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Sean-nós Dance
Sean-nós dance ( ; , ) is an older style of traditional solo Irish dance. It is a casual dance form, as opposed to the more formal and competition-oriented form of Irish stepdance. ''Sean nós'' in Irish means "old style", and is applied to the dance form as well as sean-nós singing. These now less-common forms of Irish dance and traditional Irish singing have been documented in Irish history and by ethnomusicologists, but are still alive in parts of the Irish music scene. Characteristics Sean-nós dance is characterised by its "low to the ground" footwork, improvised steps, free movement of the arms, and an emphasis upon a "batter" (which sounds out more loudly the accented beat of the music). It is counted in beats of 8. It is traditionally a solo dance form. Because sean-nós dancing is improvisational, it is not necessary for a pre-arranged routine or choreography to be decided upon by the dancer. Spontaneous expression is highly valued. Therefore, it is less common to s ...
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Irish Dance
Irish dance refers to a group of traditional dance forms that originate in Ireland, encompassing dancing both solo and in groups, and dancing for social, competitive, and performance purposes. Irish dance in its current form developed from various influences such as earlier native Irish dance, English country dancing and later possibly French quadrilles, as it became popular in Britain and Ireland during the 19th century. Dance was taught by "travelling dance masters" across Ireland in the 17th and 18th centuries, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish da ...
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Bones (instrument)
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used. Metal spoons may be used instead, as is common in the United States, known as " playing the spoons". The technique probably arrived in the U.S. via Irish and other European immigrants, and has a history stretching back to ancient China, Egypt, Greece, and Rome. They have contributed to many music genres, including 19th century minstrel shows, traditional Irish and Scottish music, the blues, bluegrass, zydeco, French-Canadian music, and music from Cape Breton in Nova Scotia. The clacking of the loose rib bones produces a much sharper sound than the zydeco washboard or frottoir, which mimics rattling a bone up and down a fixed ribcage. D ...
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Stepping (African-American)
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture. The participant's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the step depends upon the desired beat and rhythm of the performers. Some forms of stepping include the use of props, such as canes, rhythm sticks and/or fire and blindfolds. The tradition of stepping is rooted within the competitive schoolyard song and dance rituals practiced by historically African American fraternities and sororities, beginning in the 1900s. Stepping Stepping fi ...
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Step Dance
Step(s) or STEP may refer to: Common meanings * Steps, making a staircase * Walking * Dance move * Military step, or march ** Marching Arts Films and television * ''Steps'' (TV series), Hong Kong * ''Step'' (film), US, 2017 Literature * ''Steps'' (novel), by Jerzy Kosinski * Systematic Training for Effective Parenting, a book series Music * Step (music), pitch change * Steps (pop group), UK * ''Step'' (Kara album), 2011, South Korea ** "Step" (Kara song) * ''Step'' (Meg album), 2007, Japan * "Step" (Vampire Weekend song) * "Step" (ClariS song) Organizations * Society of Trust and Estate Practitioners, international professional body for advisers who specialise in inheritance and succession planning * Board on Science, Technology, and Economic Policy of the U.S. National Academies * Solving the E-waste Problem, a UN organization Science, technology, and mathematics * Step (software), a physics simulator in KDE * Step function, in mathematics * Striatal-enriched prot ...
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Solo Dance
A solo dance is a dance done by an individual dancing alone, as opposed to couples dancing together but independently of others dancing at the same time, if any, and as opposed to groups of people dancing simultaneously in a coordinated manner. Solo dancers are usually the best dancers in a group or dance school. Most solo dancers start after about 6–7 years of dance or sooner. Most soloists are company kids of their dance school. They are usually in more than one dance. In Comparsas, there are various soloists who strut in front. They usually dance at the edges of the street so that the viewing public can appreciate their moves. Most male soloists carry a large lantern-like artifact on a large pole, resting on an oily pouch, which they make spin at will. Dance is a way to express emotions. See also *Sean-nós dance * Sean-nós dance in America *Irish dance *Step dance *Stepping (African-American) Stepping or step-dancing (a type of step dance) is a form of percussi ...
