Schloss Seehof
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Schloss Seehof
Schloss Seehof is a ''Schloss'' (palace) in Memmelsdorf, Bamberg, Germany. It was built from 1684 to 1695 as a summer residence and hunting lodge for Marquard Sebastian Schenk von Stauffenberg, Prince-bishop of Bamberg. Location Schloss Seehof is located outside of Memmelsdorf in the district of Bamberg, around 5 kilometers northeast of the town of Bamberg in the Upper Franconia region of Bavaria, Germany. History Marquard Sebastian Schenk von Stauffenberg, Prince-bishop of Bamberg, enjoyed the rural area around Memmelsdorf. He thus asked to replace a local estate from the late 15th century with an early Baroque palace. This was built between 1684 and 1695. Later redesigns included the White Hall in the west wing, created during the reign of Johann Philipp Anton von Franckenstein in the 1750s. Description The palace is located in a large park and stands on a square plan, much like Schloss Johannisburg at Aschaffenburg. The four corner pavilions are topped by squat octagon ...
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Schloss
''Schloss'' (; pl. ''Schlösser''), formerly written ''Schloß'', is the German term for a building similar to a château, palace, or manor house. Related terms appear in several Germanic languages. In the Scandinavian languages, the cognate word ''slot''/''slott'' is normally used for what in English could be either a palace or a castle (instead of words in rarer use such as ''palats''/''palæ'', ''kastell'', or ''borg''). In Dutch, the word ''slot'' is considered to be more archaic. Nowadays, one commonly uses ''paleis'' or ''kasteel''. But in English, the term does not appear, for instance, in the United Kingdom, this type of structure would be known as a stately home or country house. Most ''Schlösser'' were built after the Middle Ages as residences for the nobility, not as true fortresses, although originally, they often were fortified. The usual German term for a true castle is ''burg'', that for a fortress is ''festung'', and — the slightly more archaic term — ''v ...
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Biblical Magi
The biblical Magi from Middle Persian ''moɣ''(''mard'') from Old Persian ''magu-'' 'Zoroastrian clergyman' ( or ; singular: ), also referred to as the (Three) Wise Men or (Three) Kings, also the Three Magi were distinguished foreigners in the Gospel of Matthew and Christian tradition. They are said to have visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition. The Gospel of Matthew is the only one of the four canonical gospels to mention the Magi. has it that they came "from the east" to worship the "king of the Jews". The gospel never mentions the number of Magi. Still, most western Christian denominations have traditionally assumed them to have been three in number, based on the statement that they brought three gifts. In Eastern Christianity, especially the Syriac churches, the Magi often number twelve. Their i ...
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Buildings And Structures In Bamberg (district)
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, monument, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the :Human habitats, human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or ...
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Palaces In Bavaria
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Buildings And Structures Completed In 1696
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Bavarian State Office For Monument Protection
The Bavarian State Office for Monument Protection (german: Bayerisches Landesamt für Denkmalpflege, BLfD) is the Bavarian central state authority for the protection of historical monuments. It is responsible for the conservation of both historic buildings as well as heritage sites and their archaeology Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscap .... References External links Bayerisches Landesamt für Denkmalpflege (BlfD)BayernViewer-Denkmal, digital monument list, Bayernkarte online map with monument locationsBavarian Monument Protection Act of 1973(pdf, 13 pp., 140 kB) www.behoerdenwegweiser.bayern.deMission and tasks of the BLfD {{Coord, 48, 8, 20.91741, N, 11, 34, 42.58381, E, type:landmark_region:DE-BY, display=title Archaeological organizations Organisations b ...
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Adam Friedrich Von Seinsheim
Adam Friedrich Graf von Seinsheim (1708–1779) was the Prince-Bishop of Würzburg from 1755 to 1779 and Prince-Bishop of Bamberg from 1757 to 1779. Adam Friedrich von Seinsheim was born in Regensburg on 16 February 1708, the son of Maximilian Franz ''Graf'' von Seinsheim (1681-1739) and his wife Anna Philippina ''Gräfin'' von Schönborn (1685-1721). Article on German Wikipedia His mother was the sister of Franz Georg von Schönborn, Archbishop-Elector of Trier; Friedrich Karl von Schönborn, Prince-Bishop of Bamberg and Würzburg; and Damian Hugo Philipp von Schönborn, Prince-Bishop of Speyer. He became a canon of Bamberg Cathedral and Würzburg Cathedral in 1718. He studied Christian theology at the University of Salzburg (master's degree 1724) and at the ''Collegium Germanicum'' 1725-27; and law at the University of Würzburg and Leiden University. In 1747, he became provost of the Church of St. Gangolf in Bamberg. He was ordained as a priest on 29 September 1753. T ...
