Lilting
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Lilting
Lilting is a form of traditional singing common in the Goidelic speaking areas of Ireland, Scotland and the Isle of Mann. It goes under many names, and is sometimes referred to as ''diddling'' (generally in England and Scotland), ''mouth music'', ''jigging'', ''chin music'' or ''cheek music'', ''puirt à beul'' or ''canntaireachd'' in Scottish Gaelic, or ''portaireacht bhéil'' (''port a'bhéil'', "mouth-singing") in Irish. It in some ways resembles scat singing. Features Lilting often accompanied dancing. Features such as rhythm and tone dominate in lilting. The lyrics thus are often meaningless or nonsensical. History The origins of lilting are unclear. It might have resulted in part from the unavailability of instruments, whether because they were seen as too expensive or were banned. However, peasant music in other Indo-European cultures was subject to similar constraints, and lilting did not develop. Notable lilters * Jimmy Ward * Paddy Tunney * Bobby Gardiner * Len G ...
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Dolores O'Riordan
Dolores Mary Eileen O'Riordan ( ; 6 September 1971 – 15 January 2018) was an Irish musician, singer and songwriter. She was best known as the lead vocalist and lyricist for the alternative rock band the Cranberries. One of the most recognizable voices in rock in the 1990s, she was known for her lilting mezzo-soprano voice, signature yodel, emphasized use of keening, and strong Limerick accent. O'Riordan was born in County Limerick, Ireland, to a Catholic working-class family. She began to perform as a soloist in her church choir before leaving secondary school to join the Cranberries in 1990. Recognised for her "unique" voice, she quickly achieved worldwide fame. During her lifetime, she released seven studio albums with the Cranberries, including four number-one albums. Over the years, she contributed to the release of ''Everybody Else Is Doing It, So Why Can't We?'' (1993), ''No Need to Argue'' (1994), ''To the Faithful Departed'' (1996), ''Bury the Hatchet'' (1999) and ''W ...
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Puirt à Beul
Puirt à beul (, literally "tunes from a mouth") is a traditional form of song native to Scotland (known as ''portaireacht'' in Ireland) that sets Gaelic lyrics to instrumental tune melodies. Historically, they were used to accompany dancing in the absence of instruments and to transmit instrumental tunes orally. Term The Scottish Gaelic term ''port à beul'' refers to "a tune from a mouth—specifically a ''cheerful'' tune—which in the plural becomes ''puirt à beul''". In Scotland, they are usually referred to as ''puirt à beul'' but a variety of other spellings and misspellings also exists, for example ''port-a-beul'', ''puirt a bheul'', ''puirt a' bhéil'', etc. These are mostly because a number of grammatical particles in Gaelic are very similar in nature, such as the definite article ''a'', the prepositions "of" and "to" which can both be ''a'' and the preposition ''á'' "from" which can appear without the acute accent. Modern Irish dictionaries give ''port (aireacht) bà ...
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Puirt à Beul
Puirt à beul (, literally "tunes from a mouth") is a traditional form of song native to Scotland (known as ''portaireacht'' in Ireland) that sets Gaelic lyrics to instrumental tune melodies. Historically, they were used to accompany dancing in the absence of instruments and to transmit instrumental tunes orally. Term The Scottish Gaelic term ''port à beul'' refers to "a tune from a mouth—specifically a ''cheerful'' tune—which in the plural becomes ''puirt à beul''". In Scotland, they are usually referred to as ''puirt à beul'' but a variety of other spellings and misspellings also exists, for example ''port-a-beul'', ''puirt a bheul'', ''puirt a' bhéil'', etc. These are mostly because a number of grammatical particles in Gaelic are very similar in nature, such as the definite article ''a'', the prepositions "of" and "to" which can both be ''a'' and the preposition ''á'' "from" which can appear without the acute accent. Modern Irish dictionaries give ''port (aireacht) bà ...
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Jimmy Ward (banjo Player)
__NOTOC__ Jimmy Ward (1909 in Tullagha, Kilfenora – 1987 in Milltown Malbay) was a well known Irish traditional banjo player and lilter out of Milltown Malbay, County Clare, Ireland. Ward originally played the flute, piccolo and the whistle, but changed to the banjo in the 1940s. Ward was one of the founders of the renewed Kilfenora Céilí Band in 1927. He was still a part of the band when they won three consecutive All Ireland championships at the Fleadh Cheoil. He is the namesake of ''Jimmy Ward's Jig''. In 1974, Ward decided to leave the Kilfenora Céilí Band. He started a new band named Bannermen with PJ Murrihy and Michael Sexton Later in life, Ward moved to Milltown Malbay, where he opened a small shop. In the early seventies he had a severe car crash in Inagh Inagh ( ; ) is a village and civil parish in County Clare, Ireland. It is situated 14 km west of Ennis on the Inagh River. It contains the villages of Inagh and Cloonanaha. Location The pari ...
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Bobby Gardiner
Bobby Gardiner (born 1939) is an Irish accordionist and lilting, lilter. He was recruited by Micheal O'Suilleabhain to the Music Department in University College Cork where he has been teaching traditional music for the last 25 years. Biography Bobby Gardiner was born in Aughdarra, Lisdoonvarna, the Burren area of County Clare. His Mother, Dilly, played a German two- row concertina and from her he learned his first tune – the fling What the devil ails you? His brother introduced him to a new Hohner two-row button accordion and after that, Bobby bought a grey Paolo Soprani accordion. At the age of 15, he was asked to join the Kilfenora#Music, Kilfenora Céilí Band. In 1957 he joined Malachy Sweeney's Céilí Band from Armagh and traveled throughout Ireland as a professional musician. In 1960, Bobby followed his brother Mike and sister Mary to New Haven, Connecticut. During the day he worked as a mechanic on the New York Railway while playing for dances with the likes of Pa ...
