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Schmücke Dich, O Liebe Seele
"" ("Deck thyself, my soul, with gladness", literally: Adorn yourself, O dear soul) is a Lutheran hymn in German, with lyrics by Johann Franck and a hymn tune by Johann Crüger. It was first published in Crüger's 1649 ''Geistliche Kirchen-Melodien'', and was later adopted in other hymnals, such as the 1653 edition of his . "" is a hymn for Lutheran Communion which was often set to music to be played or sung during communion. A translation by Catherine Winkworth, "Deck thyself, my soul, with gladness" of 1858, appears in 100 hymnals. In the modern German Protestant hymnal, '' Evangelisches Gesangbuch'', it is EG 218, retaining six of the original nine stanzas. Text The hymn is a song for ''Abendmahl'', the Lutheran Communion. The hymn lyrics were written in nine stanzas by Johann Franck, who was not a minister but a politician and mayor, between 1646 and 1653. Franck compared the unity between Jesus and a Christian receiving communion to the closeness of bridegroom and br ...
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Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ...
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BWV 654
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ. History Early versions of almost all the chorale preludes are thought to date back to 1710–1714, during the period 1708–1717 when Bach served as court organist and ''Konzertmeister'' (director of music) in Weimar, at the court of Wilhelm Ernst, Duke of Saxe-Weimar. As a result of encouragement from the Duke, a devout Lutheran and music lover, Bach developed secular and lit ...
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17th-century Hymns In German
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Ely Cathedral
Ely Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is an Anglican cathedral in the city of Ely, Cambridgeshire, England. The cathedral has its origins in AD 672 when St Etheldreda built an abbey church. The present building dates back to 1083, and it was granted cathedral status in 1109. Until the Reformation it was the Church of St Etheldreda and St Peter, at which point it was refounded as the Cathedral Church of the Holy and Undivided Trinity of Ely, continuing as the principal church of the Diocese of Ely, in Cambridgeshire. It is the seat of the Bishop of Ely and a suffragan bishop, the Bishop of Huntingdon. Architecturally, it is outstanding both for its scale and stylistic details. Having been built in a monumental Romanesque style, the galilee porch, lady chapel and choir were rebuilt in an exuberant Decorated Gothic. Its most notable feature is the central octagonal tower, with lantern above, which provides a unique internal space and, ...
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Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ...
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Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ...
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Paulist Press
The Paulist Fathers, officially named the Missionary Society of Saint Paul the Apostle ( la, Societas Sacerdotum Missionariorum a Sancto Paulo Apostolo), abbreviated CSP, is a Catholic society of apostolic life of Pontifical Right for men founded in New York City in 1858 by Isaac Hecker in collaboration with George Deshon, Augustine Hewit, and Francis A. Baker. The society's mission is to evangelize—preach the gospel or give information with the intention of converting people to Catholicism—the people of North America in a manner suited to the continent's culture. History Hecker and the early years Isaac Hecker was a priest of the Congregation of the Most Holy Redeemer (Redemptorists), as were all the founding members of the Paulists. Following their conversion to Catholicism, they wanted to create an institute of priests that could evangelize the people of North America in ways that would be more effective than previous methods. Hecker advocated using the popular mea ...
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University Of Münster
The University of Münster (german: Westfälische Wilhelms-Universität Münster, WWU) is a public university, public research university located in the city of Münster, North Rhine-Westphalia in Germany. With more than 43,000 students and over 120 fields of study in 15 departments, it is Germany's fifth largest university and one of the foremost centers of German intellectual life. The university offers a wide range of subjects across the sciences, social sciences and the humanities. Several courses are also taught in English, including PhD, PhD programmes as well as postgraduate courses in geoinformatics, geospational technologies or information systems. Professors and former students have won ten Gottfried Wilhelm Leibniz Prize, Leibniz Prizes, the most prestigious as well as the best-funded prize in Europe, one Fields Medal and two Nobel Prize, Nobel Prizes. The WWU has also been successful in the German government's German Universities Excellence Initiative, Excellence Init ...
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Herzliebster Jesu
"Herzliebster Jesu" (often translated into English as "Ah, Holy Jesus", sometimes as "O Dearest Jesus") is a Lutheran Passion hymn in German, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in ''Devoti Musica Cordis'' in Breslau. As the original headline reveals, it is based on Augustine of Hippo; this means the seventh chapter of the so-called "Meditationes Divi Augustini", presently ascribed to John of Fécamp. Melody and musical settings The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's ''Neues vollkömmliches Gesangbuch Augsburgischer Confession''. The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, two movements of the St John Passion, and three of the ''St Matthew Passion''. BWV2a (1998), p. 475 Johannes Brahms used it for one of his Eleven Chorale Preludes for organ, Op. 122: No. 2.). Max Reger's ''Passi ...
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Lobt Gott, Ihr Christen Alle Gleich
"Lobt Gott, ihr Christen alle gleich" (Praise God, all Christians equally) is a German Christmas carol with lyrics and melody by Nikolaus Herman. It is part of Protestant and Catholic hymnals, has inspired musical settings, and has been translated. The title is also known as "Lobt Gott, ihr Christen allzugleich". History The song is traditionally dated 1560, because it appeared then in eight stanzas with the melody, Zahn No. 198, in Wittenberg. The melody was connected before in 1554 with the text "Kommt her, ihr lieben Schwesterlein". An early version of text and melody appeared already around 1550 on a leaf ("Liedblatt") ''Drey geistliche Weyhnacht/ lieder, vom Newgebornen kindlin Jesu / für die kinder im Joachimstal'' (Three sacred Christmas songs, of the newborn little child Jesus / for the children in the Joachimstal). Herman based the melody on the Gregorian introit antiphon for Christmas "Puer natus est nobis" (A boy is born for us"). The first line was often r ...
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Macht Hoch Die Tür
"Macht hoch die Tür" (Fling wide the door) is a German popular Advent hymn, written in Ducal Prussia in the 17th century. The lyrics were written by Georg Weissel in 1623, for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen. "Macht hoch die Tür" appears as number 1 in the current German Protestant hymnal '' Evangelisches Gesangbuch'' (EG 1). It is also part of the Catholic hymnal ''Gotteslob'' (GL 218), among others. As one of the best-known and most popular Advent songs, it was translated, into English by Catherine Winkworth in 1855 as "Lift up your heads, ye mighty gates", also to Swedish and Norwegian, among others. It was also translated to Indian languages like Telugu and Tamil. History The lyrics were written by Georg Weissel in 1623, on the occasion of the inauguration of the Altroßgärter Kirche in Königsberg on the second Sunday in ...
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Critical Edition
Textual criticism is a branch of textual scholarship, philology, and of literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons. The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may lead to t ...
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