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Orangerie
An orangery or orangerie was a room or a dedicated building on the grounds of fashionable residences of Northern Europe from the 17th to the 19th centuries where orange and other fruit trees were protected during the winter, as a very large form of greenhouse or conservatory. The orangery provided a luxurious extension of the normal range and season of woody plants, extending the protection which had long been afforded by the warmth offered from a masonry fruit wall. During the 17th century, fruits like orange, pomegranate, and bananas arrived in huge quantities to European ports. Since these plants were not adapted to the harsh European winters, orangeries were invented to protect and sustain them. The high cost of glass made orangeries a status symbol showing wealth and luxury. Gradually, due to technological advancements, orangeries became more of a classic architectural structure that enhanced the beauty of an estate garden, rather than a room used for wintering pla ...
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Germanisches Nationalmuseum
The Germanisches National Museum is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The Germanisches National Museum is Germany's largest museum of cultural history. Out of its total holding of some 1.3 million objects (including the holdings of the library and the Department of Prints and Drawings), approximately 25,000 are exhibited. The museum is situated in the south of the historic city center between Kornmarkt and Frauentormauer along the medieval city wall. Its entrance hall is situated on Kartäusergasse which was transformed by the Israeli sculptor Dani Karavan to the Way of Human Rights (german: Straße der Menschenrechte). Name, establishment, guiding principles The Germanisches Museum, as it was named initially, was founded by a group of individuals led by the Franconian baron Hans von und zu Aufsess, whose goal was to assemble ...
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German Mediatisation
German mediatisation (; german: deutsche Mediatisierung) was the major territorial restructuring that took place between 1802 and 1814 in Germany and the surrounding region by means of the mass mediatisation and secularisation of a large number of Imperial Estates. Most ecclesiastical principalities, free imperial cities, secular principalities, and other minor self-ruling entities of the Holy Roman Empire lost their independent status and were absorbed into the remaining states. By the end of the mediatisation process, the number of German states had been reduced from almost 300 to just 39. In the strict sense of the word, mediatisation consists in the subsumption of an immediate () state into another state, thus becoming ''mediate'' (), while generally leaving the dispossessed ruler with his private estates and a number of privileges and feudal rights, such as low justice. For convenience, historians use the term ''mediatisation'' for the entire restructuring process that to ...
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Lothar Franz Von Schönborn
Lothar Franz von Schönborn-Buchheim (4 October 1655 – 30 January 1729) was the Archbishop-Elector of Mainz from 1694 to 1729 and the Bishop of Bamberg from 1693 to 1729. As Archbishop of Mainz, he was also Archchancellor of the Holy Roman Empire. Lothar Franz von Schönborn is known for commissioning a number of Baroque buildings, such as the palace ''Schloss Weissenstein''. Family Lothar Franz was born in Steinheim am Main, now a suburb of Hanau, on 4 October 1655 to Count (1607-1668) and Maria Ursula von . He was a nephew of Johann Philipp von Schönborn, Archbishop of Mainz from 1647 until 1673, and a grand nephew of Georg Friedrich von Greiffenklau, Archbishop of Mainz from 1626 until 1629. Furthermore, he was an uncle to the Schönborn-Buchheim branch which included Johann Philipp Franz, Friedrich Karl, Damian Hugo Philipp and Franz Georg. Life He was educated at the Jesuit College in Aschaffenburg. In 1665 Lothar Franz was appointed ''Domizellar'' (canon) of ...
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Giuseppe Appiani
Giuseppe Appiani (1740 or 1754–1812) was an Italian painter of the Neoclassic periods. He was born in Vaprio d'Adda, near Milan, where he was mainly active. His parents moved to Monza, where his first mentor was the painter Giovanni Maria Gariboldi. At age 21, he moved to Milan, where he worked in the studios of Giorgi, and later Giuliano Traballesi Giulio or Giuliano Traballesi or Trabellesi (1727–1812) was an Italian designer and engraver. Biography He was born in Florence. After training with Agostino Veracini and Francesco Conti in Florence, Trabellesi studied architecture under An .... He was active in restoration of paintings. Another painter, Giuseppe Appiani (Porto, c. 1700-Triefenstein, c. 1785), was active in Germany. References . 1740 births 1812 deaths 18th-century Italian painters Italian male painters 19th-century Italian painters Painters from Milan Italian neoclassical painters 19th-century Italian male artists 18th-century Italian male ar ...
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