristic of animals that appear to serve only a decorative purpose *Bronze and brass ornamental work, decorative work that dates back to antiquity *Christmas ornament, a decoration used to festoon a Christmas tree *Dingbat, decorations in typography *Garden ornament, a decoration in a garden, landscape, or park *Hood ornament, a decoration on the hood of an automobile *Lawn ornament, a decoration in a grassy area *Ornamental plant, a decorative plant *Peak ornament, a decoration under the peak of the eaves of a gabled building Music *Ornament (music), a flourish that serves to decorate music *Ornament, a Russian band, forerunner to the band Kukuruza Other uses *Ornament (football), the football team from Hong Kong *Ornaments Rubric, a prayer of the Church of England See also Or ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate plac ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ...
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Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ...
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