Scuola Grande Di San Rocco
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Scuola Grande Di San Rocco
The Scuola Grande di San Rocco is a building in Venice, northern Italy. It is noted for its collection of paintings by Tintoretto and generally agreed to include some of his finest work. History The building is the seat of a confraternity established in 1478, named after Saint Roch, San Rocco, popularly regarded as a protector against plague. The members of the "Confraternity of St. Roch" were a group of wealthy Venetian citizens. The site they chose for their building is next to the San Rocco, Venice, church of San Rocco which houses the remains of the saint. In January 1515 the project of the building was entrusted to Bartolomeo Bon, although some authorities assign it to his son Pietro Bon. In 1524 his work was continued by Sante Lombardo, who, in turn, three years later was replaced by Antonio Scarpagnino. Following his death in 1549, the last architect to work on the edifice was Giangiacomo dei Grigi, finishing in September 1560. The design was similar to other ''scuole'' ...
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Scuola Grande Di San Rocco (Venice)
The Scuola Grande di San Rocco is a building in Venice, northern Italy. It is noted for its collection of paintings by Tintoretto and generally agreed to include some of his finest work. History The building is the seat of a confraternity established in 1478, named after San Rocco, popularly regarded as a protector against plague. The members of the "Confraternity of St. Roch" were a group of wealthy Venetian citizens. The site they chose for their building is next to the church of San Rocco which houses the remains of the saint. In January 1515 the project of the building was entrusted to Bartolomeo Bon, although some authorities assign it to his son Pietro Bon. In 1524 his work was continued by Sante Lombardo, who, in turn, three years later was replaced by Antonio Scarpagnino. Following his death in 1549, the last architect to work on the edifice was Giangiacomo dei Grigi, finishing in September 1560. The design was similar to other ''scuole'' in Venice, characterized by ...
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Redeemer (Christianity)
In Christian theology, Jesus in Christianity, Jesus is sometimes referred to by the title Redeemer. This refers to the Christian soteriology, salvation he accomplished, and is based on the metaphor of Redemption (theology)#In Christianity, redemption, or "buying back". In the New Testament, ''redemption'' is used to refer both to deliverance from sin and to freedom from captivity. Although the gospels do not use the title "Redeemer", redemption is used in several of Pauline epistles, Paul's letters. Leon Morris says that "Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ." Universality The New Testament speaks of Christ as the one Saviour for all people.On Christ's role as universal Saviour, cf. Gerald O'Collins, ''Salvation for All: God's Other Peoples'', OUP (2008). The First Epistle of John says that Jesus is "the propitiation for our sins and not for ours only but also for the sins of the world" (wikisource:Bible (Ameri ...
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Threni (Stravinsky)
''Threni: id est Lamentationes Jeremiae Prophetae'', usually referred to simply as ''Threni'', is a musical setting by Igor Stravinsky of verses from the Book of Lamentations in the Latin of the Vulgate, for solo singers, chorus and orchestra. It is important among Stravinsky's compositions as his first and longest completely dodecaphonic work, but is not often performed. It has been described as "austere" but also as a "culminating point" in his career as an artist, "important both spiritually and stylistically" and "the most ambitious and structurally the most complex" of all his religious compositions, and even "among Stravinsky's greatest works". Stravinsky composed ''Threni'' in 1957–1958 for the Venice Biennale, and it was first performed there in September 1958. A performance in Paris two months later was a disaster, attributed to inadequate performers and insufficient rehearsals. It led to mutual recriminations between Stravinsky, Pierre Boulez and Robert Craft. The ...
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Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century classical music, composers of the 20th century and a pivotal figure in modernism (music), modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka (ballet), Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as ''Renard (Stravinsky), Renar ...
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Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ...
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