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Scat Singing
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each us ...
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Irish Folk Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a Music genre, genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and ''Celtic harp, clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a Bow (music), bow or plectrum), the ''feadan'' (a Fife (musical instrument), fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type Natural horn, horn), the ''bennbuabhal'' and ''corn'' (Hornpipe (musical instrument), hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (Clarion (instrument), clarions or trumpets), and the ''cnamha'' (bones (instrument), bones).
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Sean-nós Singing
Sean-nós singing ( , ; Irish for "old style") is unaccompanied traditional Irish vocal music usually performed in the Irish language. Sean-nós singing usually involves very long melodic phrases with highly ornamented and melismatic melodic lines, differing greatly from traditional folk singing elsewhere in Ireland, although there is significant regional variation within Ireland. Sean-nós songs cover a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term ''sean-nós'', which simply means "in the old way", is a vague term that can also refer to various other traditional activities, musical and non-musical. The musician and academic Tomás Ó Canainn said:''...no aspect of Irish music can be fully understood without a deep appreciation of sean-nós singing. It is the key which opens every lock.'' The origins of sean-nós singing are unknown, but it is probably at least seven cen ...
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List Of All-Ireland Champions
This page lists those who have won the senior title at Fleadh Cheoil na hÉireann title since its foundation in 1951 by Comhaltas Ceoltóirí Éireann. There were no competitions in 2020 and 2021 due to the Covid-19 pandemic. Once you win a senior title, you are automatically placed into the All Ireland competition the following year giving you a chance to defend the title. Whilst the majority do not return, some have defended their title on multiple occasions. There are competitions for soloists, duos, trios, and various types of ensembles, many of which are divided into separate competitions by age group. A list of the categories is found here. Fiddle (Fidil) *1951, Pat Kelly, County Tyrone *1952, Bobby Casey, County Clare *1953, Paddy Canny, County Clare *1954, Aggie Whyte, County Galway *1955, Seán Ryan, County Tipperary *1956, Seán Ryan, County Tipperary *1957, Jimmy McHugh, Glasgow, Scotland *1958, Seán McLoughlan, County Antrim *1959, John Gallagher, County Donegal *19 ...
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Len Graham (singer)
Len Graham (born 1944) is a Northern Irish traditional singer and song collector from County Antrim, Northern Ireland. He is a leading authority on Folk music in Ireland. Early life Graham was born in County Antrim. His father, a fiddler, brought him to sessions in the local area as a young boy. Throughout the 1960s, Len travelled around Ireland to record and preserve folk songs, befriending singers such as Joe Holmes. Graham won the All Ireland Fleadh Cheoil na hÉireann traditional singing competition in 1971, an important accolade for Irish traditional musicians around the world. Career In 1975 Graham released his first album, a collaboration with his mentor Joe Holmes, ''Chaste Muses, Bards and Sages'' on Free Reed Records. In 1976 he released his first solo album, ''Wind and Water'' with Topic Records. This was followed by his second collaboration with Holmes in 1978: ''After Dawning: Traditional Songs, Ballads and Lilts from the North of Ireland'' Topic Records, whic ...
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Irish Styles Of Music
Irish may refer to: Common meanings * Someone or something of, from, or related to: ** Ireland, an island situated off the north-western coast of continental Europe ***Éire, Irish language name for the isle ** Northern Ireland, a constituent unit of the United Kingdom of Great Britain and Northern Ireland ** Republic of Ireland, a sovereign state * Irish language, a Celtic Goidelic language of the Indo-European language family spoken in Ireland * Irish people, people of Irish ethnicity, people born in Ireland and people who hold Irish citizenship Places * Irish Creek (Kansas), a stream in Kansas * Irish Creek (South Dakota), a stream in South Dakota * Irish Lake, Watonwan County, Minnesota * Irish Sea, the body of water which separates the islands of Ireland and Great Britain People * Irish (surname), a list of people * William Irish, pseudonym of American writer Cornell Woolrich (1903–1968) * Irish Bob Murphy, Irish-American boxer Edwin Lee Conarty (1922–1961) * Irish ...
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Waulking Song
Waulking songs ( gd, Ã’rain Luaidh) are Scottish folk songs, traditionally sung in the Gaelic language by women while fulling (waulking) cloth. This practice involved a group of women, who traditionally prepared cloth, rhythmically beating newly woven tweed or tartan cloth against a table or similar surface to lightly felt it and shrink it to better repel water. Simple, beat-driven songs were used to accompany the work. A waulking session often begins with slow-paced songs, with the tempo increasing as the cloth becomes softer. As the singers work the cloth, they gradually shift it to the left so as to work it thoroughly. A tradition holds that moving the cloth anticlockwise is unlucky. Typically one person sings the verse, while the others join in the chorus. As with many folk music forms, the lyrics of waulking songs are not always strictly adhered to. Singers might add or leave out verses depending on the particular length and size of tweed being waulked. Verses from ...
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