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Sean-nós Dance In United States
Sean-nós dance in America has its roots in Irish culture, but may be practiced differently from how it is danced in Ireland. When Irish people emigrated to America in great numbers during the early American Colonial period, or when escaping The Troubles in Ireland, they brought their dance culture with them. One of the many forms of Irish dance is sean-nós dance, which is an informal, spontaneous, solo form of dance. Sean-nós dance has both modified, and in turn been modified by, similar forms of traditional vernacular solo dance in America. Irish traditional dance The most widely known form of traditional Irish dance is competition-oriented modern Irish stepdance. Other popular forms of Irish dancing are for couples and group social dancing, such as set dancing and céili dancing. Less known is the traditional solo dance form called "sean nós" or "old style" dance. Sean-nós dance Sean-nós dance is characterized by its "low to the ground" footwork, free movement of t ...
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Johnny Óg Connolly
Johnny Óg Connolly is an Irish musician. A son of traditional musician Johnny Connolly of Inis Bearachain, Connemara, Connolly began playing the accordion aged nine, learning from his father and Micheal Mheáirt Ó Coisdealbha. Two years later he was the winner of the Slógadh and Fleadh Ceoil All-Ireland on the button accordion. Aged fourteen, he joined Na h-Ancairí, featuring singer John Beag Ó Flatharta, playing in the band for eight years. In 1994 he joined the Seán Keane Band, performing widely in Europe and North America. In 1998, he toured with '' Lord of the Dance''. In 2003 he settled in Connemara. Some of his compositions have been recorded by his father, as well as the duo Michael Rooney Michael Joseph Kyle Rooney is an American dancer and choreographer. He is the son of actor Mickey Rooney, and is best known for his work on music videos. Rooney has won the MTV Video Music Award for Best Choreography in 1996, 1999, 2001, 2002 and ... and June McCormack. His ...
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Flash Mob
A flash mob (or flashmob) is a group of people who assemble suddenly in a public place, perform for a brief time, then quickly disperse, often for the purposes of entertainment, satire, and artistic expression. Flash mobs may be organized via telecommunications, social media, or viral emails. The term, coined in 2003, is generally not applied to events and performances organized for the purposes of politics (such as protests), commercial advertisement, publicity stunts that involve public relation firms, or paid professionals. In these cases of a planned purpose for the social activity in question, the term smart mobs is often applied instead. The term " flash rob" or "flash mob robberies", a reference to the way flash mobs assemble, has been used to describe a number of robberies and assaults perpetrated suddenly by groups of teenage youth. Bill Wasik, originator of the first flash mobs, and a number of other commentators have questioned or objected to the usage of "flash mo ...
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Lilting
Lilting is a form of traditional singing common in the Goidelic speaking areas of Ireland, Scotland and the Isle of Mann. It goes under many names, and is sometimes referred to as ''diddling'' (generally in England and Scotland), ''mouth music'', ''jigging'', ''chin music'' or ''cheek music'', ''puirt à beul'' or ''canntaireachd'' in Scottish Gaelic, or ''portaireacht bhéil'' (''port a'bhéil'', "mouth-singing") in Irish. It in some ways resembles scat singing. Features Lilting often accompanied dancing. Features such as rhythm and tone dominate in lilting. The lyrics thus are often meaningless or nonsensical. History The origins of lilting are unclear. It might have resulted in part from the unavailability of instruments, whether because they were seen as too expensive or were banned. However, peasant music in other Indo-European cultures was subject to similar constraints, and lilting did not develop. Notable lilters * Jimmy Ward * Paddy Tunney * Bobby Gardiner * Len G ...
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Irish Stepdance
Irish stepdance is a style of performance dance with its roots in traditional Irish dance. It is generally characterized by a stiff upper body and fast and precise movements of the feet. It can be performed solo or in groups. Aside from public dance performances, there are also stepdance competitions all over the world. These competitions are often called Feiseanna (singular Feis). In Irish dance culture, a Feis is a traditional Gaelic arts and culture festival. Costumes are considered important for stage presence in competition and performance Irish stepdance. In many cases, costumes are sold at high prices and can even be custom made. Males and females can both perform Irish stepdance but for the most part in today's society, the dance remains predominantly female. This means that the costumes are mainly dresses. Each dress is different, with varying colors and patterns, designed to attract the judge's eye in competitions and the audience's eye in performance. General appearanc ...
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Tap Dance
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. The sound is made by shoes that have a metal "tap" on the heel and toe. There are different brands of shoes which sometimes differ in the way they sound. Ok History The fusion of several ethnic percussive dances, such as West African step dances and Welsh, Irish, and Scottish clog dancing, hornpipes, and jigs, tap dance is believed to have begun in the mid-1800s during the rise of minstrel shows. As minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Vaudevi ...
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